Tag Archives: Indie Authors

An Unlikely Friendship by Jasmine Fogwell – #BookReview

An Unlikely Friendship by Jasmine Fogwell
An Unlikely Friendship by Jasmine Fogwell

An Unlikely Friendship by Jasmine Fogwell is an imaginative, wholesome story with a surprise ending.

James, the main character, meets a 150 year old lady with a mystery-filled reputation.  To add to the suspense, James discovers the two of them have something in common—something found in the woods.

They’re wonderful, and if only you could tell your human loved ones of the bond you can share with one of those strange creatures, perhaps humans could learn from them, the 150 year old lady said to James.

The story moves along at a good pace and keeps you guessing, what happens next? An interesting, unique story filled with enough suspense to hold your attention. I enjoyed it. Our ten-year old daughter really enjoyed it. She can’t wait to get the next two books in the trilogy to see what happens next.

A  charming story for young readers. A great find.

5 stars.

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Analysis of a Book Reviewer

Did you ever wonder what it was like to write about other people’s writing? That is the job of a book reviewer. I always wanted to be a freelance writer, and for me reviewing books is a perfect example of what a freelance writer does. I write book reviews as a public service to readers and authors alike, sharing my opinions of what I read.

Book reviewers are a valuable asset to all writers. I believe all serious writers should write reviews on other author’s books. The lessons learned are invaluable and will benefit your own writing. This process works for me. I see a marked improvement in my own writing skills since I began reading and sharing other writer’s work.

I follow a format designed to bring out the best aspects of any author’s work. The idea is to express my thoughts about a book in as honest a way, as possible. This is not as easy as you think. I want to be fair to the author and the reader. Sometimes book reviewing is a real balancing act of words and emotions. Bottom line, I always follow my gut, and say what I think. The author needs to know how their writing affects readers. I accept that task.

There are certain things I look for in the review process when I first begin reading a book. First impressions are always something I take seriously. Typo’s, or misspelled words, sentences missing words, are the kinds of things that detract from a book’s meaning, which all cause confusion to the reader. I believe the more mistakes a reader spots, the less confidence a reader has in your ability as a writer.

How a book makes me feel is another aspect that is an integral part of the reading/reviewing experience. I like to employ the Ethos, Logos, and Pathos rules to my reviewing. Is the story believable? Do the series of events make sense to the reader? Can I understand the terminology the author uses? Does the story flow?

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(Image credit: TeachersPayTeachers offers this poster as a free-download)

So what is a good book? To me, a good book allows me to see a series of events and descriptions through the author’s eyes. Good books are those where I can feel the internal conflicts of the characters, which gives me an emotional connection. If you form that bond with me as a reader, I have a favorable memory of the story. I will remember the way you made me feel with your words.

One thing, I believe a book reviewer should never do is to impose their own personal belief system on an author. If you are reading a book that upsets your take on the world that much, keep your thoughts to yourself. Send an apology email to the author explaining why you have decided not to review their book. Do not destroy the author’s hard work because you do not hold the same values.

I prefer to be open minded to the possibilities of literature. I like the journey and the review process is part of it. Book reviewing can be one of the most daunting tasks you will ever undertake if you let it. Instead, I find it to be one of the most fulfilling writing tasks I have ever experienced because it lets me share in the joy of writing and reading.

Indie Authors depend on us to share their work. Read a book, and write a review! It’s the best way to thank an author for their hard work.

Colleen 12.22.15

 

 

 

 

 

@ColleenChesebro

www.SilverThreading.com

 

10 Days of #Book & #Author #Promotion for $10.

Is your book family friendly?

By Family Friendly, we don’t me it has to be Christian for a Christian site. We mean family friendly in regards to content and language usage.

Want a great deal for 10 Days of a Feature Spot on a book promotion site?

2 Feature Spots Available!

1 Author Spot Available!

Email to ebookchristian316 (at) gmail (dot) com

EBook Christian 10 Days for $10 Promotion

#NEW #BOOK PROMO SITE! Check out the #FREE opportunity NOW!

THE FREE SPACES HAVE BEEN FILLED!

Thank you to those that participated.
Authors, do you want to get in on the ground floor of a NEW BOOK ADVERTISING SITE about to launch?

 

eBook Site

 

LWI’s own Dr. Jason Royle contacted me with this proposal;

 

Email and offer removed due to spots filled.

 

There is also a “Author in the Spotlight” spots.  To be featured simply email me an “author photo” and “title of book” on Amazon and they will be listed on the site, (with a link to their book) permanently.

 

The title of the site is eBook Christian, but you do not have to be Christian to submit a book.  The only requirement is that your book does not contain vulgar language, graphic violence, or sexual/erotic content.  

 

Children’s books, poetry, self-help, fiction, non-fiction, suspense, romance, etc. all genres welcome.



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@RonovanWrites

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The Need for Farsightedness

A Diary of Writing Wisdom (and other nonsense)

#FOUR

The Need for Farsightedness

Human beings are naturally shortsighted. The current opinions are the ones we see in front of us, the ones that are discussed in current magazines and on social media. It is natural to concentrate on current trends and hot topics. But there are two disadvantages in doing so. One is that we fail to learn from the past; the other is that we fail to look to the future.

Interestingly, these two forms of shortsightedness are connected, for one of the clearest lessons we learn from the past is that the “normal” of one generation is out-of-date in the next. In theory this is not hard to accept. At one time or another we have all read books/excerpts from articles written many centuries ago and smiled at the quaintness of the ideas and the language contained therein; and we realize that our own generation would be unique were it not for the fact that it will appear equally quaint in years to come.

I wonder, for instance, what our descendants will think of the Zombie Apocalypse theory or of stem-cell research. It is difficult for us to see it as future generations are likely to see it. Robert Burns once prayed for the gift to see ourselves as others see us. It would be an even greater gift to see ourselves as people in the 23rd Century will see us.

When it comes to writing, don’t be too shortsighted. Learn from your past. Don’t just let it lay dormant. Incorporate what you’ve learned from the past into your script of today. Believe it or not, this looking-back approach can help writer’s generate even greater power to look ahead. It can help writer’s ignore the temptation to write only about current trends and hot topics. It can even help writers become less shortsighted and more farsighted—nearby distractions become blurry while the ability to see distant goals and objectives become more and more clear.

OC Maryland-001Ocean City, MD, 2014. 

LitWorldInterviews One Year Anniversary.

Lit World Interviews

It’s been one year since I opened the doors of LitWorldInterviews. An idea that was to be for me to share the few and random interviews I did of my Indie Author friends and those I happened upon who needed them has turned into something a bit more.

That was in part due to meeting Jo Robinson who I instantly saw as a person sharing my interest in Indie Authors and their support. Once she agreed to join things snowballed.

60+ Interviews, around 100 Book Reviews (and those are just the ones we published) and 10 Team Members later, here we are.

I am hoping we have helped some authors, created a good reputation as a quality site for tips for Indie Authors about Self-Publishing, and are known for being a place the author can trust to put their work in the best light (if it deserves it). We sometimes run across a book that doesn’t quite work, but those books we don’t publish a review of. We would rather give the author our opinion and let them decide. An opinion is an opinion after all. How many movies have you loved the critics hated?

To all of you have trusted us, I say thank you. To those I have let down due to my health not allowing me to read books, do interviews all because I’ve forgotten (pesky concussion/amnesia thing), my apologies.

I stated recently a desire to add Book Reviewers. I reiterate that at this time. Mature in thinking, passionate in heart, and professional in manner about the written word is what I am looking for.

Email me at ronovanwrites(at)gmail(dot)com with your interest, your site if you have one (I’m just mentioning one, you don’t have to have one at all, not a big deal), and background. Include your genre preferences.

Do you have a book available for us to review? Click the Book Review Submissions tab below the header photo or click here to go there. Some of our Team have forms on their own blogs to fill out but if you fill the one out here it will reach that Reviewer.

 2015 © Copyright-All rights reserved by litworldinterviews.wordpress.com

Keep on Writing by @JoRobinson176

It’s easy to get daunted by the vast quantities of books published on Amazon every day, and also by some successful author’s suggestions that you shouldn’t be trying to charge for your books if your work has not been approved by legitimate traditional gatekeepers. Why bother putting in all the hard work of writing books if they’re just going to be buried by the millions, or trashed by the literati?

Why you should definitely bother is because of what self-publishing is. People who buy books from Amazon are fully aware that the vast majority of them are by Indie authors, and they’re going to be pretty sure that they want any given book before they pay for it. Not every book you write is going to be great. I never figured out what the point was to Stephen King’s The Girl Who Loved Tom Gordon, so writing every book that you write that everyone will love is not something that even the greats can do.

The rules are that anyone can publish on Amazon and nobody has the right to try and prevent you from doing just that. Obviously we’re not going to purposely publish a book that is going to get trashed, because when we write books we’re doing it to make for pleasurable reading. If we do slip up and readers hate what we’ve written we can unpublish that book and try harder to get it right next time.

Before the advent of self-publishing, I would say that I absolutely loved about twenty percent of the traditionally published books that I bought. Some I liked. Some were just so-so, and some I disliked so much I never finished reading them. I paid for all of those books, but I never once thought I was entitled to a refund. If they’d been totally full of typos and illegible I would have though, so that’s not what I’m talking about here. I’m talking about the actual stories.

Of the Indie books I’ve bought I’ve actually loved more than twenty percent and liked most of them. Only a small percentage have been typo riddled or illegible. Indies try harder to perfect their end product, and should not be discouraged by negative talk from any author, no matter how popular their own books are. Fair is fair, and every single writer fresh out of the gates is just as entitled to their own publishing journey.

Don’t let this sort of thing put you off Indie scribblers, and don’t feel that you have to submit your book for years and receive a hundred rejection slips before you share your tales with the world. Produce the best book that you can, and let your readers decide. This is a great time to be a self-published writer, and everyone has to start somewhere. Keep your eye on the prize, and write on. Never let the naysayers steal your mojo.

Asimov Quote

Fact in Fiction. by Guest Author @wendyproof

A well-researched novel is a joy to read. I love it when an author seamlessly weaves his or her research into a story. An excellent example of this is Susan Louineau’s The Chapel in the Woods. I enjoyed this book so much, I felt compelled to write a review: https://www.goodreads.com/review/show/576806766

However, too many facts can get in the way. The research overpowers the fiction. I had to stop reading one political thriller because the author wanted to tell me everything he knew about the workings of the British Parliament from its inception to the present day. I was so lost in the detail that I couldn’t locate the beginning of the actual story.

Equally, a lack of research can also get in the way of telling a good story. If the facts are wrong it undermines the fiction.

These facts include things like the spelling and punctuation of the names of well-known companies, products and people. When proofreading novels I regularly have to remove an extraneous apostrophe from a popular coffee chain, and equally regularly add one to a popular burger chain.

I need the internet to do my job efficiently. Without checking online I wouldn’t know how many ff’s and whether it’s ei or ie for Michelle Pfeiffer.

I often wonder what the internet bods who monitor everyone’s online life must think about me. Driven by the proclivities of the fiction I’ve been proofreading in the last few months, I have recently found myself looking up French fashion designers of the 1950s, automatic pistols and yoga positions. I fondly hope they think I’m a well-dressed, dead-eyed assassin, who can balance on one leg for an hour.

As well as confirming spellings of the names of Renaissance artists, towns in Madagascar and the odd rare cheese, I sometimes carry out more extensive fact-checking and research online. Not to the level and expertise of an editor, but when proofreading I double-check dates and historical references if they strike me as incorrect. It gives me great joy to spot an anachronism or two. Allow me a little fun:

Debbie put the phone down and dashed to her diary. Turning to 10 January 1983, she wrote: “First date with G!!!!” Finally, finally, the man of her dreams had asked her out. Admittedly watching Pulp Fiction at the local cinema wouldn’t have been her first choice, she would have preferred a romantic meal at the new Italian restaurant in the high street, but a date was a date. And it was with Gary!

Not the ideal first-date movie, I’ll grant you, but that’s not the biggest problem for our young couple. They should be more concerned that that particular film won’t be out for more than a decade.

Living so close to London, I love proofreading books set in the capital. They give me an excuse to double-check all sorts of snippets about its history and geography. The London Underground is my favourite obsession – the three maps on my dining room walls can attest to that.

This is why I was thrilled when a few years ago, author Larry Brill asked me and my husband (an even bigger London buff than I am) to help him with some research for his satire on modern media, set in 1760s London. He’d written the story, but wanted some advice on the authenticity of the dialogue and the accuracy of the depiction of London geography.

Part of the humour of this story is generated by the juxtaposition of modern phrases alongside authentic eighteenth-century London language. However, the reader needs to feel secure that the author is in control and is using modern idiom on purpose, rather than in error. As soon as a reader starts to wonder whether a particular word would really have been used at that time, the suspension of disbelief is broken.

We looked for words that might jolt the reader out of eighteenth-century London and undermine the whole wonderful conceit. We debated long and hard about the use of words such as “moniker” and “conniption” (nineteenth century) “doozy” and “ginormous” (twentieth century).

As well as spending a lot of his time in London pubs, the lead character also wanders the streets of London. So we spent many a happy hour poring over old maps to check that his walks along Fleet Street and The Strand would indeed take him to his intended destinations.

We also double-checked the dates for the construction of the now-familiar bridges across the Thames. We were surprised to learn that there weren’t many options for walking over the Thames in 1760s London: only London and Westminster Bridges existed at that time. We suggested to the author that he remove or amend references to Blackfriars, which didn’t open to the public until 1769, and Waterloo Bridge, which wasn’t ready until 1817.

I would hesitate to put myself forward as a professional researcher, but it was heaps of fun and I hope we played a tiny part in helping the author ensure that the reader fully enjoys the reading experience.

In case this has whetted your appetite for this gem of a book, here’s a link to The Patterer by Larry Brill: https://www.goodreads.com/book/show/18587008-the-patterer?from_search=true

To sum up…

An untrue “fact” or a historical “blooper”, while delighting the sort of person who loves to spot howlers, can spoil the flow for the majority of readers who want to be entertained as well as educated.

Too many facts, however brilliantly researched, can take a good story and turn it into a textbook, or worse – a dreary showing off of the author’s knowledge. A little learning goes a long way.

The internet and the reference library are the author’s/editor’s/proofreader’s friend. Authors/editors/proofreaders, do you have any websites or books you use when you research that you’d like to share?

wendy_janes_author.jpgWendy Janes is a successful freelance proofreader for a range of large and small publishers and has been for over a decade. She has a Bachelor of Education degree from Goldsmiths College (London University) and a Chapterhouse qualification in proofreading and copy editing. Her own work can be found in two anthologies; A Kind of Mad Courage and Romantic Heroes , the non-fiction memoir of her grandfather The One and Sixpenny Englishman, and her full length literary fiction novel What Jennifer Knows. For her services, go to her site http://wendyproof.co.uk/testimonials/ and make certain to connect with her on Twitter, . (She in no way proofread this bio.)


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We are what we eat…

A Diary of Writing Wisdom (and other nonsense)

#THREE

We are what we eat…

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The Latin proverb simulac hoc, ergo propter hoc, which may be translated, “everything is the product of its environment,” is the basis for this writing theory.

According to this idea authors are like rivers. Rivers do not create water; they receive it from springs and streams. In the same way authors receive their ideas from the streams of thought that are flowing in the corner of the world in which they live. A middle-class Eastern author will receive middle-class Eastern ideas. A working-class Western author will receive working-class Western ideas.

To say it another way, authors “are what they eat.” This idea applies to minds as well as to bodies. It assumes that, just as my body is the product of red curry or pulled-pork BBQ (depending on my background), so also my mind is the product of French ideas or American ideas, liberal ideas or conservative ideas (depending on my background).

Growing authors, however, will realize this about themselves and seek out ways to “alternate” what they eat (every once in a while).

As a step toward becoming more aware of the kind of writer you now are. As a step toward becoming the kind of writer you someday wish to be—take time to consider not only how what you eat may be contributing to your writing, but how what you only eat may also be limiting your writing.

Variety adds spice . . . to writing life.

The Proof is in the Reading. by Guest Author @wendyproof

The Proof is in the Reading

If I do my job properly, I am invisible.

Very few of us finish reading a novel and say, “That book was beautifully proofread.” And who would want to? A story should transport us, take us out of our everyday lives, excite or move us in some way. We don’t want the misspelling of a character’s name or a missing full stop to jolt us out of the story. OK, maybe that can be forgiven when we’re being swept along by an entertaining tale, but repeated typos and inconsistencies can undermine our trust in the author’s ability to spin a good yarn.

When I’m proofreading, I’m always thinking about the link between the author’s words and the reader’s mind. I like to believe that I play a tiny part in ensuring that the story travels cleanly from one to the other. I often find myself asking two questions: “What is this author trying to say?” and “Will the reader understand it?” Using these questions as my focus I spend hours choosing when to intervene and when to step away. It often feels like I’m walking a tightrope.

I’d like to demonstrate some elements of this high-wire act, and share with you the types of decisions I make when I’m proofreading fiction. This post inevitably touches on the differences between proofreading and editing, and I’ll say categorically, up-front, no doubt about it, I’m in the troupe that firmly pitches its circus tent in a fuzzy grey area. However, as a general rule, when proofreading I tend to only correct proofreading errors and make suggestions or ask questions about editing issues.

So, let’s get down to details with one example of a descriptive passage and a couple of examples of dialogue.

Dirk has escaped from his kidnappers and the author is describing how he’s now lost in the desert:

The son beat down like a demon, dragging his very soul from his aching limbs. Dirk couldn’t take any more of this dessert. It filled him with a stomach-churning dread. He could be stuck hear for ever in these dessert sands that stretched for ever. The harsh, cruel, unrelenting terrain played tricks on his tired mind and his weak body.

Having corrected “son” to “sun” and “dessert” to “desert” and “hear” to “here”, there really isn’t anything else I should go ahead and amend as a proofreader. I would probably add a note to suggest avoiding the repetition of “for ever”, but however much I might want to cut down on the number of adjectives describing the terrain or think that the word “battered” would work heaps better than “weak”, I have to rein myself in because it’s not my job to put my stamp on an author’s work.

Let’s move forward to the moment Dirk is being helicoptered out from the “harsh, cruel, unrelenting terrain” of the desert. The dialogue runs:

“How long have you been out there?” The medic enquired.

“Dunno,” said Dirk, “L-lost track of t-time,” he coughed.

“Take a sip of this,” the medic offered a bottle of water.

I’d make the following corrections:

Line 1: Change “The medic” to “the medic”.

Line 2: Alter the comma to a full stop after “Dirk”.

Line 3: Amend the comma to a full stop after “this” and “the medic” to “The medic”.

Basically I’m ensuring that speech tags and action tags are punctuated correctly. I have a dilemma deciding what to do with the second line. Strictly speaking “he coughed” is action rather than speech and so the comma after “time” should be a full stop and the “h” of “he” should be amended to upper case. However, the hyphens suggest to me that Dirk is coughing as he’s speaking (probably he’s suffering from all the sand that got down his throat after an undisclosed number of days in the desert), so I’d probably leave this, even though the grammar police are probably beating a path to my door as I type.

Dialogue can be an excellent way to efficiently drive a story forward, but often when a book has been through a few drafts I’ve found some authors have lost track, and included details in both the dialogue and the narrative, which results in unnecessary repetition. We now find Dirk being interviewed by the police after his kidnap ordeal. He’s been asked to provide a description of the kidnapper whose afternoon nap allowed him to escape:

“Tall guy, six-two or six-three maybe, well-built, massive shoulders, like a rugby player, black hair, longish, clean-shaven, broken nose.”

“What about accent? Anything unusual about his voice?” asked the policeman.

“English, probably London. Deep voice,” replied Dirk, remembering how the kidnapper tried to intimidate him with his height, his deep voice and rugby-playing physique, but that he whimpered like a baby in his sleep.

Here I would guess that the author initially put the detail in the speech, then in a later draft decided to do this via Dirk’s memory, but forgot to remove the detail from the description. It’s not a proofreading error, but I’d query whether the repetition was on purpose or not.

Which leads me on to another question I often ask: “Has the author done this on purpose or not?” The most exciting writing breaks the rules, and I need to be alert to the occasions when an author breaks the rules on purpose. A very simple example of this is when an author drops in short phrases rather than full sentences to inject pace and drama. It’s usually pretty clear that the author knows perfectly well how to write a conventional sentence, but has chosen a few choppy phrases to create an effect.

I don’t sit there wielding my red pen correcting novels as if I’m a teacher (although I was a teacher long, long ago), nor is it my job to criticise an author’s work or to show off. I’m fully aware that the author of Dirk’s adventure knows how to spell “sun”, “desert” and “here”. They are typos, not a reflection of the author’s intelligence or ability to write. I don’t approach my job in a judgemental way.

I do need to tune in and judge how formal or informal the author’s style is and in turn respect the author’s voice. So if an author regularly uses the comma splice or doesn’t punctuate “that” and “which” in the way that I was taught at school, as long as the meaning is clear I won’t change the text. And as long as the use of commas works for a sentence I won’t get bogged down in gradable, qualitative, classifying or coordinate adjectives. Essentially, if the author is getting the message across I try my hardest not to interfere.

A little aside, in case you are interested in the comma splice and the punctuation of “that” and “which”. Here’s a basic outline:

  • The comma splice, also known as the run-on sentence, occurs when you use a comma to join two unrelated main clauses. For example, “I enjoy proofreading novels, I spend all day playing with words.” Strictly speaking the comma should be replaced by a semicolon or colon, or the two clauses linked by a conjunction. I have to admit to a guilty fondness for the rhythm of comma splices.
  • “That” is used without a preceding comma to introduce text that is integral to the sentence, whereas “which” is preceded by a comma when the text is not integral to the sentence, which makes sense really.

If you’re interested in reading more about those gradable, qualitative, classifying and coordinate adjectives I suggest you set aside an hour, pour yourself a strong cup of tea or a stiff drink and read section 4.3.4 of The Oxford Style Manual (UK) and 6.33 of The Chicago Manual of Style (US).

There are rules, and many of them are there to help the author’s words convey his or her intended meaning, but equally many of those rules are made to be broken if the author knows what he or she is doing. A huge part of my job is to judge when to impose those rules and when to keep shtum.

Having raised my head above the parapet with this post, I’m now going to wrap myself in my invisibility cloak and return to working on other people’s words.

wendy_janes_author.jpgWendy Janes is a successful freelance proofreader for a range of large and small publishers and has been for over a decade. She has a Bachelor of Education degree from Goldsmiths College (London University) and a Chapterhouse qualification in proofreading and copy editing. Her own work can be found in two anthologies; A Kind of Mad Courage and Romantic Heroes , the non-fiction memoir of her grandfather The One and Sixpenny Englishman, and her full length literary fiction novel What Jennifer Knows. For her services, go to her site http://wendyproof.co.uk/testimonials/ and make certain to connect with her on Twitter, . (She in no way proofread this bio.)

I want to thank Ms. Janes for giving us an inside look into the world of a proofreader. I must say I like her method, and the length of times she takes. Give me a person that says they will turn around a book in a couple or three days, and I will give you someone I worry about.~Ronovan

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Authors, be what authors need to be.

You’ll find hundreds of sites with advice about book promotion. We even have that advice here on Lit World Interviews. But what do you not find?

Ever heard of an actor named Haley Joel Osment? He saw dead people and was Murphy Brown’s and Forrest Gump’s. He was in a movie where Kevin Spacey played his teacher and had his Osment’s class come up with an idea to change the world. Osment took it seriously and went for it.

Ideas for publicity come from some strange places. I’ve tried here on LWI to get a ball rolling with no luck. It’s almost like having to write a query letter and getting the hook just right. Or making certain your first paragraph of the greatest novel ever written you spent ten years working on will pull in the reader and make them buy your book.

The hook, the bait, the paragraph wasn’t good enough, I suppose.

Big publishing companies have tons of authors. How much time do you think they put in for publicity for each author? Can you image how large a publicity department they would need? A great many of those authors end up doing their own publicity. They have as much clue as the average person when they start. And that book that took ten long years of love and sweat and divorce and celibacy to write ends up going nowhere.

Why? Because all those sites out there don’t tell you something. Don’t provide you something.

Do book blog tours. Have people review your book. Get online presence. Do this, do that. Great advice. Where do you start? How? How do you find these people?

Indie Authors, most Authors are broke, or closet to living check to check. We don’t even have the publicity person of a publishing house telling us we need to do something.

Authors Supporting Authors is what I call a Pay it Forward entity. The idea is hundreds of authors and author supporters end up involved. We become the publishing company publicity machine. How much does it take to click something, or post a prepared post by an author, or even at times read a free book given for a review?

But there is more to it than that. With authors actively being involved we can do things. We can build up lists of blogs with themes that are best for certain types of books. List what sites to go to for types of publicity ranging from free to OMOhNo-I-Ain’t-Paying-That. We can rate services. Put out warnings of scams.

A centralized hub for authors to go to and find what they need without the headache of having to search the internet for it all. Let’s put it all in one place.

I started the site last week. But I am not going to be the only one doing anything. You are as well. You will be providing the information more so than I will. You find something, comment about it. There will be threads to do things like that. You want to be an Author on the site? Email me at ronovanwrites@gmail.com. It doesn’t mean you will be given author access but you probably will if I know you or one of my friends does. Why the hesitancy? I have to trust because this is important.

I would like to have people who keep an eye on each type of promotional piece to make sure things are being found, comments are being taken care of and people requesting help with promotions are not overlooked.

That’s right. The most important part of ASA is you the author tells the community what you need and the idea is the community responds and helps with the idea of Paying it Forward. We all need help. Indie Authors and Authors in total are one of the largest companies out there. We need to start acting like it and doing something about it. There is room for all of us to have success.

By having one place to go to, we can organize and not conflict with each other if possible.

Will it take time to grow this? Only as much time as it takes each of you to get involved. Will it be perfect to begin with? No. But as soon as possible we will have something great in place we can ALL use. That includes me.

https://authorssupportingauthors.wordpress.com/

There’s the link. Click it. Follow. I’ll create a Suggestion Box Page where you can leave suggestions for promotion ideas, publicity, page ideas for the site.

There will be a Newsletter created.

Didn’t click the link yet?

Then click the image and get to work.

 

AuthorsSupportingAuthors

Let’s connect.

https://twitter.com/RonovanWrites

https://www.facebook.com/pages/Ronovan-Writes/630347477034132

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What Does a Proofreader Actually Do With Your Book? by Guest Author @wendyproof

You’re considering sending the manuscript of your novel to a proofreader.

Her website is error free – that’s a good start.

She has a number of testimonials – so that’s reassuring.

You agree rates and dates, and she confirms it will take her ten to fourteen working days to return your book. You picture that happy day when, hey presto, typos will have been eliminated, inconsistencies expunged. Although you have confidence in her skills, what you’d really like to ask is: “What do you actually do with my book during those fourteen days?” You don’t want to sound like you don’t trust her, but…

So, this is a post for anyone who has ever wanted to know what a proofreader actually does with a manuscript but was afraid to ask. Of course this is only how I work, but from chatting with colleagues we all do pretty much the same, with a few slightly different incantations and flicks of the wand.

Welcome to my dining room where the magic takes place.

Day 1: As soon as an author sends me the Word document, I open the attachment on my PC to ensure that it is the author’s novel and not the email intended for Great Aunt Pam. I download and save that copy, and confirm receipt with the author.

Onscreen I look for formatting issues. I turn on “backward P” for this. Better known as the paragraph mark icon in the home menu, it allows you to view the invisible parts of a document. I look for things such as:

  • chapters set at the start of a page using carriage returns
  • unusual fonts/mix of fonts
  • mix of straight and curly (smart) quotes
  • double spaces after punctuation and between words
  • extra space before new paragraphs
  • incorrect/inconsistent use of hyphens, en and em dashes.

Over a cup of tea (and maybe a few biscuits), I email the author to clarify what I’m going to do (if anything) with these issues. I also encourage the author to allow me to make these particular changes with Word’s track changes facility turned off, otherwise the manuscript will be littered with red-lining and it will be very difficult for the author to see the detailed proofreading corrections.

So the first amendments I usually make are to simply delete multiple carriage returns and insert page breaks at the start of chapters, and alter the document to a single font (unless the story requires multiple fonts). The other agreed changes will be carried out later. I save this version of the original document with the novel’s title followed by the words “print version”.

Printing can take ages, so I usually do a bit of knitting or a crossword to keep me occupied or catch up with the Twittersphere or Facebook-land while my trusty printer does its stuff.

Day 2 to Day 4: Now the real fun starts. I proofread the printed manuscript while seated at the dining-room table, marking up any obvious errors using proofreading symbols in red pen, circling in pencil any words that may be wrong or inconsistent, and noting in pencil any factual errors or queries. I also write a list of characters as I come across them. We don’t want Edwin starting off as Elmira’s brother-in-law and ending up as her uncle – unless there have been some family shenanigans, of course. I try not to stop and research or double-check anything during this proofread because I’m aiming to pick up obvious errors and to get a good feel for the book. This results in a manuscript that is littered with my pencil scribbles.

Day 5 to Day 10: I like to let a novel rest for a day or two, and then I proofread the same hard copy again. I usually pick up a few more errors (yes, I will have missed some on the first reading) and work through my extensive pencil scribbles. I check spelling and hyphenation of words, grammar and style issues against one or more of the following reference books: the Concise Oxford English Dictionary, The Oxford Manual of Style (UK) (which, I confess, I need to update to the New Oxford Style Manual) and The Chicago Manual of Style (US). While I rely on my eyes – and a good pair of prescription lenses – to find inconsistencies, I also carry out double-checks and various searches using Word’s “find and replace” facility as back-up as well.

I write up a document with additional notes for the author. This consists of spelling, grammar and style points, including items such as:

  • a list of words I’ve amended for consistency
  • setting of numbers (eg, all numbers up to ten in words, numerals 11 onwards)
  • setting of correspondence (eg, indented) and emails (eg, in quote marks).

During this proofread I spend a lot of time dithering, trying to decide whether to intervene or not (a subject for another blog post, I think). At this point I also do my research and fact-checking (ah, another blog post beckons). This involves a lot of traipsing back and forth between dining-room table and PC – my exercise for the day.

Day 10 to Day 12: My next step is to transfer all the amendments from the hard copy to the document on my PC with track changes (TC) turned on. Then, I’ll turn track changes off and input the other amendments I agreed earlier with the author, such as:

  • amending straight to curly (smart) quotes
  • replacing double spaces with single spaces after punctuation and between words
  • deleting that pesky extra space before new paragraphs
  • replacing spaced hyphens with spaced en dashes (UK) or unspaced em dashes (US).

I’ve repeated this list because I think these types of things scream amateur if left in even the most beautiful prose. Again, Word’s “find and replace” facility is useful for some of these operations.

I name this document with the book’s title followed by “TC showing”. I put any specific questions for the author in a series of comment boxes on the document, and other general comments are added to my additional notes.

I generate a copy of the TC showing document, accept the changes, and call this document by the book’s title followed by “TC accepted”.

Day 13 to Day 14: I then compare the TC showing and the TC accepted documents side by side. This ensures that I haven’t introduced any errors with my corrections. I will admit – just between you and me – that I sometimes find a couple of last-minute boo-boos at this point, which I correct with thumping heart and dread fear that I’m not perfect. Any changes I make to the TC showing document means that I must generate another TC accepted document, which I save over the existing TC accepted document.

I send both documents, along with the additional notes, to the author. I like to send a TC accepted document so the author can see the book without all the red-lining. Both documents will display the comment boxes, which the author can deal with and delete one by one.

I encourage my authors to get back in touch with me if anything is unclear or if they have questions about the proofread. I hope this post has answered some of your questions and if it’s raised some more please get in touch via this blog or via the email address on my website.

wendy_janes_author.jpgWendy Janes is a successful freelance proofreader for a range of large and small publishers and has been for over a decade. She has a Bachelor of Education degree from Goldsmiths College (London University) and a Chapterhouse qualification in proofreading and copy editing. Her own work can be found in two anthologies; A Kind of Mad Courage and Romantic Heroes , the non-fiction memoir of her grandfather The One and Sixpenny Englishman, and her full length literary fiction novel What Jennifer Knows. For her services, go to her site http://wendyproof.co.uk/testimonials/ and make certain to connect with her on Twitter, . (She in no way proofread this bio.)

I want to thank Ms. Janes for giving us an inside look into the world of a proofreader. I must say I like her method, and the length of times she takes. Give me a person that says they will turn around a book in a couple or three days, and I will give you someone I worry about.~Ronovan

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Proofreading When the Writing’s Done by @JoRobinson176

One of the biggest things I learned on my Indie trip was that I couldn’t see my own mistakes. I must have proofread my first manuscript dozens and dozens of times, and I was very confident that it was pristine. Then I went on to editing and made some changes to paragraphs, swopped words around, and thought that that was that. I had put many hours into the polishing, and was feeling all warm and fuzzy that I’d done the work well when I hit that publish button. How very, very wrong I was. There were still typos and grammar gremlins in the book after all of that hard graft, primarily in the changes I’d made, and I came down to Earth with a bang in a blaze of shame, realising that that the editing was not at all complete when I thought it was.

I learned that if you write something and proofread it yourself, your brain knows what word is coming next, so it often sees a typo as it should be, even though a typo in another writer’s work will stop you in your tracks, seeing your own isn’t so easy. These days I’m much more careful, and I make sure that eyeballs other than my own go over my stories before they’re published. Typos still can slip through, but luckily with Indie publishing they can be very quickly fixed. There are some tried and tested ways to help yourself when you dive into your first round of proofing.

Firstly, take a break and put the manuscript away for a week or so, or at least a few days if you can’t wait. Do your run of the mill spell check, then choose how you’re going to read it. I generally print it out for the first go around, and mark it up with a gel pen, using a thick ruler under the sentence I’m reading so my eyes can’t be drawn to what comes next. After fixing the errors I’ve found so far I then convert it to a Mobi file using the free Calibre software, and read it through again on my Kindle for PC. I’m always amazed at how many errors I pick up this way. Then after another fix up session I’ll read the word document with the font size increased quite a bit, and then print it out again for another going over. I have heard some writers say that changing the font colour when reading on the computer is jarring enough for them to spot more errors, but I haven’t tried this one out myself yet.

It’s a slow process, and so it should be, as I discovered to my mortification, so now I do the work. For my semi-final going over, I separate the book into chapters and read them in random order. I read a page at a time, and from the bottom up, one sentence at a time. It took me some getting used to, but it really worked for me. I tried reading upside down as one fellow scribbler recommended but that just made me feel a little queasy. Finally I use the Find function in word to search for words I know I always overuse. I check my character’s name spellings the same way, and I then search a couple of commonly mixed up contractions and apostrophes.

Then the manuscript heads off to fresh eyeballs for a brand new going over, and when it comes back I read it again, out loud, before starting on the formatting for publishing. If you can’t afford to pay for a professional proofreader then you could maybe try and swop proofing with another writer. Or maybe exchange it for something else that you’re good at – like cover design if that’s what the other writer prefers, but you definitely need someone other than you to read your book before you publish it. It’s a learning enterprise this Indie journey, and we grow as we go, and help each other along the way. I’ve heard some wonderful things about Grammarly lately. It’s a free online tool that finds so much more than just typos – things like homonyms and other grammar gremlins that hide so well, so I’ll be giving that a try next time round. Hope you all have a wonderful long weekend fellow scribblers.

Grammar Gremlins

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Authors, Wake Up and Get to Work!

wake-up

Before you authors run away because I’m talking about a marketing idea today. Don’t. You blew that one off with another author’s post recently and missed out on a very good, very easy opportunity. We write about things like book covers and formatting and you eat it up but anything that ventures in to the area of the dreaded world of promotion you run like conservative and a tree hugger festival.

I have eleven years experience in marketing. My interest in helping promote authors is not one that is some half wit idea without some thought given. I’ve done articles about authors needing social media presence for a reason. Articles about getting your book description right on Amazon have come up, with little attention by readers.

“Why does my great book about blah blah blah not sell?” Because your book description says a boy and his dog set off on an adventure across the country. That it, nothing else.

Back to marketing. How do you get people to buy your books? Advertising? No.

There are two ways; Word of Mouth and Word of Your Mouth

Word of Mouth

This is how most books get around. People to friends. Those friends could be face to face friends (f-f) or online community friends (OCF). Regardless of which, they are among people that know each other and are liable to listen. Send me an Amazon email with that list of books and I am more than likely not going to bother.

Word of Your Mouth

And here is why I’m writing this today. Jo Robinson wrote a great article How to Create Downloadable Links to Give Away Books from your Newsletter Sign Up  In it she discusses exactly what the title says. But there is something she mentions that might be missed. And it was missed by a lot of people because for some reason this article didn’t get the massive response a Jo Robinson article normally does. Why? I won’t repeat why but as authors we want to write our books and that’s it.

Those times are long gone unless you write about wizards and have a nice bit of plastic surgery done. Or you have so many books out there that they do your leg work for you. But even then you have to play the game. Indie Authors MUST do it. House Published authors NEED to do it and are encouraged to do it by their publishing house.

What did Jo say in her article? A lot. But the one piece that I am talking about is as an author you MUST build up an email list. An email list is made up of people who have shown interest in something you were giving enough to give you their email address, which is a big deal these days. Start now before you even know you are going to write a book. Come up with some idea for a Newsletter and have those people sign up. 1000 people sign up and then get word of your book. Let’s say 10% buy your book. 100 people buy it. of that say 50% tell their f-f or OCF.

It keeps going and going. Your one email newsletter or email blast about your book is now spreading for you by word of mouth. Just think. Oprah speaks and people buy. Books never heard of may be mentioned by her and are then a best seller in days.

Read Jo’s article about how to set up a newsletter email system. It’s worth the time.

Ron_LWI

 

 

 

 

@RonovanWrites
on GoodReads
on Google+
on Facebook

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The Absolute Indie

When I first decided to self-publish my books I had no intention of doing every little thing myself. I planned on paying for editing and formatting, and buying my cover designs. I had a rude awakening when I discovered that living in Zimbabwe, as I was at the time, meant that I had no access to PayPal, who sanction that country, and from what I could see back then, that was the only way to pay.

I had page numbers, headers and footers, indents and lots of other fancy bits and pieces in my original manuscript and no clue as to what formatting even meant. Seeing other writer’s beautiful covers all over, my heart sank because I knew that I could never create such things. It was the most frustrating feeling in the world until I discovered a few free resources that meant I could do it all myself. None of these things cost a cent, and every new indie author should at least have a look at them whether they have money to work with or not.

With no money to work with, the first book to download would be Building Your Book for Kindle. The steps shown here are incredibly straightforward and simple, from formatting to cover size. Personally, I copy the first few pages of an already formatted book every time I begin a new one so all I have to do is change the title and front matter and Bob’s your uncle. While you’re downloading that book get Publish on Amazon Kindle with KDP as well.

Mark Coker, of Smashwords fame, has three incredibly useful free ebooks on Amazon. His Smashwords Style Guide will walk you through that old meatgrinder if you decide to publish there, but even if you don’t, there is a wealth of general information as well. Remember that if your book is on KDP Select on Amazon you’re not allowed to publish it elsewhere. And they check. His other two books, Secrets to Ebook Publishing Success and Smashwords Book Marketing Guide are also must reads for new indie authors.

If you want to play around with individual ebook creation before you publish, or even if you just want to create ebooks to give away or sell, download Calibre. It’s very simple to use, and comes with a tutorial that will walk you through the process. With Calibre you can produce anything from epub to Mobi.

And finally that costly, essential item – the cover. Now that I can buy covers for my books I do for some of them, but after the original terrifying learning curve, knowing that if I didn’t make one myself I wouldn’t have one, I now find that I really enjoy making some myself. I have a couple that I’m really proud of coming up soon with new books to be released, and over time I’ve collected a couple of paint programmes and a nice camera to help me get the exact designs I see for the stories behind them. But to begin with, I downloaded the free, watched a LOT of tutorials, and at the end of that I had my covers.

I know that a lot of people swear by Gimp, but I could never get it to install on my computer for some reason, so I downloaded Paint.net instead. It looked like gobbledegook to me and I almost gave up, but after spending not more than about three hours watching tutorials I had a grasp of the basic process. The most important thing to get to grips with there is how to use layers. Then you can play with various effects, brushes and opacity to produce a totally original cover using either your own photos and sketches, or some of the amazing free images to be found online. Always remembering to be one hundred percent sure that they are free to use of course, or you could end up in a bit of infringed copyright hot water.

I’m not saying that you should do it all yourself if you don’t have to, or that doing it all yourself is going to be a doddle. It is hard work, but for the cash-strapped writer it really is doable if you set your mind to it.

IMG_0120

Get Book Sales with your Book Description.

There are foods out there that I love, but they look awful. I can cook some of the best tasting things you will ever eat, but they may just not look that great.

“What’s is this?” My son asked.

“Diced chicken, rice, condensed cream of mushroom soup, broccoli, garlic powder, salt, pepper…”

“Daddy, can I have a sandwich?”

I was describing a delicious casserole dish that is seriously amazing, but I lost my audience. I was giving him not what he wanted, I was giving him the chef’s description of the dish. He didn’t ask for the recipe, he wanted to know what it was and what it tasted like.

As Authors we need to keep this in mind when we come up with our “Book Descriptions”.

Did anyone else shudder or get a bad taste in their mouth when I said those last two words? They are almost as bad as the words “synopsis” or “hook” or . . .  NOOOOO “pitch” or Sally Fields forbid-“query letter“.

I look through Amazon a lot as I look for Author Interviews.

Straight Talk Time from Ronovan

There are some seriously B.A.D. Book Descriptions. What’s B.A.D.? Oh, that means Badly Authored Descriptions. These Book Descriptions have been by Authors. When I read them it makes me wonder one of two things;

  1. Did the Author use up all their talent in the book writing or
  2. Does the Author just not know how to write

Sorry, I know, that was bad, but you have to admit when you are looking at a book description and you see two or three lines or you see a recipe of the book you wonder the same things. And this is Straight Talk, not Sweet Talk.

You have to stand out from the crowd. If you ever look at ‘Amazon Best Sellers Rank’ and then look at the Book Descriptions, most often there is a correlation.

How to Write a Book Description

Establish Who You Are

Who the heck are you? Why should I trust you to write this book and believe I am getting quality?

I have several Author friends who are award winning. Mention it right off the bat. Show the reader you are legit.

The LWI: Book Description is from Award Winning author Ronovan Writes.

You don’t have Awards?

The LWI: Book Description is Ronovan Writes third novel.

Ronovan Writes brings us the first in his NEW series “The LWI: Book Descriptors”.

Or

Author Historian  Ronovan Writes delivers his newest jump into adventure with “The LWI: Book Descriptors”

Okay, so they might not be the best but I think you see what I mean. You need to give them a piece of you. Connect somehow. Pretend you are reading and think what would catch your eye. Read those Amazon Best Seller Book Descriptions.

Review Blurbs

I had a comment in a recent article asking if regular people read the long reviews on Amazon. If they get that far they just might.  How do you let the potential purchaser of your book know people like it?

Okay, so there is the star review they can see but you want them to see the words.

Take review quotes and put them in your Book Description. Not a lot of them. Pick those which keep the energy going in your “pitch”. Always remember your Book Description is a sales pitch.

“Ronovan Writes nails the book to the wall with non-stop action and keeps you guessing every step of the way. I started reading it and could not put it down until I was finished. Who needs sleep?”

“The LWI: Book Descriptors had me pacing the floor wondering what would happen next. I loved and hated the author at the same time as he pulled me through every emotion and made me question what I believed.”

“I started reading this as a night time read and the next thing I know I am wide awake. My wife hit me to turn out the light. Ronovan Writes “The LWI: Book Descriptors” is worth a night on the couch, or two.”

Keep the quotes short and not many.  You only have a little time of the modern day person’s short attention span.

The Story

Now tell about your book. Give the nutshell version. The commercial, the “hook”. You threw out the line with Who You Are, you baited them with the Review Blurbs, now hook them with your pitch of the book. The real description of the story. Forget the little parts, the recipe. Tell them what you have for them.

“The LWI: Book Descriptors” races you through the dark places that we thought we knew to be true, but in reality were all a devastating plan from on high. If you can handle surprise, revelations and being kept on the edge of your seat in the world of political espionage, you’re in the right place.

How to Conclude

There are various methods. The comparison, just like you do with a literary agent or publisher where you mention how your book is similar to some other super star author’s.

or

Close with your best review quote blurb or blurbs.

“Not since The DaVinci Code have I read such a reality shaking story. Ronovan Writes delivers a gripping tale of intrigue and desperation. I can’t wait for his next book.”

Length of Book Description

Get the job done.  After this point do all the quotes you want, or whatever else, but get the job done quickly and if you want more quotes or then add comparisons, go ahead and do it.

Formatting the Description

Wake people up. Bold, symbols like asterisks. Do something to wake the reader up from looking through dozens of descriptions already.

Let’s see what it might look like:

Author Historian  Ronovan Writes delivers his newest jump into adventure with “The LWI: Book Descriptors”

5 out of 5 Star Reviews

*****“Ronovan Writes nails the book to the wall with non-stop action and keeps you guessing every step of the way. I started reading it and could not put it down until I was finished. Who needs sleep?”– Joe Contrare-Amazon Review

“The LWI: Book Descriptors had me pacing the floor wondering what would happen next. I loved and hated the author at the same time as he pulled me through every emotion and made me question what I believed.”-Michele Mabell-Amazon Review

“I started reading this as a night time read and the next thing I know I am wide awake. My wife hit me to turn out the light. Ronovan Writes “The LWI: Book Descriptors” is worth a night on the couch, or two.”-Leonardo Comaround herenomor-Amazon Review*****

“The LWI: Book Descriptors” races you through the dark places that we thought we knew to be true, but in reality were all a devastating plan from on high. If you can handle surprise, revelations and being kept on the edge of your seat in the world of political espionage, you’re in the right place. This IS The DaVinci Code of what people thought was American politics but turns out to be much, much more.”

More Reader Praise:

“Not since The DaVinci Code have I read such a reality shaking story. Ronovan Writes delivers a gripping tale of intrigue and desperation. I can’t wait for his next book.”-Daniel Constano-Amazon Reviewer

 

These are suggestions. The idea to take away from this is to put some effort into the Book Description or your months of writing a book will not get read by many. All that time and effort and you waste it away with soup can ingredients.

Make your Book Description as good as if not BETTER than your Book!

 

Much Respect

Ronovan

Ron_LWI

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 And as always . . .

Read a Book, Write a Review.

2014 © Copyright-All rights reserved by litworldinterviews.wordpress.com

#AUTHORS – REPORT THESE ILLEGAL BOOK SITES TO YOUR AUTHORITIES!

Check out the article with two Illegal Book Sites and add this one too it.
http://forum.mobilism.org/portal.php?mode=articles&block=aapp

Chris The Story Reading Ape's Blog

Chris,

Since you have a large voice I thought I would send this on to you.

I found places illegally offering my EBook for free.

Just thought you might want to put out a warning,

So others authors can check for THEIR books.

http://coanalrattskanurcavilkilllas.wordpress.com/

http://ebooks-releases.com/

Thanks,

Anthony Renfro

Ronovan also advises you to check out this one too.
http://forum.mobilism.org/portal.php?mode=articles&block=aapp

NOTE FROM TSRA

Some of these appear to be WordPress sites

To REPORT them, click on their logo or name top left of screen in the black Follow – Reblog – Like bit

a drop window will open giving you options

Select REPORT THIS CONTENT

SELECT COPYRIGHT INFRINGEMENT 

Go to the link WP gives you and complete the requirements

GOOD LUCK!

View original post

Basics for Linking up with Readers.

Being a success: It’s not all about your writing.

These days to be a successful author you have to be more than just a great writer. You have to be savvy about the ways of marketing and social networking. I can feel the cringe vibrate from your keyboard to mine. But how do you think you found this article if you didn’t have some bit of that working for you already or me either?

 

Today I just want to discuss a couple or few basics.

 

As I look for people to interview some of the things I remind bloggers of keep coming up with authors. After fall, aren’t we writers/authors bloggers of a sort as well?

 

Broken links:

They happen to us all. You’ve clicked one and it takes you nowhere. Imagine as I am clicking a link on someone’s Twitter profile to get information about them to approach them for an interview and I get the error message that the page can’t be found. I am a guy wanting to help authors out and simply wanting to see more information. But that also means I am acting as a fan and wanting to look at information about people I think fans want to learn about.

 

So imagine that if it is a fan, they see your great header photo that looks way cool, you have an amazing and very professional profile head shot and then . . . the Click of Doom. Some might search the internet or I might personally search Amazon, but this is like being at the checkout line at the grocery store and you see all the candy and the little things. That’s right . . . This is Impulse Clicking you just gave them the empty box of Reece’s Peanut Butter Cups. Will they search, will I go to Amazon, will we step out of the checkout line for you? Would you for us?

 

 

No Links:

What’s worse than a Broken Link, maybe no way to connect at all? You have a great site that you’ve set up but you haven’t put it out there on you various connections for people to see. You don’t have it on Twitter, you don’t have it in your email signature. You don’t have it anywhere! No matter who you are or what your fame is, you are your best advertising and you are the only one you can always count on 100% of the time. So if you fail yourself, how can you count on anyone else?

 

 

Nothing to Link To:

You need a site of some type to link to. This sounds a lot like the No Links point but there is a difference in not noting your links and not having anything to link to. There are free platforms all over the internet. I personally have a ‘Blogger’ account at blogspot,com and of course my main one is here at WordPress.com, and I am branching out as I explore more and more platforms to discover what is best. For me personally, I recommend WordPress. Perhaps I like WordPress because I am simply accustomed to it, but it is an easy platform and you can get involved in a good community. Writers tend to support each other a great deal on WordPress in giving ‘shout outs’ about each other.

 

I will be putting together a ‘How To’ of creating an author blog/site very soon. Each person here at LitWorldInterviews (LWI) has their own particular talents. We all enjoy writing. We are all at different stages of our writing careers. My other talent is an enjoyment of how to make friendly or professional looking sites and getting your name out in the public. You will be seeing the LWI site change very, very soon as it has grown into something more than I thought it might be at first.

 

One thing to Remember:

Don’t spread your focus too thin. Give your attention to two, maybe three outlets. A blog, a social network (I use Twitter), and one other thing, perhaps facebook or Google+. I know people think of facebook as a social thing but a lot use it as their primary author page. I still use more than three but only because I have them built in. Which you can too and I will be showing you how.

 

Until Next Time,

Ron_LWI

 

 

 

Ronovan

 

 

2014 © Copyright-All rights reserved by ronovanwrites.wordpress.com

9 Sites to promote for free your book and boost your sales From @bestbookstoread

Best Books to Read has a great post you should all read.

 

We all need every bit of exposure we can get. Even signing with an agent and having a big publisher doesn’t guarantee everything. You have to watch out for yourself as well. Best Books to Read has put the sites together for us.

9 Sites to promote for free your book and boost your sales

 

One of our Team, at least one, is checking out the sites and we hope to give you an opinion on them.

 

Ronovan