New Agent Alert: Kristina Pérez of Zeno Literary Agency

Who she is:New Agent Alert Standard Image

“Kristina Pérez is a halfArgentine/half-Norwegian native New Yorker who has spent the past two decades living in Europe and Asia. Before joining the Zeno Literary Agency in London at the end of 2019, she worked as a journalist, academic, and author. This breadth of experience enables her to serve her clients in a variety of fields and she is a very editorial agent.” WritersDigest.com  Click HERE. for the full length and informative post.

Who she works for:

Zeno Literary Agency

What she wants:

Extremely varied so see the original post as it appears on WritersDigest.com by clicking HERE. You will also see her Submission Guidelines. Very standard practice.

 

Guest Post by Author Vali Benson

How Blood and Silver Came to Be
Guest Post by Author
Vali Benson

Vali Benson imageMy name is Vali Benson and I am a published author. That still feels funny to say. Sometimes I still don’t believe it, but I just published my first novel.  It has been a work in progress for over fifty years. Ever since I can remember, I have had a book in my hand. As a lifelong reader, I often thought, “I could do better than that”. So I decided to do something about it. People have asked me to explain the writing process but I can’t. I don’t think there is a right way or wrong way to write a book. As Doris Lessing once stated that “There are no laws for the novel. There never have been, nor can there ever be”. But I do know what works for me.

The first step is to come up with an idea. It must be something that interests you, or that you feel strongly about. No point in picking a subject that you know nothing about. You would have to do far too much research and it still would not sound like you know your subject.

Once when I had severe writer’s block, a great teacher told me, “Write about what’s in your own backyard.”  Before I forget, my advice regarding writer’s block is: don’t take it personally. Anyway, I took my teacher’s advice and turned in an award-winning essay. That was the inspiration in writing my book; a young adult historical fiction novel called Blood and Silver. The story takes place in Tombstone, Arizona. For thirty years, I have lived in Tucson, Arizona. Tombstone is only forty-five minutes down the road, practically in my backyard.

I have been to Tombstone countless times. People are fascinated with Tombstone (not so much after they visit!). Tombstone is not like other “Wild West” tourist towns, like Deadwood or Dodge City. Tombstone has only two blocks of “downtown”. People walk on the original boardwalk (with some repairs) along the main thoroughfare, Allen Street, which was, until recently, a dirt road.

The population of Tombstone today sits at about thirteen hundred. On the weekends, many of the residents dress up in western garb – as cowboys, sheriffs, frontier gamblers, proper matrons and saloon girls. At first glance, it seems as though this may be a retirement community designated for extras of John Ford films.

However, Tombstone does have one enduring claim to fame – the shoot out at the O.K. Corral.  It is called “the most famous thirty seconds in the history of the American west”. The legendary incident is a gunfight that occurred in 1881. The shoot out involved Doc Holiday, Wyatt Earp and two Earp brothers against a gang of outlaws called the Cowboys. Three men were killed, all of them Cowboys. The Earps and Doc Holiday were already famous in the old west.  The gunfight made them infamous.

The real reason people remember Tombstone is because of its enduring place in pop culture due to the twenty or so movies made about the fight. People show up from far and wide and pay a $10 admission fee to look at a dusty, dirty lot behind a run-down barn. At the actual site, people look at mannequins standing where their real-life versions stood during that fateful afternoon 139 years ago.

Once I knew the reality of Tombstone today, I wondered how it could have become so famous. I knew about the silver mines, of course, but I had no idea how massive the output was.  The profits were mind-boggling.   Millionaires were made overnight.  The silver created civilization where there was none.  At the end of 1877, one hundred inhabitants had found their way to the mines of Tombstone.  In 1884, it was a bustling city of fourteen thousand residents. The term “boomtown” was never so appropriate.

Tombstone was the largest city between St. Louis and San Francisco in 1884, with over 150 businesses, including 100 saloons, and a thriving red-light district. Apparently this arid little tourist trap, only forty-five miles from my hometown, was more important than I thought!  This information began to spin my inquisitive wheels.  I began to wonder what it would have been like to live in this obscure place in 1880. The first step was complete; I had a premise that sparked my interest.  Now, it was time for the part of the writing process that gives life to the story, research.

It is all about the research. One needs to look in unusual places, not just the top three Google hits. I love sourcing museums, libraries, newspaper archives, and even historical homes. Don’t rely on your computer only. Everyone can get that information. Not only is it not original, it is not interesting. One tip that I would like to emphasize to a burgeoning writer of historical fiction is to seek out the primary sources whenever possible. If you can work from the original source, it falls on you to interpret the story. This allows you to not have to depend on someone else’s version of the truth.

As I began to delve deeper into the true story of Tombstone, I also uncovered unexpected angles. The most prominent of which was the effect of the Chinese population. The result of this research led me to a real person whom I could never had made up, a woman named “China Mary”. This woman lived in Tombstone from 1879 – 1906 and essentially ran the town. In addition to operating a gambling hall behind her general store, she was also the preeminent broker for opium, laudanum and Chinese prostitutes. After I discovered the real-life splendor of China Mary, I made her one of my central characters and twisted my fictional story around her actual exploits. None of that could have been possible without an extensive research period.

As a writer of historical fiction, historical accuracy is the most important component of the piece to me. It is even more pivotal than the narrative. I cannot tell you how many times I have quit reading a book that claims to be factual because the information and events are incorrect. It really annoys me! It is also important to realize that research is never-ending because you can’t ever learn everything there is to know. At some point, you just have to make up your mind that you have enough to craft the story you want to write. Then start writing!  I begin writing using my research as a reference and don’t worry if I have a fully formed concept. I believe in the Jodi Picoult approach, “You can always edit a bad page. You can’t edit a blank page”.

Many writers believe in outlines as a method of organizing and categorizing their research. Outlines don’t work for me. I tend to be too specific.  I end up writing the whole story in my outline.  What works best for me is to simply write.  Just start, and see where it takes you.  I flesh out the characters first and I let them take me where they want to go.  I often go back and change them, but that’s the beauty of writing.  You can do whatever you want with your people, just be sure you wind it up so that it makes sense.

This is why research is so important, because if I can understand the times in which my characters live, I will shape their circumstances and attitudes into the narrative.

As far as my writing habits are concerned, I don’t have many. I just do it. I know that many professional writers say the best method is to treat writing like a regular job with set start and stop times. I’ve tried this and it never feels right. For one thing, when I get on a creative roll, it is nearly impossible for me to stop. Conversely, I cannot force an idea. When I don’t feel like it’s happening, I walk away.   I commit a lot of time thinking about my characters.   When inspiration strikes, I will sit down with my glass of sweet iced tea and see how my characters handle the new twist. I know that strong coffee is the traditional nectar of the working writer, but I need my sweet tea. The sweeter the better I say!

When your story is finished, it is time for my least favorite part of the writing process, editing. Editing is obviously extremely importanBlood and Silver by Vali Benson cover image.t but I find it terribly frustrating. Aside from the occasional grammatical error, most of my editing is about subtracting rather than addition. I choose to refer to my editing time as a tightening up period. This is when I can really focus on making my narrative flow the way that I want and make sure the story is always kept in perspective; the story that I want to tell. When is your story finished? It is finished when you think it is.  Before you begin, you will know where you will end up.  If you don’t, don’t start.  You need to have an idea where you are going.  Trust your characters to get you there.

With Blood and Silver, I put my characters through a lot and felt I told the story that I wanted to tell.   After all, I need them to rest up for the sequel.
valibenson.com
amazon logobarnes & noble logoamazon logo

 

Indigo Logokobo logosmashwords logo

 

 

© 2020 Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

A Review of The Joy of Botanical Drawing by Wendy Hollender

The Joy of Botanical Gardening
A Step-by-Step Guide to
Drawing and Painting Flowers,
Leaves, Fruit, and More
WENDY HOLLENDER

The Joy of Botanical Painting Cover Image

The reviewer received this book for an honest review.

I’ve taken art classes and have books on how to draw various subject matter. Some of those books are good, and others…not so much. Amazingly, I’ve found one may use this book, it’s techniques, tools, instructions and examples across the drawing genre spectrum. Although, that’s not it’s specific intent.

I love art, I love drawing, but the years have not been kind to my hands. So, when given the opportunity to review and share this book, I gladly and hopefully accepted, with the hope of enjoying a moment to immerse back into the world of art. I have not been disappointed.

Wendy Hollender gives a brief story of what draws her to her craft and subjects, giving us permission to enjoy and delve into the same world she loves so much. I learned how to combine different tools to create these beautiful works. Hers have appeared in The New York Times, Real Simple, O, The Oprah Magazine, and others. The way Hollender approaches the drawing of flowers is excellent and something I hadn’t thought of but applies to any subject.

With each section, each flora, you learn how to take what’s learned through each section so far and add it to the next section for greater results, not only from the perspective of the details of the object but also with the use of the various kinds of pencils to use.

Even after you learn how to draw in this style you will be using this as a reference guide and refresher course, over the years.

I recommend this book to anyone who likes the art of drawing, wants to learn, or refine your craft in the botanical art world. Also, if you like botanicals in general, I think you would enjoy this book for a further appreciation of the world of flowers, fruits, vegetables, and all that go along with them.

As for a rating, I believe the book achieves what the reader expects. There is an added layer of a bit more detail than I expected, a surprise if you will in the design of flora.
With the above in mind I will give this a 4 out of 5. 4 being better than what I would expect from a book with this heading and even

ABOUT THE AUTHOR: Wendy Hollender is a botanical artist, author, and instructor. Hollender’s illustrations have been published in The New York Times, “O,” The Oprah Magazine, Real Simple and The Observer (UK). Her work has been exhibited in natural history museums and botanical institutes, including a solo exhibit at the US Botanic Garden. She is the author of three books on Botanical Drawing and co-published and illustrated Foraging & Feasting: A Field Guide and Wild Food Cookbook by Dina Falconi.

She graduated from the Rhode Island School of Design in 1976 and began a career in botanical illustration after completing a certificate at the New York Botanical Garden in 1998.

Wendy is an instructor of Botanical Art and Illustration at the New York Botanical Garden and leads workshops in exotic locations such as Hawaii, many nature preserves, botanical gardens, arts centers and colleges around the country.

Visit the authors Amazon Author Page for this book and more by clicking HERE.

Guest Post from Samuel Marquis Author of Soldiers of Freedom: The WWII Story of Patton’s Panthers and the Edelweiss Pirates

I recently read and reviewed Samuel Marquis’ most recent book in his WWII Historical Fiction series. I’ve read them all, and this one has more battle details than I’ve seen in any of the others. Which I think is warranted and deserving of the titular subjects of the book. You can check out the book review by clicking HERE. – Ronovan


Soldiers of Freedom: Why Patton’s 761st “Black Panther” Tank Battalion and Other African-American Units Fought Despite Racism in WWII

By Samuel Marquis

In Soldiers of Freedom: The WWII Story of Patton’s Panthers and the    Edelweiss    Pirates, Book 5 of his WWII Series, historical fiction author Samuel Marquis tells the story of Sergeant William McBurney and the 761st Tank Battalion, the first African-American armored unit in U.S. history. Fighting under legendary General George S Patton, Jr. in the grueling Lorraine campaign in France, the Battle of the Bulge, the Rhineland, and in the final conquest of Nazi Germany, Sherman tank gunner McBurney and his fellow Black Panthers had to fight two wars at once: one against the German Army, the other against the racism of their fellow white soldiers. In their fight on behalf of freedom, they changed the makeup of the modern U.S. Army and paved the way for the civil rights movement.

After the battle for Tillet—one of the many small Belgian towns U.S. forces had to liberate to eventually win the legendary Battle of the Bulge—a German prisoner took one look at the troopers from the all-black 761st Tank Battalion that had just vanquished him and was stunned to see colored men in uniform. “What are you doing here?” he asked one of the tankers in English. “This is a white man’s war.”

Grinning and offering the German soldier a cigarette, the Negro tanker replied, “You ain’t got no black or white when you’re over here and the nation is in trouble. You only got Americans.”

In a nutshell, the exchange explains why African-American soldiers were willing to risk their lives to fight in WWII, despite suffering from pervasive discrimination from their own white troops and American civilians during their training. They simply wanted to do the right thing in the name of freedom and democracy and make a difference in the world—the same as their white counterparts. But in the process, they also hoped to advance their own freedom. They longed to move themselves forward onto an equal footing, or at least a more equal footing, with whites they would soon learn from the hard experience of war were certainly no better than them.

In late 1945 and early 1946, the 761st Tank Battalion—the first African-American armored unit in U.S. history to see combat—returned home from WWII along with 1.2 million other black veterans. They had been handpicked by General George S. Patton, Jr. himself, fought in his vaunted U.S. Third Army until the German capitulation, and were damn proud of that fact. Patton’s veteran Black Panthers, whose motto was “Come Out Fighting” in tribute to boxing legend Joe Louis, should have returned as conquering heroes. Instead, while their white brethren in the armed forces enjoyed great fanfare, ticker-tape parades, and a plethora of newspaper ink, the Black Panthers, Tuskegee Airmen, and other black outfits that had put Nazism down like a rabid dog were largely ignored. They had no choice but to quietly resume their daily lives in a country that cared little about their contributions and sacrifices overseas.

They had gone to Europe and the Pacific to perform their duty on behalf of their country, hoping that by fighting on behalf of freedom they would become free themselves. But upon their return, the painful truth was they had not changed a nation. In fact, they found themselves in many ways more at the beginning of a civil-rights struggle than at the end as returning African-American soldiers. Having served their country with distinction during the largest and most violent conflagration in human history, they returned to second-class status and with expectations that were deemed unacceptable to those of many of their white compatriots. Most of them still could not vote, use public facilities, sit beside whites in buses or at lunch counters, or find work at anything but the most menial of jobs.

For the returning members of the 761st and other black units in the U.S. Army and Air Corps, it was apparent that America had never really cared for theSam Marquis Soldiers of Freedom Coverm and now had mostly forgotten them. Most people did not even know of African-American service on the battlefields of Europe. In the roar of postwar America, the battalion’s service might as well not have happened, so few people knew or even cared. What the 1.2 million black servicemen had done on behalf of their country was not acknowledged or even believed. But even more upsetting to the returning colored soldiers was that white America expected life in the U.S.—with its racial castes and customs—to go on as if the war had never happened. The majority of whites were still unwilling to look at them in the new light that black leaders had originally sought by insisting that colored men receive the right to fight. They experienced lynchings, beatings, and employment discrimination despite their veteran status, and they couldn’t help but feel excluded from the postwar economic prosperity they could see all around them.

The returning black troopers found all this perplexing, especially considering how well they had been treated by not only the French, Belgians, and Dutch they liberated, but by the German civilians who only days and weeks before had been their enemies. Sergeant William McBurney, Sherman tank main gunner and the protagonist of my book Soldiers of Freedom, had fond memories of Holland from his stay there in February 1945, recuperating and refitting after the brutal Battle of the Bulge. So did the other members of the 761st Tank Battalion. To them, the best thing about Holland was the people. The Dutch citizens spoke English fluently and treated them with genuine respect and warmth. They welcomed them not as black men but as Americans, honoring them as liberators from the German occupation forces. McBurney found the simple and sincere kindness of the Dutch people a welcome and pleasant surprise after the treatment he had experienced at the hands of many of the American soldiers, particularly those from the 87th Infantry, a Southern unit the 761st had fought alongside.

The French, Belgian, and Dutch people were right to treat the members of the 761st as heroes and liberators: Patton’s Panthers had truly earned their reputation as a crack fighting unit. From the time that the battalion was committed to combat on November 7, 1944 through May 6, 1945, it had spent 183 days in action, its only pauses accounted for by the time needed to move from one mission to another. During its combat actions, the battalion destroyed or captured 331 enemy machine-gun nests, 58 pillboxes, and 461 wheeled vehicles; killed 6,246 enemy combatants; and captured more than 15,818 enemy soldiers. Not bad for an outfit that rarely numbered over a thousand men, including maintenance and supply. McBurney and his buddies also liberated the Gunskirchen concentration camp in Austria in the final days of the war. Since the war, battalion members have visited Jewish organizations and school groups throughout the country to share these memories and to testify to the horrors they witnessed during the camp’s liberation.

The Black Panthers paid a heavy price in the name of freedom. The unit suffered thirty-six men killed in action, including three officers. Thirty-nine officers and 221 enlisted men fell wounded in action. Nonbattle casualties stood at nine officers and 192 men, mostly trench foot cases. Total casualties pressed towards 50 percent, a disproportionately high number for a comparatively small outfit that fought alongside manpower and equipment behemoths like the 26th Infantry Division and the 4th Armored Division. The battalion lost a whopping 71 tanks in battle, more than one and a half times its original allotment.

The men themselves never thought of themselves as particularly heroic. All the members of the 761st had ever wanted was simple human dignity, to be recognized for their abilities as soldiers without being judged by the color of their skin. By taking up arms in the struggle against Tojo and Hitler, they had hoped to heal the old wounds of racial prejudice inflicted upon them by their white counterparts in the U.S. armed forces and by the bigoted white civilians at Camp Claiborne, Louisiana, and Camp Hood, Texas, where they had undergone their training. But as fate would have it, the men of the 761st and other segregated African-American combat units like the 92nd Infantry Division and the famous Tuskegee Airmen received a less than warm welcome upon their return home. The continued discrimination towards the black soldiers after willingly giving their lives on the killing grounds of Europe and the Pacific was a source of significant disappointment and discouragement for the returning men, as well as their embittered families.

As Platoon Sergeant Johnnie Stevens of the 761st said: “We were treated better by the civilian German population than we were treated in America. See, in our own country, we could not buy a hot dog when we were in uniform, had to ride in the back of the bus when we were in uniform…. But over there, you were treated like a king. We ate together, slept together. After the war was over and the Germans had dances again, we were invited. That’s why a lot of black GIs took their discharges in Europe. They said, ‘Look, ain’t nothing in America for me. I can’t get a decent job when I go back, I know that. I’m not gonna have any privileges. I can’t even vote. So what the hell do I want to go back there for?”

Though the 761st’s vets were disappointed to return home to the same old prejudices, they soon began to put their lives together, start careers, marry, raise children, and lead in countless quiet but nonetheless significant ways. Though some struggled, the bloody battlefields of Europe had trained them to be disciplined, responsible American citizens who understood the true cost of freedom. But they would have an even greater impact in the future.

The brave actions of the 761st on the battlefields of Europe would eventually garner the men the recognition they deserved, pave the way for an integrated U.S. Army, and lay the foundation for the post-war civil rights movement. At the end of WWII, the distinguished service of the 761st Tank Battalion, Tuskegee Airmen, and other African-American combat units helped convince President Harry S. Truman and other high-ranking government officials to desegregate the U.S. Armed Forces in 1948. And then, after thirty-three years of intense lobbying by the unit’s veterans, the battalion was belatedly awarded the Presidential Unit Citation for “Extraordinary Heroism” by President Jimmy Carter on January 24, 1978. The award became official on April 10, 1978 by the Department of the Army under General Orders Number 5. The final award stood as a single citation for all the 761st’s actions from October 31, 1944, to May 6, 1945. Most importantly, the government finally acknowledged that “racial discrimination and inadvertent neglect on the part of those in authority” had played a role in the previous disapprovals and that “the climate created by the Army commanders could only have made it difficult to provide proper recognition for a ‘Negro’ unit during the period 1944-1947.”

Though the citation should have come thirty-three years earlier, it was ultimately the struggles of Patton’s Black Panthers—at home and abroad, within the armed forces and outside it—that led to the construction of a stronger U.S. Army and a greater nation. Since the new millennium, African-Americans make up around 20% of the U.S. armed forces (and no longer are they merely cooks, stevedores, and drivers), and black officers in the services stand at 5%-7% in the Navy, Air Force and Marines and 10%-15% in the Army.

That is the ultimate legacy of Patton’s Panthers.

Biography 

The ninth great-grandson of legendary privateer Captain William Kidd, Samuel Marquis is the bestselling, award-winning author of a World War Two Series, the Nick Lassiter-Skyler International Espionage Series, and American historical fiction. His novels have been #1 Denver Post bestsellers, received multiple national book awards (Kirkus Reviews and Foreword Reviews Book of the Year, American Book Fest and USA Best Book, IPPY, Readers’ Favorite, Beverly Hills, Next Generation Indie, and Colorado Book Awards), and garnered glowing reviews from #1 bestseller James Patterson, Kirkus, and Foreword Reviews (5 Stars). Book reviewers have compared Marquis’s WWII thrillers to the epic historical novels of Tom Clancy, John le Carré, Ken Follett, Herman Wouk, Daniel Silva, and Alan Furst. His website is samuelmarquisbooks.com and for publicity inquiries, please contact Books Forward at info@booksforward.com.

GET THE NEXT #1 BESTSELLING BOOK @:

amazon logo barnes & noble logo indie bound logo

Visit #1 Bestselling Author Samuel Marquis @: http://samuelmarquisbooks.com/.
Connect with Samuel Marquis on:

facebook logo goodreads logo google+ logo linkedin logo twitter logo

 

© 2020 Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

#BookReview by @RonovanWrites of Stealing First and Other Old-Time Baseball Stories by Chris Williams.

Stealing First and Other Old-Time Baseball Stories

by Chris Williams

Non-Fiction: Bsaeball. 152 Pages Print. Sunberry Press (April 21, 2020)

Kindle and Paperback

The author provided a copy of the book for an honest opinion.

When you read the book, you realize a great deal of research and analysis went into its making. There are a few good stories about players, as the title indicates, but there is an overwhelming amount of stats packed into the few chapters. I think that’s an overwhelming amount for me. For a baseball fanatic, and I use that word in a positive manner, this would be right up their alley.

The stories and stats included are from the early 1900s, until the new millennium. There are names I’ve never heard of and I’m surprised, considering names and situations they’re attached to.

I’m not going to give away the stories and the statistics, unlike some other reviews. There are comparisons between players as well as times. And even I could understand the significance. I’m not a baseball novice by any means, I’m just not an avid fan these days. That’s why I say this is more for someone looking to get the details they might not find elsewhere. Because the more you read, the more you know.

RECOMMENDED TO

Avid baseball fans.

People who enjoy all things history.

Those who like quick reads with trivia.

GET THE NEXT THE BOOK @:

amazon logo  

© 2020 Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

How many words per page are in a book on Amazon? – by Dave Chesson…

A great thing to know. This leads to a great source for all who want to get into the Kindle Universe. KU. See what I did there. KU, Kindle Unlimited. I turned it into Kindle Universe. I am so funny I died three times last week.

Chris The Story Reading Ape's Blog

on Kindlepreneur:

A question many authors have is how many words are on the average page when it comes to books and ebooks on Amazon.

This information helps you calculate how long your novel or nonfiction work has to be to hit a certain page count on Amazon, which is important if you’re applying for promotions that require you to be above a certain number of pages to qualify.

The info also helps you figure out how many total words you need to write to create a book that meets reader expectations in your genre. Since you can view the Amazon page counts of the books that are currently ranking well, you simply multiply by the average number of words per page, and presto.

So, what’s the right answer? What is the average number of words per page on Amazon?

I’ll tell you upfront, this question is more complicated than…

View original post 5 more words

#BookReview by @RonovanWrites of Soldiers of Freedom part of @SamMarquisBooks WWII Series

Soldiers of Freedom4.68 Gold Star Image

 

Soldiers of Freedom

by Samuel Marquis

Fiction: WWII Historical Fiction/German Historical Fiction/Military Historical Fiction/Biographies of World War II. 646 Pages Print. Mount Sopris Publishing (March 31, 2020)

AUTHOR BIOGRAPHY:

The ninth great-grandson of legendary privateer Captain William Kidd, Samuel Marquis is the bestselling, award-winning author of a WWII Series, the Nick Lassiter-Skyler International Espionage Series, The Joe Higheagle Environmental Sleuth Series, and a historical fiction novel centered on the infamous pirate, Blackbeard. His novels have been #1 Denver Post bestsellers, received multiple national book awards (Foreword INDIES, American Book Fest’s Best Book Awards, Beverly Hills Book Awards, IPPY, Next Generation Indie Awards, Colorado Book Awards), and garnered glowing reviews from #1 bestseller James Patterson, Kirkus, and Foreword Reviews. Book reviewers have compared Marquis’s WWII thrillers “Bodyguard of Deception,” “Altar of Resistance,” and “Spies of the Midnight Sun” to the epic historical novels of Tom Clancy, John le Carré, Ken Follett, Herman Wouk, Daniel Silva, Len Deighton, and Alan Furst. (Emphasis by Ronovan.)

In addition Sam has been the Kirkus Reviews Book of the Year Winner. Kirkus Reviews, founded in 1933 it has been considered one of the big two along with Publishers Weekly. To be selected for review is a sense of worth for an author. To be selected as a book of the year? I can’t imagine but can dream. (Kirkus Reviews is owned by Nielsen Holdings, 2010.)

REVIEW:

In Soldiers of Freedom: The true story WWII Story of Patton’s Panthers and the Edelweiss Pirates, Samuel Marquis mixes his ability to capture authentic dialogue with his massive amounts of research to give societal issues and the human condition during the time not only by the obvious racial aspect but by nation and society ruled by a dictator and his self-important official and citizen followers. Marquis gives the experiences of the soldier as a person with thoughts and feelings beyond being in a war simply to be following orders and killing the enemy, but the rest of his life the experiences of war touches. This carries over to the military command level as well as citizens in the home nation of the Nazi regime.

With a book set in WWII Europe and involving the 761st Tank Battalion, there must be sensory loaded descriptions of battles; the roar of guns, the smoke, the smells, the confinement, but more than that, I am given the emotional mindset of a tank gunner, and his comrades-in-arms as they fight against the Nazi regime. Marquis does not stop there, he gives a taste of what it’s like to be a Black man in the 1940s and how that translates to being a soldier at war, while at the same time often outranking white soldiers who show disrespect, disregard, and disdain for them.

Getting flipped on its head, I then read about the physical and emotional state of a teenage German girl, who is resistance fighter with the Gestapo dogging her every step, a situation more treacherous than any man would face. She shows me not every German in WWII is either a Nazi, a Nazi supporter, or innocent of having blood on their hands.

The dialogue and action of the military and resistance fighters draw you in and give you a sense of being a part of a war environment, not just the battlefield of soldiers, but the battlefield of citizens fighting their own government. Marquis uses his research materials of government documents, biographies, interviews, and personal letters to great dramatic effect.

Soldiers of Freedom is told through the voices of three people; SARGENT WILLIAM H. BURNEY, a Black man from Harlem on Manhattan Island, New York who is a part of the 761st, GENERAL GEORGE S. PATTON Jr, commander of the US THIRD ARMY, and 16/17-year-old ANGELA LANGE, daughter of a German Colonel, and member of the EDELWEISS PIRATES, a real German resistance group in Cologne, Germany.

Jackie Robinson military photo
Jackie Robinson

While reading I can’t help but feel the frustration of the young Black soldiers not just during the war, but from the moment of sitting down with a recruiter and being told that you aren’t allowed to so much as try for what you dreamed of doing in the military and for your country, that you would have to take another route. I am surprised by the honesty of the recruiter considering the times. Frustrations continue wherever McBurney goes, from one camp to another, all in the name of training. The use of the JACKIE ROBINSON’s court-martial hearing is perfect to put an exclamation point on the 761st time in the US.

761st Tank Battalion photo
761st Tanker Division the first all Black tanker group.

Samuel Marquis gives facts of history not taught to me even in my higher-level History courses at university, and that was as a History Education major. For example, the existence of the 761st TANK BATTALION, the reason for their formation, how they end up in Europe, and the impact they make on the war, which is huge. They are a large part of important moments. There are times in McBurney’s journey I want to punch so many people, run over them with my tank, or shot them with my big 76mm gun, preferably with a round of HE. I get to see the reaction of the German soldiers, and German citizens as well, misrepresented in every level from middle school through university. I learned what a HE was, as well as what a 76mm was and what it could do.

“But it struck him as ironic that he and his fellow Negro tankers were about to cross the same ocean their African ancestors had crossed in chains; and that, in taking part in the struggle against Nazism, they were about to fight a war in the name of freedoms neither the men of the 761st nor their forbearers had ever enjoyed.”—Sergeant William H. McBurney, Tank Main Gunner, U.S 761st “Black Panthers”

What I enjoy a lot is the sharing of the experience the tankers both in battle and in the everyday life of a soldier. The difficulty the drivers and gunners have using these machines is incredible. How although the tanks can be lions, they can also quickly turn into lambs. I haven’t come across another book, of any kind, describing with such honesty what a soldier goes through in the confines of a war machine, regardless of the genre. I don’t know how they did it. I’d still be shaking, rattling, and my eyes would be bopping all around to this day. Then there is what McBurney reveals about German towns and the citizens they come upon. I have never given much thought to that part of the story, at least not down to that level. One reason for not knowing is, history books don’t teach about the Black soldiers of WWI and what they did in Germany. You must read to believe.

General George S. Patton Jr.

“Lord help us,” [Patton] said, pulling out a fresh cigar. “And Lord help me when this war is over.”

“Why’s that, sir? I would think you would celebrate.”

“No, Codman. With nothing to do, I’m going to be a [***]damn wreck and an absolute nuisance to my wife.” – Major Charles Codman and General George S. Patton Jr, Freedom Soldiers

That sampling of dialogue is just a little taste to help you get in the spirit of General George S. Patton Jr.

Patton is as flamboyant and audacious as I thought. Using diaries and letters, Marquis gives me the colorful language and stories Patton liked to tell, but more importantly, his feelings about soldiers under his command, as well as the Generals and commanders he must work with. Those feelings are quite surprising, not only for the tough-as-nails Patton but from a field general at all. I laughed, yes laughed, reading old Blood and Guts Patton’s

Eisenhower and Montgomery photo
General Dwight D. Eisenhower and Field Marshal Bernard Montgomery

exchanges with GENERAL DWIGHT D. EISENHOWER, Supreme Allied Commander Europe, as well as other generals, and his thoughts on the BRITSH FIELD MARSHAL BERNARD MONTGOMERY. And the honest opinions of Eisenhower, at least through research are eye-opening. What is revealed about the politics, perceptions, and egos of war and how they play out on the battlefield is not necessarily surprising, but are brutal when laid in front of you and you can’t help but see it and think about the outcomes.

The resulting command structure and atmosphere of the European Theater following Patton’s removal for slapping two shell-shocked soldiers in Sicily are painful to watch with Patton demoted then later given command of the US Third Army. How the war would have been different if not for his believing the soldiers were just trying to avoid fighting. No one had heard of PTSD in the 1940s. The press had a field day, but Patton had a powerful fan and ally waiting in the wings to help get him back in the war.

For the ugly truth was that every German was ultimately guilty for allowing Hitler and the Nazis to rise to power and hiding their head in the sand and turning their backs when the regime began singling out Communists, Jews, clergymen, and other racial, political, and social enemies of the Reich. – Angela Lange, Freedom Soldiers

Jackie Robinson military photo
Gertrud Koch, Edelweiss Pirate/Navajo. Inspiration for Angela Lange

Angela Lange is loosely based on real-life Edelweiss Pirate of Cologne, GERTRUD KOCH, but with elements drawn from events experienced by her comrades. I learn through Angela’s authentic filled voice and view, just how naïve and young these Edelweiss Pirates, who called themselves Navajos out of admiration for the Native American tribe, are in the beginning, but also how fast they grow up. Their main target is the Hitler Youth that patrols the town and enacts harsh punishment on those they deem conducting criminal or disloyal acts. The demented CRIMINAL COMMISSIONER FERDINAND KÜTTER of the Cologne Gestapo along with his interrogators are nothing but sadistic, rabid dogs who enjoy nothing more than torturing Germans and enemies alike until they get confessions, information, or death. Marquis settles into a groove with Angela’s story as the book continues. I witness the innocence, naivete, love, pain, tragedy, hope, despair, spirit, and determination throughout this young woman’s story and all while battling with the Gestapo. And not just any Gestapo, but some of the most factually brutal in the Nazi Regime, that were historical figures in Cologne.

As important as Patton’s story is, the 761st story is bigger and as big as their story is Angela’s story is the one that delivers a reality punch. We don’t think much about resistance within Germany unless we think of the Jews who hid from death and helped others escape it. Here we see German citizens fighting against the Nazis, not to help the Allies, but to take back the Germany they once knew.

WHAT I LIKED:
  • facts about unheard of people
  • a sensory experience from each view of the war
  • the action of the tank soldiers
  • how the 761st put aside bigotry for country
  • revealing details of the German citizens’ attitudes and the towns the 761st encounter
  • Patton’s loyalty and love for his men
  • the camaraderie among the US Generals in Europe
  • learning of and about the Edelweiss Pirates
  • continuing to learn about the types of Nazis through Marquis’ books (They aren’t cookie-cutter and all fall-in-line Nazis.)
  • the afterword information and further details of what happened next for these people
WHAT I LIKED LESS:
  • There are a few moments in Angela Lange’s story that don’t ring as emotionally engaging or authentic as they should be. I don’t mean the events don’t occur historically. What I mean is the telling of certain scenes are not as detailed or as emotional as they should be. Those parts that don’t capture the emotion of the scene do not take away from Angela’s experience, they lessen the impact in those specific scenes. It might be the nature of situations that gives hesitation to going deeper.
  • The book isn’t quite as smooth as I am accustomed to with Sam’s books, (I’ve read all the WWII series books, amazing series.) I put this down to the massive amount of action that takes place during this important period covered. Transitions within the three views sometimes take a moment to become clear as to who is speaking. I know the setting because that is clear at the beginning of each chapter. I just at times don’t know the individual speaking or spoken to. That could be me.
  • There are one or two, what I will rudely call minor, battles that I could do without the description of the battle, just given the information that the 761st wins and why it is important. This happens with several battles after the war turns heavily into the Allies’ favor. I always want the wins, losses, and strategic information. There are simply a few scenes where I feel like I’m reading the same scene from earlier, with minimal differences. Tanks do what tanks do, and similar battles occur, but at times there is a battle, though important, as every battle in WWII is, that can be told with just the telling of its victory and its strategic importance. Sam gives a few hugely important battles brief mentions, but we see their importance. In these cases, if Marquis went into detail, we would have more books to read.
COMPARABLE TO:

Others have compared Samuel Marquis’ writing style to New York Times #1 Bestselling author, Ken Follett who has seen some of his books turned into movies and TV series. Also, another name mentioned is Adam Makos, another New York Times Best Sellers list author.

As for me, there is an author who wrote many historical fiction novels, the late British author John Gardner, an ex-Royal Marine commando, and Anglican Priest before losing his faith. I’ve read over 20 of his books, perhaps that is one reason I enjoy Sam’s books so much. Gardner’s historical fiction work includes the five-book Herbie Kruger Series of action encompassing WWII, the Cold War as well as subsequent events inspired by the two, and there is also the three-book Railton Family Series, which has ties to the Kruger books. If you are a James Bond fan, he wrote 15 novels, beginning in 1981 with License Renewed and ending in 1996 with Cold/Cold Fall. All of us know him for the 007 book GoldenEye, in who’s film adaptation Pierce Brosnan made his Bond debut. I’ve read most of them.

As one review states:

“Marquis is a student of history, always creative, [and] never boring…A good comparison might be Tom Clancy.”Military.com

RECOMMEND TO:
  • Obviously for fans of the authors mentioned above.
  • Those who enjoy digging into the personal details of historical figures.
  • Those who are interested in untold stories of African American History.
  • People who want to understand a little more about the imagery of war in ways not normally described in books or shown on film.
  • For those who like to understand the citizens of war, their struggles, fears, tragedies, and sometimes why they participate in a war.

Review by: Ronovan Hester

THIS IS A 4.68 STARS REVIEW:

Character Development 5
World Building 5
Editing 4.5
Believability 5
Enjoyment 5
Clarity 4.25
Flow 4
4.68
GET THE NEXT #1 BESTSELLING BOOK @:

amazon logo barnes & noble logo indie bound logo

Visit #1 Bestselling Author Samuel Marquis at: http://samuelmarquisbooks.com/.
Connect with Samuel Marquis on:

facebook logo goodreads logo google+ logo linkedin logo twitter logo

 

© 2020 Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

#BookReview by @RonovanWrites of @ElleBoca’s An American Weeia in Paris.

An American Weeia in Paris cover image

Title: An American Weeia in Paris

Author: Elle Boca

Publication Date: April 1, 2020

Copyright: 2020

Genre/s: Urban Superhero Fiction (With a lot of mystery.)

Price: Kindle ($5.99)  Paperback ($12.99)

In Elle Boca’s latest stand-alone book An American Weeia in Paris , the fourth entry in her The Weeia Marshals series, I was treated to a tale of mystery, suspense, surprise, intrigue, friendship, science fiction and urban fantasy all rolled into one so smoothly that I didn’t realize all of that until I started writing this review. There are at least five subplots going and all are clear, and I still didn’t think about there being that many until now. An American Weeia in Paris is simply put, a great read I got caught up in and read in one day. I could not put it down.

The Story

Marshal Danielle ‘Danni’ Metreaux, now the acting Head of the Paris branch of the Weeia Marshals, is tasked with  the job of watching over a Texas Weeia Elder and his family. The book starts at the Eiffel Tower where the group is having dinner in one of the famed Eiffel Tower restaurants when a terrorist attack occurs. That’s when the mysteries begin. While I watch some suspenseful and thrilling moments in the tower above, a Weeia takes action against the terrorist on the ground, with the scene captured on social media threatening to reveal the existence of Weeia to Humans, who are not aware they have a gifted race living among them. Who is this good Samaritan the media dubs MGV? But that’s not the only mystery. Stalkers? Mystery Weeia? And there is a life changing shock I never saw coming.

My Thoughts

I am enjoying seeing the continued development of the main protagonist in the series, Marshal Danni Metreaux. She is no longer the unsure, self-conscious girl, who grew up on her aunt and uncles farm. Now she is comfortable enough in her position as acting head of the Paris branch of Marshals, to face off against elitist members of the Marshals. She traverses the streets of Paris, both the good and bad more and more like a native, which is a wonder considering the maze that is Paris. Her personal skills with others improves to a surprising degree, but she’s still the same plain speaking Danni.

There is more of Danni’s oldest friends from her Marshals Academy in Portland, Maine, with tech gifted Ernie Satuan and best friend Marla than in the recent books. Both have surprises in store for her. And then there is Danni’s friend Ceri…the Poodle, a match that could only be made in Paris.

I learn about Paris through Danni’s adventures as Elle Boca gives life to Paris by giving us Danni’s thoughts as she negotiates through the streets of Paris, following the street names and historic landmarks she sees. Bits of history only the Parisians know is shared. For this former History teacher and Historical Fiction author, through the words of Elle and the eyes of Danni, I can see vividly what it must have been like centuries ago and learn how the early intentional forward progress of Parisian society was formed. This is not done in a scholarly or boring fashion.

The supporting cast and fringe figures are well developed and as the series moves from one book to the next, I know the feelings each one brings to Danni. Plus, I remember the characters, as opposed to looking back to previous books to find out who they are. Great job!

Elle Boca has created a world where Weeia and Humans can co-exist, with the help of Marshal Danni Metreaux and her friends. Weeia, who Humans don’t know exist, are people gifted with abilities and can cloak or mask themselves to the eyes of others, make people ‘like’ you or seem charming, or even teleport across an entire continent and ocean with a friend in tow. Some might say Weeia have superpowers, but don’t think costumes, superhero names, or robot armor. Think more like Charles Xavier, who appears as normal as anyone else but just happens to have an incredible ability he uses when among Humans only when necessary.

What I liked about this book:

  • I enjoyed the overall easy flow of the book, making reading enjoyable.
  • There is a good balance of surprises with new characters and moments with recurring cast members that keep the protagonist grounded and happy.
  • I really liked the parts with the Poodle, Ceri, though simple for the most part, they showed some emotional development in Danni.
  • I think the handling of the supporting cast is well done, especially how they fit into the everyday life of Danni.
  • There are things/words used in the Weeia world that I had no problem with understanding. The author does well with her choices when it comes to language. Anyone can read this book and the previous three in the series with relative ease.

What I liked a little less bout this book:

  • There are a few scenes and a minor subplot that I stumbled over a bit and took me out of the story, but I can see how the author would have thought it helped show consistency in how a certain element in the Weeia world view her.
  • Staying with the scenes above, the editing during those particular areas broke up the flow.
  • An American Weeia In Paris review image

What book/author would I compare this book to:

I liken this book to a less dark urban fantasy than say a Jim Butcher Dresden Files offering. I love Jim Butcher, but his books can be a tad intense at times. With Elle Boca’s The Weeia Marshals series does have the occasional dark moment, and twisted character, they are used in just the right amounts, so as not to desensitize the reader to dark themes, then you are truly disturbed by the rare moments and thus concerned for those involved.

You could also say with the secretive nature of the Weeia in the series, that J. K. Rowling’s Harry Potter shares some similarities, but not in the YA manner or in that magic sort of way. This series can be read by most any age.

Recommend:

I recommend this book to those who love Urban Fantasy, Mystery, Adventure, and a bit of Travel. And of course those who love learning more about Paris than you might have known was out there. For those expecting a superhero book in the vein of the Avengers or Watchmen, that’s not happening.

This is a 4.25 Stars Review.

Character Development 5
World Building 4
Editing 4.25
Believability 4
Enjoyment 4.5
Clarity 4
Flow 4
4.25

Purchase An American Weeia in Paris at one of the options below, or check your favorite book choice:

amazon logo to clickAbe Books Icon to clickbarnes & noble logo to clickBook Depository image to clickindie bound logo to click

Connect to Elle Boca:

goodreads logo to clickamazon logo to clicktwitter logo to clickElle Boca Author Site logo to click

© 2020 Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

Into the world of #art – #interview with Drema Drudge, author of “Victorine”

Drema Drudge’s deep interest in art led her back to college and it brought her debut historical novel, Victorine, soon to be released on March 17, 2020.

In this interview, Drema provides insights into the life of a female artist in 19th century Paris.

To begin, who is Victorine? 

Victorine Meurent was Édouard  Manet’s self-professed favorite model. In all she sat for about 11 paintings for him. She also posed for artists Alfred Stevens, Edgar Degas, and more.

She came from a poor family, and not much is known about her beyond that she was born in 1844 and died in 1927. She lived with a woman named Marie DuFour for around the last twenty years of her life, presumably as her partner.

Indeed, she did go to art school. Her work was accepted by the Paris Salon on multiple occasions.

Much that history “remembers” of her is lies: that she supposedly died a young, financially ruined alcoholic prostitute. None of that is true. The few things we do know about her show that to be untrue.

An encounter with Olympia painted by Édouard Manet inspired you to write this book. Tell us a bit about this journey to finally writing Victorine

I was primed before encountering Olympia to see the story in paintings by a previous literature class I had taken called The Painted Word. I wrote a short story of Olga Meerson (who modeled for Henri Matisse) which was published by the Louisville Review. Then when I took yet another literature class with the same professor, he put up a slide of Olympia and I sensed that the painting, that is, the model in it, had more to say. I wanted to know what. A novel was born.

Do you paint? Do you have an education in art? 

I do paint a little, but a very little. I am finally allowing myself to learn a bit of technique. Previous to that I didn’t want to learn; I wanted to feel free to play and dabble without judging myself the way I judge my writing.

The only “formal” education I have in art is visiting art museums and reading about it. I get “hungry” for art if I’ve been away from the real deal for too long. But I’ve often wished I had an art history masters. I might get one, eventually.

What was it about Victorine Meurent that caught your fancy and kept your interest until you completed the book (and possibly beyond)? 

In my research on Olga Meerson, I discovered that Olga was a painter, and yet here all anyone remembered her for was her modeling. Imagine my surprise when I discovered that yet another painting was calling to me, and the model in it, Victorine,  was also a forgotten painter. I had to write about her.

The more I researched her, the more I realized there wasn’t much to go on. I couldn’t see how anyone could weave a tale with so little thread, and yet, as a novelist, I had that very thread at hand. If not me, who?

Can I presume that you undertook significant research to write Victorine? How much? Where did it take you? 

My research took me to Paris, first and foremost, its streets, museums, and cemeteries, I tried to imagine Victorine in the City of Lights.

But much of my research was necessarily completed via books, from following in the footsteps of those who had attempted to study her before. There was much rumor, little fact available. I knew that by the records of those who had attempted to find her before.

How long did this book take from the first encounter of Olympia to its publication? What challenges did you encounter? 

I encountered Victorine as Olympia in 2011, and my novel is just now being published in 2020. The first rough draft only took six months to write, but then it underwent some revisions, which slowed it down. When I found an agent, she shopped it for quite a while. In 2019 I was informed that it was finally going to be published, and I was more than ready.

What is the sociopolitical context of this story? Is it critical to this story you tell?

Oh my, yes. Women, and particularly poor woman, of the mid 1800’s in Paris weren’t considered much. And to aspire to be a painter in those circumstances? Almost impossible to achieve. That’s why I quickly realized Meurent must have had an indominable spirit, to have achieved what she did.

Then there was the birth of Impressionism and Modernism hand in hand. Both of these movements fought against the art establishment of their day. Enter Victorine as a stand-in for the art critics as Manet found his voice as a painter (and, most say, the Father of Modernism) as well. I wanted to explore the overlooked influence a model has on a work. As muse, yes, but the additions she makes that the artist cannot exclude, try as (in this case he) might.

How would you describe the relationship between Manet and Victorine Meurent? What attracted her to him, and vice versa? What was she to him, and vice versa?

Many believe they were lovers. I do not. I think they respected one another, eventually, professionally, although their artistic differences are thought to be what drove them apart in the end.

Meurent decided Manet was being too risky while seeking the approval of the Salon.  He refused to stay the expected course but also refused to totally embrace himself. He wouldn’t give up his need for acceptance, which he didn’t receive until just before he died and, of course, after. Meurent literally couldn’t afford to follow her fancy, painting more traditionally than Manet so she could sell her art.

As to what attracted him to her, she dared tell him the truth about his art. Other than the critics, no one dared. Manet was not a man who could handle criticism, and yet art cannot grow without it. I believe Meurent, as his model, managed to be that bridge for him: she was socially beneath him enough that he could disregard her criticism if he liked, and yet the honest artist part of him was able to embrace it. Or that’s my story. I have no way of knowing if that was true.

Meurent and Manet were fond of one another, essential to one another in ways they couldn’t articulate to themselves or others, I believe. You don’t have to see someone every day or every year to know how important you are to their purpose on the planet. I believe they were just that crucial to one another. It wasn’t love. It was something else, something I spent a large part of the novel trying to define.

What is, in your view, Meurent’s inner life?

Meurent’s narrative is a bit performative, so I’m not surprised by the question, and yet if she had been more inner directed aloud, the novel would have been in danger of tilting toward the maudlin. Neither she nor I wanted that!

She lived her inner life on the canvas and in her musings as she painted or was painted. Her life was a work of art, first by others, then by herself.

It wasn’t as if she hid her desires or her vulnerability from the reader. By pointing some things out, she was admitting, gingerly, what she wanted and needed. The main goal of the story, and her goal as narrator, was to bring herself back to history as a painter. It was to show that art can serve as lover.

She could receive and understand art and humanity with a generosity and intelligence that few have.

More than that, I think she’d prefer to keep to herself.

What degree of artistic license did you take with Victorine and the events in the book? 

I did what the book required. I strove to tell the truth, although often the factual truth wasn’t available, so I had to fabricate pieces of the story from the bits I had at hand.

You have chosen to begin the book with Manet and Meurent’s first meeting in 1862, and have tied her to Manet throughout the book until her acceptance into the Salon de Paris. Why? And why this period? 

I quickly realized in my research that Manet played an extremely important part in Meurent’s life. I first conceived her story not as a novel, but more as a series of linked stories (that being the trend at the time) with each story centering on a painting. Since Manet was the artist whose paintings of her were most known, that seemed the place to begin.

One of the many themes in this novel is breaking away from Bloom’s anxiety of influence; that is, learning who you are versus your mentors. Her formation as an artist sprang directly from being able to detach herself from Manet’s studio.

As I read Victorine, it seems Meurent is explaining herself or justifying her actions and motives in relation to Manet and on occasions, Alfred Stevens, instead of the reader (like myself) gaining access to her independent inner world of what drives her. Was there a particular reason for this? 

I don’t know that it was conscious on my part, but it makes sense. Meurent was the object of the male gaze from a child on, with first her father painting her. Part of her cycle of growth was breaking away from being the object. It was a process; she protected herself from them and from us as readers as she went along. I’ll allow it.

It was fascinating to see the maturing process of Victorine, young muse and aspiring artist, to Meurent, accomplished and confident.  I enjoy the triangulation of relationships. Did you decide to do this? Why? 

In some cases I was very aware of the triangulation, such as between her, Manet, and Berthe Morisot, and in other places, not as much. I supposed I am innately aware of the delicious tension inherent in triangulation.

If Meurent is unfair to anyone in the novel, if she has a blind spot, it’s that she underestimates Suzanne Manet. That’s her (professional) jealousy talking. Suzanne’s retribution is my way of showing the reader the truth.

If there is one thing you want the reader to take away from the book, what would it be?

My goal, first and foremost, is to return Victorine Meurent and her contributions to art herstory. If the reader thinks of Victorine not as just a nude on a canvas, but as a living, growing human being who did, in reality, go to art school and make contributions even to the prestigious Paris Salon, I will have done my job. If she lingers with the reader, that’s a bonus for which I surely hope.

Are you working on a new writing project now? And if so, what is it and does it involve art as well?

All of my books are likely to contain art, though I have a loosely connected concept for them: I want to eventually write about all of the arts. Next up, music. I juxtapose the worlds of country music and…Virginia Woolf!

How fascinating! I will be looking out for its release.  Finally, where and when can readers get their hands on Victorine

Victorine’s release is scheduled for March 17, 2020. It’s available for preorder on Amazon and Barnes & Noble. Once out, it will also be available on the Fleur-de-Lis website.

~ FlorenceT

@FTThum
MeaningsAndMusings

© 2020 LitWorldInterviews

 

@FTThum #BookReview ‘Nina’s Memento Mori’ by Mathias B Freese

This quote from Gabor Maté comes to mind as I read Nina’s Memento Mori by Mathias B Freese.

“I needed to write, to express myself through written language not only so that others might hear me but so that I could hear myself.”

 

Title:      Nina’s Memento Mori
Author:  Mathias B Freese
Publishers: Wheatmark
Format: Paperback (2019)
Pages:   136
Genre: Non-fiction, Literary, Memoir

 

 

What’s it about?

This is retired psychoanalytic therapist, Mathias B Freese’ memoir of his 2-year marriage to Nina.

I have not read Mathias Freese before and is taken by his unashamed revelation of himself, and in the process, who his beloved Nina was. And this without fear (she is dead and he is old), and without favour (he has no need of this). This book is one man’s expression of love as he bears witness, through memory, to her life. It is a collection of short reflective essays, existentialist in nature and psychoanalytic in process.

I mean no disrespect, when I refer to 78-year old Freese as “old’ as I am aware that “old” is relative and subjective. He himself freely refers to his mortality and what is to come in the memoir.

Freese lays bare his regret and sadness in not loving Nina enough due to his self-perceived inability to express love and to love as well as he should – his “emotional deficits” as he calls them. It is his hope that this memoir would honor his memory of their time together and of the woman that Nina was to him. 

The poignancy and sadness of his story are evident. While there is much exposition, references to feelings and emotions are somewhat lacking in the “I am … “ emotional-kind. It is indeed intriguing to read the workings of a psychoanalyst’s mind. Reading this book is like a game of “hide-and-seek”.

Through the essays, Freese professes his need for “mother”, one who would nurture and guide, and love unconditionally. This he had missed out in his early years and consequently, he claimed this role of child in relation to Nina in desiring and seeking safety and hope. These, she was able to provide in her quiet unassuming manner.

She had understood the trauma of his childhood, as she had been in worse. This was followed by two abusive relationships prior to meeting Freese. The commonality of unloving parents, growing up without proper guidance or care (as expected of parents) nor kindness and love perhaps bound Freese and Nina. (Freud did mention something about neurotic complement in marriage? I stand to be corrected 🙂 ) The manner of how each coped was contrary, Freese in his refusal to conform and is outspoken, while Nina adopted the roles required of her and was quiet.

Though he felt inadequate and not “good enough” as a husband, Freese acknowledged “I was Nina’s final grasp at tranquility, of personal realization after decades of torment. I served a good purpose as the human I am.” Perhaps he did love her and in the way she needed to be loved – not as he thought she would want to.

Is it enough to know that one is needed and served a purpose? It would seem not, as Freese’ narrative is replete with regret, of not giving more to the woman who had provided him with space to be and caring in a manner suited to him. His biggest regret for not bringing her from the hospice to their new home to live out her final days. I found the self-flagellation at times difficult to bear.

Did he see her during their marriage? “When we are in a marriage or a relationship, we fabricate images of the other and live accordingly,” he wrote. I will let you decipher this from Nina’s Memento Mori.

While Freese generously gives in thought and intellect, he characterizes himself as restraint in emotional expression or acts of affection. Yet his affection and love for Nina is undeniable. She is portrayed as an industrious woman who  cared for two children while working as a seamstress while in abusive relationships. He loved her gracious giving of herself, in receiving his love as he chose to provide it, her quiet stillness, her unimposing presence.

What strikes me is despite the frank self-disclosures, there seems to be much that was not said. “At some levels we choose not to recall.” So what has Freese chosen not to recall? Perhaps that his love is received and is enough. Nina felt the love he had for her – he was “on her side” after all.

And tangentially, I wonder if Freese as psychotherapist and writer with a love for words, has found his manner of coping with his stated inadequacy to express his emotions. I will let you decide for yourself, or not.

This book is both an eulogy and an elegy of Nina, to say and express what he did not when they were together. It is Freese seeking absolution.

As a reader, I thank him for his courage and candour.

I hope Freese experience the redemptive power of writing this memoir. As he said, “I know I must change”.

Would I recommend it?

Yes. Heart-wrenching, thought-provoking.

My rating:                4 /5

~ FlorenceT

@FTThum
MeaningsAndMusings

© 2019 LitWorldInterviews

Please Check Your Email by Friday or a New WINNER will be selected.

For those of you who entered the Paperback Giveaway for one of the two Gary Gatlin Reluctant Hero books, please check your email. If I have not received a response by the end of this coming Friday, Nov. 22, a new winner will be selected. One person has already responded with the address for their book to be sent.

Reluctant Hero Book 1

2 PAPERBACK copies GIVEAWAY! Gary Gatlin-93 Year-Old First Time Author of Reluctant Hero, first in a WWII Trilogy.

THIS GIVEAWAY EXPIRED November 11, 2019 as noted in the body of this post, in red bold type.Reluctant Hero Book 1

Reluctant Hero: World War Trilogy Book 1

(Clicking the image or title will take you to the Amazon Page to pre-order the book to be released Nov. 5.)

Entries Through Veteran’s Day! (Nov. 11)

Author ROYALTIES from book sales WILL BE DONATED to the nonprofit organization ANGELS ON THE BORDER.

To enter the GIVEAWAY for one of two books, just fill out the form below. All email addresses will be deleted following the drawing of the two winners, with the exception of the two winners for contact purposes.

I do ask that you consider putting a review on Amazon and/or GoodReads.

Author ROYALTIES from book sales WILL BE DONATED to the nonprofit organization ANGELS ON THE BORDER.

His forthcoming novel, “Gary Gatlin: Reluctant Hero” (Dudley Court Press) is set in April of 1939. As 20-year-old Gary Gatlin travels from Los Angeles abroad, he cannot know that he will singularly influence the outcome of WWII. Gatlin, a friend of Japanese-immigrant farmers in California, finds himself in Formosa to learn about Japanese fruit cultivation. When he arrives on the lush island, war is in the air, and his presence begins to raise suspicion. Following the attacks on Pearl Harbor, Gatlin finds himself called upon by the U.S. Navy in an unpredictable battle of allegiances.

WWII veteran Carl Haupt is a first time author at 93 years old, who spends his days helping Central Americans displaced by famine and poverty at the U.S.-Mexico border, despite his advanced age and physical handicaps.

Carl F Haupt Headshot

Carl F. Haupt

Author Biography

TUCSON, Arizona – Carl F. Haupt, a 93-year old retired military veteran on a government pension, has become a philanthropist who feeds the starving refugees at the U.S. border in Arizona. From a wheelchair, he works to make life tolerable for those in limbo. Just as he helped to liberate Europe during WWII and fought in the Asian Theater on the other side of the world, today, he and his wife continue, after more than 17 years, to personally help those fleeing poverty and internal strife within their home countries.

At age 15, along with a reported 1 million other boys across the country, Haupt left home during The Great Depression. He was homeless, hitching rides on freight trains, sleeping on the ground and going hungry for days at a time. Eventually, he landed in Los Angeles. In 1944, he joined the United States Navy and served his country for 22 years, including more than a decade in the United States Air Force. He retired in 1966 as a Master Sergeant.

In 1992, with his military life behind him, Carl began helping locals in Mexico with his wife, Sarah. They worked in Agua Prieta, a city across from Douglas, Arizona. Remembering his time as a homeless teen, Carl helped build over 100 homes and moved 25 donated mobile homes to families in Agua Prieta, delivering food and other necessities to struggling families.

Haupt is a first time author at 93 years old. His novel, “Gary Gatlin: Reluctant Hero” (Dudley Court Press, November 5, 2019), was inspired by a strange situation in 1987 when he woke up one morning compelled to write for 13 straight hours the story that had come to him through a dream. Now, decades later, Dudley Court Press has acquired his story for release in 2019. All author royalties from “Gary Gatlin” will be consigned to the non-profit organization Angels on the Border.

Six Whole #Books for only $5.00? | She Must Be Nuts! @PSBartlett

This post originally appears on my co-authors PS Bartlett’s Blog. I am personally fond of Amber Wake: Gabriel Falling, yeah, that’s the one I co-authored with her.

PS Bartlett Author ImageAuthor PS Bartlett

If you love adventure, action, intrigue, romance and historical fiction, these are the books for you!

Good morning…afternoon…or evening, depending on where you are in this great big, beautiful world!

In one day, I’ll be practically giving away every book in The Razor’s Adventures series on Kindle!

That’s right! You’ll get all six books for $5.00!

Just click on the graphic to go to each book in the series! Save this page so that on Friday 10/11/19, you can get them all for $5.00!!!

A Criminal Lawyer’s Tips for Writing Legal Thrillers. Guest Post by Author/Attorney Ed Rucker

Ed Rucker, Attorney and Author photoToday’s guest author is Ed Rucker, author of The Inevitable Witness.  He’s a criminal defense lawyer in California who has tried over 200 jury trials, including 13 death penalty cases. His forthcoming legal thriller, Justice Makes A Killing, will be released in July 2019.

Who better than this guy to give write this post?

A Criminal Lawyer’s Tips for Writing Legal Thrillers

  1. Plot Requires Tension

Trying a criminal case has much in common with the creation of a mystery plot; in a jury trial, both the prosecutor and the defense lawyer are storytellers – although their stories are radically different.

When the police investigate a crime, they uncover and assemble an array of “facts,” such as witnesses, documents or forensic evidence. The prosecutor then weaves these facts together into a story, one that shows that the defendant committed the crime. In the prosecutor’s story, the defendant is propelled by a strong emotion like greed, jealousy, or revenge.

The defense must tell an alternative story about these “facts,” one that accepts the hard facts (science based forensics), but demonstrates the unreliability or falseness of other facts, leading to a different conclusion. If new facts are uncovered and added to the story, perhaps now they point their finger at another suspect.

In a mystery novel, as these contrasting stories evolve and move toward a climax, they can make for a tension-filled plot and an exhilarating read.

  1. Build Complex Characters

Readers enjoy when a book’s characters have some depth, some complexity. This certainly applies to the story’s protagonist, but equally to its other characters. For example, when the storyline includes an innocent person who is wrongfully accused, there is often a tendency to treat that character as a placeholder while the business of solving the mystery moves ahead. In reality, when a person is charged with a crime it shakes them to their very core. The prospect of spending a good portion of their life in a steel and cement box tends to peel away any layers of pretense. People are stripped raw and their true being emerges with all its contradictions, virtues, and base impulses.

This is also true of the villain of the piece. As a criminal defense lawyer, I learned that no matter how abhorrent the acts my clients committed, I was always able to find a vein of humanity in them with which I could identify. Like all of us, they were a bundle of complex and contradictory impulses, both good and bad. Most had personal histories that made their life choices – while not acceptable – at least understandable. As the old adage says, there but for the grace of God go I. Even a villain should not appear one-dimensional.

  1. Reflect the Media’s Effect on Criminal Cases

We are saturated today with a barrage of news, not only from such traditional outlets as TV and the newspapers, but also from social media. A significant number of the public receive their information from podcasts on Facebook and YouTube. Therefore, to write with authenticity about a criminal investigation or a legal thriller that involves a sensational case, the author must address the impact that this media coverage has on those involved. In my experience, if a case attracts the media’s attention it changes how that case is handled by the participants. The police detectives and their superiors go to quickly solve the crime in order to enhance their public image. Such pressure carries with the real possibility of a rush to judgment. When the case reaches the courts, the media spotlight shifts onto the judge and the prosecutor. Both must stand for election and may fear a backlash at the ballot box if their decisions do not meet with the media’s approval. Consequently, the prosecutor feels he or she must win at all costs and seek the harshest punishment in order to appear “tough on crime.” A judge may tilt his or her rulings toward the prosecution on close legal questions to avoid appearing “soft on crime.” The author should recognize and seek to depict this reality.

  1. Prosecutors are Not Always Ethical

It is realistic to write about prosecutors stepping over ethical lines. Prosecutors, no doubt, have a difficult job. Not because, as is portrayed on TV, they have the “deck stacked against them,” but rather because they must often act against their own competitive instincts by sharing their evidence with the defense. This Constitutional guarantee is needed to guard against the conviction of innocent people. However, the pressure on prosecutors to win in order to advance their own careers and reputations may sometimes cause them to ignore these “legal technicalities.” They may be tempted to hide exculpatory evidence, coach a witness, use discredited informants, or tolerate police fabrications, all in the name of “we know he’s guilty.” When such misdeeds are discovered, the courts are reluctant to actually punish an offending prosecutor, choosing instead to consider such violations as “harmless legal errors.” This lack of accountability creates a sense of immunity among prosecutors. So depicting such malfeasance or the temptation to indulge in it should be something the author considers.

Ed Rucker is the author of The Inevitable Witness.  He is a criminal defense lawyer in California who has tried over 200 jury trials, including 13 death penalty cases. He has received numerous awards, including the L.A. Criminal Bar Association’s “Trial Lawyer of the Year,” the L.A. County Bar Association’s “Distinguished Career Award,” and he is listed in “Best Lawyers in America.” Under the auspices of the Ukrainian government, he spent two years there establishing a legal assistance program for criminal cases. His forthcoming legal thriller, Justice Makes A Killing, will be released in July 2019.

Justice makes a killing book cover.

DEFENSE LAWYER BOBBY EARL RETURNS TO FACE HIS TOUGHEST CASE YET

When Bobby Earl meets the beautiful but vulnerable Kate Carlson, a prominent LA lawyer who awaits trial in a small town jail for a murder during a prison break, he thinks he knows what’s at stake: negotiate a decent plea deal for a guilty client, pocket his fee and move on. But Kate insists she’s been set-up. To find the truth, Bobby must risk his own life, career and everything he loves by dredging up the secrets of the billion-dollar private prison industry and the powerful California prison guards union, in a desperate battle against a powerful and expanding conspiracy.

Pre-Order Justice Makes A Killing. Click the below to visit the site book pages to pre-order. (Will open in new window.)

amazon logobarnes & noble logo

 

 

 

 

 

 

@FTThum #BookReview ‘The Binding’ by Bridget Collins

 

Title:      The Binding
Author:  Bridget Colllins
Publishers: Harper Collins Publishers Ltd
Format: Hardback (2019)
Pages:   448
Genre: Fiction, Thriller

 

 

What’s it about?

This fictitious tale by Bridget Collins mesmerizes from the start… and I *hated* every moment when I couldn’t get back to it, even as the rest of life called.

It is a tale of two characters whose lives intersect even though they come from different worlds, even when others conspire to keep them apart. It is heart-wrenching and sweet, and surprising. The depth and richness of each of the characters add to this magnificent story of redemption and the inevitability of destiny.

As writers, we write what we are capable of feeling – every sorrow, every gladness, fear and doubt. What if what we write is in fact another’s true story? What if they are stories given to us because they are unwanted and discarded? What if we are in fact binding negative feelings – grief, fear, shame – others choose to forget into a book which we are then entrusted to protect and keep safe? What if unscrupulous binders betray this trust and make it available to others’ reading pleasure or worse?

If you could tell and forsake your deepest and darkest secrets and feelings, so you can forever forget them, would you?

What if you could tell your story, have it bound within a book and never look at it again… thereby relinquishing them forever, would you?

What if you are the binder destined to keep these memories safe? What if the binding is used to serve the powerful and less than noble?

Isn’t it better to remember your whole life? Or only your “good” life?

This is the premise upon which this tale is told. And it allows us to imagine the magic of books and their binding.

Would I recommend it?

A resounding yes. Well-paced and a relatively easy read, “The Binding” kept me turning pages wanting more.

Most importantly, “The Binding” reminds us of the simplicity and that certain innocence of love even in the most difficult of times.

My rating:                4 /5

~ FlorenceT

@FTThum
MeaningsAndMusings

© 2019 LitWorldInterviews

Historical Accuracy Must Come First:  The Real History of The English Patient and Operation Condor

Samuel Marquis photoHistorical Accuracy Must Come First:  The Real History of The English Patient and Operation Condor

By Samuel Marquis

In May 1942, just before German General Erwin Rommel, the Desert Fox, launched his offensive to drive the British Eighth Army out of Egypt and take the Suez, the German Intelligence Service (Abwehr) sent a two-man espionage team to Cairo. Operation Condor, as it became known, proved to be the most legendary and historically misrepresented intelligence operation in the WWII North African campaign.

Lions of the Desert by Samuel MarquisIn Lions of the Desert: A True Story of WWII Heroes in North Africa, I tell the tale of the famous Operation Condor and 1941-1942 Desert War between Rommel’s Afrika Korps and Eighth Army, based on recently declassified British and U.S. Military Intelligence records. The romantic Condor story has been told many times before—most famously in Michael Ondaatje’s 1992 Booker Prize winning novel The English Patient and the 1996 Oscar-winning film of the same name—but until recently virtually every fictional and factual account has been historically inaccurate. That is precisely why I had to write my book.

The reason that the Condor story has been shrouded in mischaracterization and embellishment is simple: prior to the 2006 public declassification of large numbers of WWII government documents, the only historical records on the subject available to the general public were those written by the main protagonists, who had access to only limited information and were not privy to the larger military-intelligence picture. In addition, records have conclusively shown that these participants, despite laying down a solid foundation of verifiable facts, have in a number of critical places distorted and embroidered the Condor narrative to enhance their own role in history or embroider the story, making it difficult for subsequent researchers to separate fact from fiction. I had no idea of these shortcomings when I set out to write my book—but once I discovered them, the opportunity to set the record straight and tell the true Condor story became my raison d’être for penning my work.

The narrators of these early first-hand accounts included: Anwar el Sadat, the Egyptian Army officer, nationalist, and later President of Egypt (Revolt on the Nile, 1957); Lieutenant Johannes Eppler, the German spy in the Operation Condor affair (Rommel Ruft Cairo, 1960, later translated as Operation Condor: Rommel’s Spy, 1977); Leonard Mosley, a British war correspondent in Cairo at the time of Operation Condor, who conducted extensive interviews of Eppler prior to the German spy penning his own version of events (The Cat and the Mice, 1958); and Major A.W. Sansom, the head of British Field Security in Cairo who played a prominent role in the capture of Eppler and his espionage cohort Heinrich Gerd Sandstette (I Spied Spies, 1965). While accurate in many respects and unquestionably entertaining, these subjective first-hand accounts have one fatal flaw in common: they exaggerate the espionage accomplishments of several of the key players in the Condor story and, consequently, draw conclusions that are not supported by reliable historical documents.

Without access to the declassified materials and thus the bigger picture, subsequent writers on the subject—Anthony Cave Brown, Bodyguard of Lies (1976); David Mure, Practice to Deceive (1977) and Master of Deception (1980); Nigel West, MI6 (1983); and Richard Deacon, ‘C’: A Biography of Sir Maurice Oldfield (1985)—could not help but fall into the trap of relying heavily on the embellished accounts of the main protagonists. Following in a similar vein, the bestselling historical fiction novels by Ken Follett (The Key to Rebecca, 1980, made into a 1989 TV movie) and Len Deighton (The City of Gold, 1992) used both the original sources and the subsequent embellished works as the basis of their books, making for great entertainment but questionable historical accuracy with regard to the significant details of the North African campaign and Operation Condor.

As it turns out, the Condor story needs no embellishment. The real-life protagonists, while admittedly more prosaic than their highly fictionalized doppelgängers, are still fascinating in their own right. That became my overarching goal in Lions of the Desert: to tell the real story—a story that has captivated the minds of authors, historians, and filmmakers for the past three-quarters of a century but that, until quite recently, virtually no one has been able to get right due to lack of access to the full truth.

With that in mind, I told the story through the eyes of six of the main historical figures who lived through the larger-than-life events in Egypt and Libya in 1941-1942: Scottish Lieutenant Colonel David Stirling, founder and leader of the Special Air Service (SAS), a brigade of eccentric desert commandos that raided Axis aerodromes and supply lines; Rommel, who as commander of the legendary Afrika Korps very nearly succeeded in driving the British out of Egypt; Egyptian Hekmat Fahmy, the renowned belly dancer, regarded as a Mata-Hari-like German agent in previous accounts but in fact a far more intriguing and ambiguous character in real life; Colonel Bonner Fellers, the U.S. military attaché in Cairo, who was privy to critical Allied secrets in the North African theater and inadvertently played an important role in intelligence-gathering activities for both sides in the campaign; and Sansom and Eppler, who played a game of cat-and-mouse and whose real-life stories are finally told.

Of the above historical figures, Eppler, Sansom, and the Egyptian belly dancer Hekmat Fahmy have been the most grossly distorted in previous accounts—primarily because of Eppler’s and Mosley’s embellished stories that set the tone but also due in part to the security chief Sansom’s self-serving recording of history in his own book. History has shown that Eppler was not quite the master spy portrayed in his own imagination or in books and movies; Hekmat was no Mata Hari at all but was a legendary entertainer and important member of Cairene high society; and Sansom was not the Sam-Spade-like sleuth who solved the case but one of several diligent British intelligence officers who helped catch the two German spies. In fact, Operation Condor ultimately proved to be more comical farce than an intelligence success story; in the end, the German operatives that have been portrayed as virtuoso master spies in books and the silver screen for several decades emerge with little credit from the affair. But it is precisely the sloppily real and deeply flawed human element that makes the Condor story so engaging.

From my standpoint, therefore, it was critical to present Eppler and Fahmy not as the ruthless master German operatives and Sansom as the master British sleuth of previous highly fictionalized accounts, but as the people they truly were with warts and all. To accurately portray the historical figures in the book, I placed the characters where they actually were during a given recorded historical event and use, to the extent possible, their actual words based on recently declassified British and American case files, contemporary transcripts, trial documents, memoirs, and other quoted materials. Like Michael Shaara in his excellent historical novel about the Battle of Gettysburg, The Killer Angels, I did not “consciously change any fact” or “knowingly violate the action.” The interpretations of character and motivation were still ultimately a part of my overall imaginative landscape, but the scenes themselves and the historical figures were deliberately rendered as historically accurately as a non-fiction history book.

Why? Because truth in historical fiction is paramount and not something to be compromised. Because all the other important things in a novel—sympathetic characters, edge-of-your-seat suspense, and unexpected twists and turns—spring from portraying ones beloved heroes and villains in all their glory and infamy just like the real-world, flawed historical figures they were in life. The bottom line is that history itself provides plenty of conflict, tension, and drama, and does not need to be consciously changed to generate more excitement. For Lions of the Desert, I felt it was up to me as the author to select those scenes of historical significance and bring them back to life in vivid color, while filling in between known historical events with scenes that shed light on the historical figures’ true motivation and character as revealed from the recently declassified documents and latest research.

While recently declassified government files form the backbone of Lions of the Desert, the original eyewitness accounts of Sansom, Eppler, Mosley, and Sadat have still proved useful—but only where supported by other eyewitness accounts, government records, or wireless decrypts. As David Mure, author of Master of Deception, states, “The Condor story has been told many times, always with new dimensions and variations; it is a tangled web indeed.” Not anymore. With the relevant declassified WWII records now available, the true Condor story can now be told—and that is precisely what I have done. Because telling the truth and getting the story right matters in historical fiction.

In fact, nothing matters more.

Biography

The ninth great-grandson of legendary privateer Captain William Kidd, Samuel Marquis is the bestselling, award-winning author of a World War Two Series, the Nick Lassiter-Skyler International Espionage Series, and historical pirate fiction. His novels have been #1 Denver Post bestsellers, received multiple national book awards (Foreword Reviews Book of the Year, American Book Fest Best Book, USA Best Book, IPPY, Beverly Hills, Next Generation Indie, Colorado Book Awards), and garnered glowing reviews from #1 bestseller James Patterson, Kirkus, and Foreword Reviews (5 Stars). Book reviewers have compared Marquis’s WWII thrillers Bodyguard of Deception, Altar of Resistance, and Spies of the Midnight Sun to the epic historical novels of Tom Clancy, John le Carré, Ken Follett, Herman Wouk, Daniel Silva, Len Deighton, and Alan Furst. Mr. Marquis’s newest historical novel, Lions of the Desert is the true story of the WWII 1941-1942 Desert War in North Africa and Operation Condor based on recently declassified British Secret MI6 files and U.S. Military Intelligence records. His website is samuelmarquisbooks.com and for publicity inquiries, please contact JKS Communications at info@jkscommunications.com.

 

Love That Moves the Sun by @LindaCardillo a Review.

LTMTS Book Coverfive gold stars imageLove That Moves the Sun: Vittoria Colonna and Michelangelo Buonarroti

Linda Cardillo

Synopsis

He was the genius of his age; revered sculptor, painter, architect and poet; fiercely devoted friend; beleaguered artist to the popes; and a pilgrim in search of an elusive redemption.

She was a celebrated poet; dutiful daughter; adoring yet betrayed wife; powerful political voice; spiritual seeker; suspected heretic; and the only woman Michelangelo ever loved.

Review

LOVE THAT MOVES THE SUN is not a simple Historical Romance, or love story. Yes, you have a telling of the friendship that the poet and what I would call a religious/social activist, Vittoria Colonna and the great artist Michelangelo shared, albeit it in a somewhat different manner, but who is to say what is what.

This is a book for every person that wants to learn about strong and influential women in Europe in the 1500s. The well described settings, character development and emotional atmosphere of the day envelope you in perfection and you forget to come up for air until the hour is so late your eyes drop or your stomach growls in protest of your neglect.

Most people see Michelangelo as one thing, an artist, perhaps too some he is the greatest. But you see with the turning pages and through Colonna’s voice that he had other depths, another purpose.

If you are not a normal fan of the Romance genre, with LOVE THAT MOVES THE SUN you receive a thoroughly researched and well-presented historical lesson that is wrapped in the velvet glove of Romance, just to trick those Romance fans into becoming History fans.

I recommend to the aforementioned genre lovers Linda Cardillo’s latest offering, as well as to those who are wanting to test the waters of Historical Romance for the first time.

This is where I would tell you a little about the author, Linda Cardillo, The problem is, there is no way I can do a cliff notes version of her life. Visit her website http://lindacardillo.com/ to see how a love of writing and Harvard Business School produce an award-winning author.

You can purchase her book  at the following: (Indie Bound is the third logo in case some are not familiar with it.)

amazon logobarnes & noble logoIndie Bound Logo

 

#BookReview Spies of the Midnight Sun: A True Story of WWII Heroes by @Sammarquisbooks

Spies of the midnight sun book cover image.

five gold stars imageSPIES OF THE MIDNIGHT SUN: A TRUE STORY OF WWII HEROES

SAMUEL MARQUIS

 

You might ask me why I have read just about every one of Sam Marquis’ books, but don’t bother. I’m going to give you reasons why as I go along. As a former history teacher and continued historian and lover of history, perhaps those last two are one and the same, and having been known as a World, read European, History specialist, you would think I would know the finer details of something with such significance to the world as WWII. But, unfortunately all the nice money I paid for a top of the line college education failed me yet again. And I know this only because of that evil man writer known as Samuel Marquis.

Of all the books Marquis has written, his WWII trilogy is by far my favorite, only because of my love of history. I am biased that way. I love his other books too but again, I am biased. What sets his books apart from other historical fiction efforts is his deep research and attention to detail. He doesn’t just use information that is easy to find, he uses information that has been declassified by governments. That means he dredges through file after file and reads obscure books with information in it that would bore a bookaholic, all in the effort to find three characters little known by anyone outside of their families and immediate hierarchy during WWII.

Eddie Chapman Agent Zigzag
Eddie Chapman-Agent Zigzag

Spies of the Midnight Sun: A True Story of WWII Heroes is about real people. We have the colorful British safecracker, Eddie Chapman, who is the double agent known as Agent Zigzag. Then there are two amazing female Norwegian Resistance fighters, the 20-year-old model Dagmar Lahlum, who is Chapman’s lover, and Annemarie Breien. Of course, if there are heroes and good guys then there are the evil bad guy and of course Nazis cover that role well, and in this case, it is the Gestapo’s investigator Siegfried Fehmer.

Dagmar Lahlum
Dagmar Lahlum

Several reviewers have commented that this book should be a film and I agree. You have it all. Spies, the Resistance, Nazis, surprises, twists and turns, and moments of complete shock. And you can’t forget the must of great characters.

So why do I like Marquis’ books and recommend them to everyone? He isn’t just writing fluff about a favorite subject, which he could and get away with it because his writing is that good, he loves his subject deeply and it shows in the quality you get with each chapter. With Spies of the Midnight Sun, the final in his WWII trilogy, he chooses to spotlight the women who made victory possible. I don’t believe that fact has been shouted enough. He is bringing to light how important women were, the chances they took, the willingness to die, or perhaps experience worse, for their country’s freedom.

Annemarie Breien
Annemarie Breien

I only hope Sam Marquis has more historical fiction left in him. How he has put out this much in-depth content so rapidly and not slackened in his quality or even quantity of words for that matter, is beyond me. I’ve written historical fiction and afterwards I was so burnt out that I needed a serious break, but Marquis seems to have an IV of Red Bull permanently inserted in his veins.

Get this book! You don’t need to have read the other books in the trilogy. They are standalones. Once you read this one, you will WANT those others, especially Altar of Resistance, which includes declassified information about the Vatican and Pope’s roles during WWII. You will be surprised. Go to Amazon NOW before you forget to later!

Click any words in blue or any image to go to Amazon to order the book.

@FTThum #BookReview ‘everybody lies: What the internet Can Tell Us About Who We Really Are’ by Seth Stephen-Davidowitz

I am intrigued by the impact of internet on human lives. This book is about an aspect of it.

Title:      everybody lies: What the internet Can Tell Us About Who We Really Are
Author:  Seth Stephens-Davidowitz
Publishers: Bloomsbury Publishing, UK (2018)
Format: Paperback
Pages:   338
Genre: Non-fiction, Science, Technology, Psychology, Sociology

 

 

What’s it about?

As Steven Pinker(cognitive psychologist, linguist, and popular science author) states in the foreword, “this is a book about a whole new way of studying the mind” and, I would add, human behaviour.

This book is less about big data science than about the new innovative ways of thinking, of designing, and of approaching the questions we ask of our life.

Stephens-Davidowitz makes his points by regaling the reader with early Big Data collected through Google searches and clicks, predominantly. Facebook also features as with other Silicon Valley data companies.  “everybody lies” gives new and interesting insights into matters such as the effect of assassination of leader on a country’s economy, or going to a great university equates to a better career or larger paycheck.

Stephens-Davidowitz provides a definition of “data” which is no longer limited to numbers or words. For a data scientist such as he, Big Data has four virtues. First, Big Data as “digital truth serum” as people are most honest without an apparent audience leading to honest data on say, sexual preferences or racial discrimination. It provide honest data.  Second, it offers a way to run large-scale randomized controlled experiment through the click of the mouse. Third, Big Data allows us, through the large scale sample, to zoom in on subsets of people and with greater accuracy. Fourth, Big Data provides new types of data.

What’s logical and rational before is no longer enough nor are the experiment results accurate enough. The scope of our sample size has significantly increased withe the internet, so why think small?

That is not to say, as Stephens-Davidowitz points out, that Big Data is the answer but it is a valuable resource which we are ill-advised to ignore. Information is king or queen, and this is truer than before. Social science is becoming real science, Stephens-Davidowitz says. Why? Read the book.

Stephens-Davidowitz encourages us to approach this field with curiosity and creativity when contemplating how we use and manage data. Data however is neither good or evil; it is powerful.  In “everybody lies”, he cautions against what Big Data cannot do and what we shouldn’t do with Big Data.

Would I recommend it?

Reading this book is a pleasurable journey. Highly recommended.

My rating:                 4/5

~ FlorenceT

@FTThum
MeaningsAndMusings

© 2018 LitWorldInterviews

#Book #Review of The Typist by Caroline Taylor.

The Typist book coverThe Typist by Caroline Taylor available on AMAZON by clicking HERE.

The Typist by Caroline Taylor? Let me start out by saying that at 250 pages you’ll be able to read this one in one sitting if you choose to but actually because you can’t help it.

Set in 1960s Washington, D.C. the atmosphere is perfect. If you lived there during that time you would swear you were right back there again as you turn the pages. Taylor nailed it.

Judah Lundquist moves to DC to make a better life for herself after growing up having been used in schemes by her father and conflicting being bible thumped by her mother. That had to be confusing, but she finds the courage to move on and she ends up right in the middle of the deep end of secrets at an insurance company. Yes, an insurance company. Think about the 1960s and how easy it would be to do things less than the straight and narrow.

But the intelligent young woman doesn’t back down as the stories moves on although she is a bit naïve about certain things, it still doesn’t stop her.

You get twists and surprises by the end. The only thing I can say against the book is that it that is a bit slow to begin with, which I have found to be common in books lately. I think we as a society are just used to things being crammed into an hour or two hour filmed piece that we forget that books just like this one are behind what we see on screen, just cut up and pieced together. So keep reading and you’ll get in to a groove and finish before you know it.

Who is Caroline Taylor?

Formerly from Washington, D.C., Caroline Taylor is an award-winning writer and editor living in North Carolina. She has written two mysteries—What Are Friends For? (Five Star-Cengage, 2011) and Jewelry from a Grave (Five Star-Cengage, 2013)—and is the author of Publishing the Nonprofit Annual Report: Tips, Traps, and Tricks of the Trade (Jossey-Bass, 2001). Her short stories and essays have appeared in several online and print magazines. She is a member of the North Carolina Writers’ Network, Sisters in Crime, and Mystery Writers of America. Visit her at http://www.carolinestories.com

The Typist book cover