For those of you who entered the Paperback Giveaway for one of the two Gary Gatlin Reluctant Hero books, please check your email. If I have not received a response by the end of this coming Friday, Nov. 22, a new winner will be selected. One person has already responded with the address for their book to be sent.
(Clicking the image or title will take you to the Amazon Page to pre-order the book to be released Nov. 5.)
Entries Through Veteran’s Day! (Nov. 11)
Author ROYALTIES from book sales WILL BE DONATED to the nonprofit organization ANGELS ON THE BORDER.
To enter the GIVEAWAY for one of two books, just fill out the form below. All email addresses will be deleted following the drawing of the two winners, with the exception of the two winners for contact purposes.
I do ask that you consider putting a review on Amazon and/or GoodReads.
Author ROYALTIES from book sales WILL BE DONATED to the nonprofit organization ANGELS ON THE BORDER.
His forthcoming novel, “Gary Gatlin: Reluctant Hero” (Dudley Court Press) is set in April of 1939. As 20-year-old Gary Gatlin travels from Los Angeles abroad, he cannot know that he will singularly influence the outcome of WWII. Gatlin, a friend of Japanese-immigrant farmers in California, finds himself in Formosa to learn about Japanese fruit cultivation. When he arrives on the lush island, war is in the air, and his presence begins to raise suspicion. Following the attacks on Pearl Harbor, Gatlin finds himself called upon by the U.S. Navy in an unpredictable battle of allegiances.
WWII veteran Carl Haupt is a first time author at 93 years old, who spends his days helping Central Americans displaced by famine and poverty at the U.S.-Mexico border, despite his advanced age and physical handicaps.
Carl F. Haupt
TUCSON, Arizona – Carl F. Haupt, a 93-year old retired military veteran on a government pension, has become a philanthropist who feeds the starving refugees at the U.S. border in Arizona. From a wheelchair, he works to make life tolerable for those in limbo. Just as he helped to liberate Europe during WWII and fought in the Asian Theater on the other side of the world, today, he and his wife continue, after more than 17 years, to personally help those fleeing poverty and internal strife within their home countries.
At age 15, along with a reported 1 million other boys across the country, Haupt left home during The Great Depression. He was homeless, hitching rides on freight trains, sleeping on the ground and going hungry for days at a time. Eventually, he landed in Los Angeles. In 1944, he joined the United States Navy and served his country for 22 years, including more than a decade in the United States Air Force. He retired in 1966 as a Master Sergeant.
In 1992, with his military life behind him, Carl began helping locals in Mexico with his wife, Sarah. They worked in Agua Prieta, a city across from Douglas, Arizona. Remembering his time as a homeless teen, Carl helped build over 100 homes and moved 25 donated mobile homes to families in Agua Prieta, delivering food and other necessities to struggling families.
Haupt is a first time author at 93 years old. His novel, “Gary Gatlin: Reluctant Hero” (Dudley Court Press, November 5, 2019), was inspired by a strange situation in 1987 when he woke up one morning compelled to write for 13 straight hours the story that had come to him through a dream. Now, decades later, Dudley Court Press has acquired his story for release in 2019. All author royalties from “Gary Gatlin” will be consigned to the non-profit organization Angels on the Border.
This post originally appears on my co-authors PS Bartlett’s Blog. I am personally fond of Amber Wake: Gabriel Falling, yeah, that’s the one I co-authored with her.
If you love adventure, action, intrigue, romance and historical fiction, these are the books for you!
Good morning…afternoon…or evening, depending on where you are in this great big, beautiful world!
In one day, I’ll be practically giving away every book in The Razor’s Adventures series on Kindle!
That’s right! You’ll get all six books for $5.00!
Just click on the graphic to go to each book in the series! Save this page so that on Friday 10/11/19, you can get them all for $5.00!!!
Today’s guest author is Ed Rucker, author of The Inevitable Witness. He’s a criminal defense lawyer in California who has tried over 200 jury trials, including 13 death penalty cases. His forthcoming legal thriller, Justice Makes A Killing, will be released in July 2019.
Who better than this guy to give write this post?
A Criminal Lawyer’s Tips for Writing Legal Thrillers
Plot Requires Tension
Trying a criminal case has much in common with the creation of a mystery plot; in a jury trial, both the prosecutor and the defense lawyer are storytellers – although their stories are radically different.
When the police investigate a crime, they uncover and assemble an array of “facts,” such as witnesses, documents or forensic evidence. The prosecutor then weaves these facts together into a story, one that shows that the defendant committed the crime. In the prosecutor’s story, the defendant is propelled by a strong emotion like greed, jealousy, or revenge.
The defense must tell an alternative story about these “facts,” one that accepts the hard facts (science based forensics), but demonstrates the unreliability or falseness of other facts, leading to a different conclusion. If new facts are uncovered and added to the story, perhaps now they point their finger at another suspect.
In a mystery novel, as these contrasting stories evolve and move toward a climax, they can make for a tension-filled plot and an exhilarating read.
Build Complex Characters
Readers enjoy when a book’s characters have some depth, some complexity. This certainly applies to the story’s protagonist, but equally to its other characters. For example, when the storyline includes an innocent person who is wrongfully accused, there is often a tendency to treat that character as a placeholder while the business of solving the mystery moves ahead. In reality, when a person is charged with a crime it shakes them to their very core. The prospect of spending a good portion of their life in a steel and cement box tends to peel away any layers of pretense. People are stripped raw and their true being emerges with all its contradictions, virtues, and base impulses.
This is also true of the villain of the piece. As a criminal defense lawyer, I learned that no matter how abhorrent the acts my clients committed, I was always able to find a vein of humanity in them with which I could identify. Like all of us, they were a bundle of complex and contradictory impulses, both good and bad. Most had personal histories that made their life choices – while not acceptable – at least understandable. As the old adage says, there but for the grace of God go I. Even a villain should not appear one-dimensional.
- Reflect the Media’s Effect on Criminal Cases
We are saturated today with a barrage of news, not only from such traditional outlets as TV and the newspapers, but also from social media. A significant number of the public receive their information from podcasts on Facebook and YouTube. Therefore, to write with authenticity about a criminal investigation or a legal thriller that involves a sensational case, the author must address the impact that this media coverage has on those involved. In my experience, if a case attracts the media’s attention it changes how that case is handled by the participants. The police detectives and their superiors go to quickly solve the crime in order to enhance their public image. Such pressure carries with the real possibility of a rush to judgment. When the case reaches the courts, the media spotlight shifts onto the judge and the prosecutor. Both must stand for election and may fear a backlash at the ballot box if their decisions do not meet with the media’s approval. Consequently, the prosecutor feels he or she must win at all costs and seek the harshest punishment in order to appear “tough on crime.” A judge may tilt his or her rulings toward the prosecution on close legal questions to avoid appearing “soft on crime.” The author should recognize and seek to depict this reality.
Prosecutors are Not Always Ethical
It is realistic to write about prosecutors stepping over ethical lines. Prosecutors, no doubt, have a difficult job. Not because, as is portrayed on TV, they have the “deck stacked against them,” but rather because they must often act against their own competitive instincts by sharing their evidence with the defense. This Constitutional guarantee is needed to guard against the conviction of innocent people. However, the pressure on prosecutors to win in order to advance their own careers and reputations may sometimes cause them to ignore these “legal technicalities.” They may be tempted to hide exculpatory evidence, coach a witness, use discredited informants, or tolerate police fabrications, all in the name of “we know he’s guilty.” When such misdeeds are discovered, the courts are reluctant to actually punish an offending prosecutor, choosing instead to consider such violations as “harmless legal errors.” This lack of accountability creates a sense of immunity among prosecutors. So depicting such malfeasance or the temptation to indulge in it should be something the author considers.
Ed Rucker is the author of The Inevitable Witness. He is a criminal defense lawyer in California who has tried over 200 jury trials, including 13 death penalty cases. He has received numerous awards, including the L.A. Criminal Bar Association’s “Trial Lawyer of the Year,” the L.A. County Bar Association’s “Distinguished Career Award,” and he is listed in “Best Lawyers in America.” Under the auspices of the Ukrainian government, he spent two years there establishing a legal assistance program for criminal cases. His forthcoming legal thriller, Justice Makes A Killing, will be released in July 2019.
DEFENSE LAWYER BOBBY EARL RETURNS TO FACE HIS TOUGHEST CASE YET
When Bobby Earl meets the beautiful but vulnerable Kate Carlson, a prominent LA lawyer who awaits trial in a small town jail for a murder during a prison break, he thinks he knows what’s at stake: negotiate a decent plea deal for a guilty client, pocket his fee and move on. But Kate insists she’s been set-up. To find the truth, Bobby must risk his own life, career and everything he loves by dredging up the secrets of the billion-dollar private prison industry and the powerful California prison guards union, in a desperate battle against a powerful and expanding conspiracy.
Pre-Order Justice Makes A Killing. Click the below to visit the site book pages to pre-order. (Will open in new window.)
What’s it about?
This fictitious tale by Bridget Collins mesmerizes from the start… and I *hated* every moment when I couldn’t get back to it, even as the rest of life called.
It is a tale of two characters whose lives intersect even though they come from different worlds, even when others conspire to keep them apart. It is heart-wrenching and sweet, and surprising. The depth and richness of each of the characters add to this magnificent story of redemption and the inevitability of destiny.
As writers, we write what we are capable of feeling – every sorrow, every gladness, fear and doubt. What if what we write is in fact another’s true story? What if they are stories given to us because they are unwanted and discarded? What if we are in fact binding negative feelings – grief, fear, shame – others choose to forget into a book which we are then entrusted to protect and keep safe? What if unscrupulous binders betray this trust and make it available to others’ reading pleasure or worse?
If you could tell and forsake your deepest and darkest secrets and feelings, so you can forever forget them, would you?
What if you could tell your story, have it bound within a book and never look at it again… thereby relinquishing them forever, would you?
What if you are the binder destined to keep these memories safe? What if the binding is used to serve the powerful and less than noble?
Isn’t it better to remember your whole life? Or only your “good” life?
This is the premise upon which this tale is told. And it allows us to imagine the magic of books and their binding.
Would I recommend it?
A resounding yes. Well-paced and a relatively easy read, “The Binding” kept me turning pages wanting more.
Most importantly, “The Binding” reminds us of the simplicity and that certain innocence of love even in the most difficult of times.
My rating: 4 /5
© 2019 LitWorldInterviews
By Samuel Marquis
In May 1942, just before German General Erwin Rommel, the Desert Fox, launched his offensive to drive the British Eighth Army out of Egypt and take the Suez, the German Intelligence Service (Abwehr) sent a two-man espionage team to Cairo. Operation Condor, as it became known, proved to be the most legendary and historically misrepresented intelligence operation in the WWII North African campaign.
In Lions of the Desert: A True Story of WWII Heroes in North Africa, I tell the tale of the famous Operation Condor and 1941-1942 Desert War between Rommel’s Afrika Korps and Eighth Army, based on recently declassified British and U.S. Military Intelligence records. The romantic Condor story has been told many times before—most famously in Michael Ondaatje’s 1992 Booker Prize winning novel The English Patient and the 1996 Oscar-winning film of the same name—but until recently virtually every fictional and factual account has been historically inaccurate. That is precisely why I had to write my book.
The reason that the Condor story has been shrouded in mischaracterization and embellishment is simple: prior to the 2006 public declassification of large numbers of WWII government documents, the only historical records on the subject available to the general public were those written by the main protagonists, who had access to only limited information and were not privy to the larger military-intelligence picture. In addition, records have conclusively shown that these participants, despite laying down a solid foundation of verifiable facts, have in a number of critical places distorted and embroidered the Condor narrative to enhance their own role in history or embroider the story, making it difficult for subsequent researchers to separate fact from fiction. I had no idea of these shortcomings when I set out to write my book—but once I discovered them, the opportunity to set the record straight and tell the true Condor story became my raison d’être for penning my work.
The narrators of these early first-hand accounts included: Anwar el Sadat, the Egyptian Army officer, nationalist, and later President of Egypt (Revolt on the Nile, 1957); Lieutenant Johannes Eppler, the German spy in the Operation Condor affair (Rommel Ruft Cairo, 1960, later translated as Operation Condor: Rommel’s Spy, 1977); Leonard Mosley, a British war correspondent in Cairo at the time of Operation Condor, who conducted extensive interviews of Eppler prior to the German spy penning his own version of events (The Cat and the Mice, 1958); and Major A.W. Sansom, the head of British Field Security in Cairo who played a prominent role in the capture of Eppler and his espionage cohort Heinrich Gerd Sandstette (I Spied Spies, 1965). While accurate in many respects and unquestionably entertaining, these subjective first-hand accounts have one fatal flaw in common: they exaggerate the espionage accomplishments of several of the key players in the Condor story and, consequently, draw conclusions that are not supported by reliable historical documents.
Without access to the declassified materials and thus the bigger picture, subsequent writers on the subject—Anthony Cave Brown, Bodyguard of Lies (1976); David Mure, Practice to Deceive (1977) and Master of Deception (1980); Nigel West, MI6 (1983); and Richard Deacon, ‘C’: A Biography of Sir Maurice Oldfield (1985)—could not help but fall into the trap of relying heavily on the embellished accounts of the main protagonists. Following in a similar vein, the bestselling historical fiction novels by Ken Follett (The Key to Rebecca, 1980, made into a 1989 TV movie) and Len Deighton (The City of Gold, 1992) used both the original sources and the subsequent embellished works as the basis of their books, making for great entertainment but questionable historical accuracy with regard to the significant details of the North African campaign and Operation Condor.
As it turns out, the Condor story needs no embellishment. The real-life protagonists, while admittedly more prosaic than their highly fictionalized doppelgängers, are still fascinating in their own right. That became my overarching goal in Lions of the Desert: to tell the real story—a story that has captivated the minds of authors, historians, and filmmakers for the past three-quarters of a century but that, until quite recently, virtually no one has been able to get right due to lack of access to the full truth.
With that in mind, I told the story through the eyes of six of the main historical figures who lived through the larger-than-life events in Egypt and Libya in 1941-1942: Scottish Lieutenant Colonel David Stirling, founder and leader of the Special Air Service (SAS), a brigade of eccentric desert commandos that raided Axis aerodromes and supply lines; Rommel, who as commander of the legendary Afrika Korps very nearly succeeded in driving the British out of Egypt; Egyptian Hekmat Fahmy, the renowned belly dancer, regarded as a Mata-Hari-like German agent in previous accounts but in fact a far more intriguing and ambiguous character in real life; Colonel Bonner Fellers, the U.S. military attaché in Cairo, who was privy to critical Allied secrets in the North African theater and inadvertently played an important role in intelligence-gathering activities for both sides in the campaign; and Sansom and Eppler, who played a game of cat-and-mouse and whose real-life stories are finally told.
Of the above historical figures, Eppler, Sansom, and the Egyptian belly dancer Hekmat Fahmy have been the most grossly distorted in previous accounts—primarily because of Eppler’s and Mosley’s embellished stories that set the tone but also due in part to the security chief Sansom’s self-serving recording of history in his own book. History has shown that Eppler was not quite the master spy portrayed in his own imagination or in books and movies; Hekmat was no Mata Hari at all but was a legendary entertainer and important member of Cairene high society; and Sansom was not the Sam-Spade-like sleuth who solved the case but one of several diligent British intelligence officers who helped catch the two German spies. In fact, Operation Condor ultimately proved to be more comical farce than an intelligence success story; in the end, the German operatives that have been portrayed as virtuoso master spies in books and the silver screen for several decades emerge with little credit from the affair. But it is precisely the sloppily real and deeply flawed human element that makes the Condor story so engaging.
From my standpoint, therefore, it was critical to present Eppler and Fahmy not as the ruthless master German operatives and Sansom as the master British sleuth of previous highly fictionalized accounts, but as the people they truly were with warts and all. To accurately portray the historical figures in the book, I placed the characters where they actually were during a given recorded historical event and use, to the extent possible, their actual words based on recently declassified British and American case files, contemporary transcripts, trial documents, memoirs, and other quoted materials. Like Michael Shaara in his excellent historical novel about the Battle of Gettysburg, The Killer Angels, I did not “consciously change any fact” or “knowingly violate the action.” The interpretations of character and motivation were still ultimately a part of my overall imaginative landscape, but the scenes themselves and the historical figures were deliberately rendered as historically accurately as a non-fiction history book.
Why? Because truth in historical fiction is paramount and not something to be compromised. Because all the other important things in a novel—sympathetic characters, edge-of-your-seat suspense, and unexpected twists and turns—spring from portraying ones beloved heroes and villains in all their glory and infamy just like the real-world, flawed historical figures they were in life. The bottom line is that history itself provides plenty of conflict, tension, and drama, and does not need to be consciously changed to generate more excitement. For Lions of the Desert, I felt it was up to me as the author to select those scenes of historical significance and bring them back to life in vivid color, while filling in between known historical events with scenes that shed light on the historical figures’ true motivation and character as revealed from the recently declassified documents and latest research.
While recently declassified government files form the backbone of Lions of the Desert, the original eyewitness accounts of Sansom, Eppler, Mosley, and Sadat have still proved useful—but only where supported by other eyewitness accounts, government records, or wireless decrypts. As David Mure, author of Master of Deception, states, “The Condor story has been told many times, always with new dimensions and variations; it is a tangled web indeed.” Not anymore. With the relevant declassified WWII records now available, the true Condor story can now be told—and that is precisely what I have done. Because telling the truth and getting the story right matters in historical fiction.
In fact, nothing matters more.
The ninth great-grandson of legendary privateer Captain William Kidd, Samuel Marquis is the bestselling, award-winning author of a World War Two Series, the Nick Lassiter-Skyler International Espionage Series, and historical pirate fiction. His novels have been #1 Denver Post bestsellers, received multiple national book awards (Foreword Reviews Book of the Year, American Book Fest Best Book, USA Best Book, IPPY, Beverly Hills, Next Generation Indie, Colorado Book Awards), and garnered glowing reviews from #1 bestseller James Patterson, Kirkus, and Foreword Reviews (5 Stars). Book reviewers have compared Marquis’s WWII thrillers Bodyguard of Deception, Altar of Resistance, and Spies of the Midnight Sun to the epic historical novels of Tom Clancy, John le Carré, Ken Follett, Herman Wouk, Daniel Silva, Len Deighton, and Alan Furst. Mr. Marquis’s newest historical novel, Lions of the Desert is the true story of the WWII 1941-1942 Desert War in North Africa and Operation Condor based on recently declassified British Secret MI6 files and U.S. Military Intelligence records. His website is samuelmarquisbooks.com and for publicity inquiries, please contact JKS Communications at email@example.com.
He was the genius of his age; revered sculptor, painter, architect and poet; fiercely devoted friend; beleaguered artist to the popes; and a pilgrim in search of an elusive redemption.
She was a celebrated poet; dutiful daughter; adoring yet betrayed wife; powerful political voice; spiritual seeker; suspected heretic; and the only woman Michelangelo ever loved.
LOVE THAT MOVES THE SUN is not a simple Historical Romance, or love story. Yes, you have a telling of the friendship that the poet and what I would call a religious/social activist, Vittoria Colonna and the great artist Michelangelo shared, albeit it in a somewhat different manner, but who is to say what is what.
This is a book for every person that wants to learn about strong and influential women in Europe in the 1500s. The well described settings, character development and emotional atmosphere of the day envelope you in perfection and you forget to come up for air until the hour is so late your eyes drop or your stomach growls in protest of your neglect.
Most people see Michelangelo as one thing, an artist, perhaps too some he is the greatest. But you see with the turning pages and through Colonna’s voice that he had other depths, another purpose.
If you are not a normal fan of the Romance genre, with LOVE THAT MOVES THE SUN you receive a thoroughly researched and well-presented historical lesson that is wrapped in the velvet glove of Romance, just to trick those Romance fans into becoming History fans.
I recommend to the aforementioned genre lovers Linda Cardillo’s latest offering, as well as to those who are wanting to test the waters of Historical Romance for the first time.
This is where I would tell you a little about the author, Linda Cardillo, The problem is, there is no way I can do a cliff notes version of her life. Visit her website http://lindacardillo.com/ to see how a love of writing and Harvard Business School produce an award-winning author.
You can purchase her book at the following: (Indie Bound is the third logo in case some are not familiar with it.)
You might ask me why I have read just about every one of Sam Marquis’ books, but don’t bother. I’m going to give you reasons why as I go along. As a former history teacher and continued historian and lover of history, perhaps those last two are one and the same, and having been known as a World, read European, History specialist, you would think I would know the finer details of something with such significance to the world as WWII. But, unfortunately all the nice money I paid for a top of the line college education failed me yet again. And I know this only because of that evil man writer known as Samuel Marquis.
Of all the books Marquis has written, his WWII trilogy is by far my favorite, only because of my love of history. I am biased that way. I love his other books too but again, I am biased. What sets his books apart from other historical fiction efforts is his deep research and attention to detail. He doesn’t just use information that is easy to find, he uses information that has been declassified by governments. That means he dredges through file after file and reads obscure books with information in it that would bore a bookaholic, all in the effort to find three characters little known by anyone outside of their families and immediate hierarchy during WWII.
Spies of the Midnight Sun: A True Story of WWII Heroes is about real people. We have the colorful British safecracker, Eddie Chapman, who is the double agent known as Agent Zigzag. Then there are two amazing female Norwegian Resistance fighters, the 20-year-old model Dagmar Lahlum, who is Chapman’s lover, and Annemarie Breien. Of course, if there are heroes and good guys then there are the evil bad guy and of course Nazis cover that role well, and in this case, it is the Gestapo’s investigator Siegfried Fehmer.
Several reviewers have commented that this book should be a film and I agree. You have it all. Spies, the Resistance, Nazis, surprises, twists and turns, and moments of complete shock. And you can’t forget the must of great characters.
So why do I like Marquis’ books and recommend them to everyone? He isn’t just writing fluff about a favorite subject, which he could and get away with it because his writing is that good, he loves his subject deeply and it shows in the quality you get with each chapter. With Spies of the Midnight Sun, the final in his WWII trilogy, he chooses to spotlight the women who made victory possible. I don’t believe that fact has been shouted enough. He is bringing to light how important women were, the chances they took, the willingness to die, or perhaps experience worse, for their country’s freedom.
I only hope Sam Marquis has more historical fiction left in him. How he has put out this much in-depth content so rapidly and not slackened in his quality or even quantity of words for that matter, is beyond me. I’ve written historical fiction and afterwards I was so burnt out that I needed a serious break, but Marquis seems to have an IV of Red Bull permanently inserted in his veins.
Get this book! You don’t need to have read the other books in the trilogy. They are standalones. Once you read this one, you will WANT those others, especially Altar of Resistance, which includes declassified information about the Vatican and Pope’s roles during WWII. You will be surprised. Go to Amazon NOW before you forget to later!
I am intrigued by the impact of internet on human lives. This book is about an aspect of it.
Title: everybody lies: What the internet Can Tell Us About Who We Really Are
Author: Seth Stephens-Davidowitz
Publishers: Bloomsbury Publishing, UK (2018)
Genre: Non-fiction, Science, Technology, Psychology, Sociology
What’s it about?
As Steven Pinker(cognitive psychologist, linguist, and popular science author) states in the foreword, “this is a book about a whole new way of studying the mind” and, I would add, human behaviour.
This book is less about big data science than about the new innovative ways of thinking, of designing, and of approaching the questions we ask of our life.
Stephens-Davidowitz makes his points by regaling the reader with early Big Data collected through Google searches and clicks, predominantly. Facebook also features as with other Silicon Valley data companies. “everybody lies” gives new and interesting insights into matters such as the effect of assassination of leader on a country’s economy, or going to a great university equates to a better career or larger paycheck.
Stephens-Davidowitz provides a definition of “data” which is no longer limited to numbers or words. For a data scientist such as he, Big Data has four virtues. First, Big Data as “digital truth serum” as people are most honest without an apparent audience leading to honest data on say, sexual preferences or racial discrimination. It provide honest data. Second, it offers a way to run large-scale randomized controlled experiment through the click of the mouse. Third, Big Data allows us, through the large scale sample, to zoom in on subsets of people and with greater accuracy. Fourth, Big Data provides new types of data.
What’s logical and rational before is no longer enough nor are the experiment results accurate enough. The scope of our sample size has significantly increased withe the internet, so why think small?
That is not to say, as Stephens-Davidowitz points out, that Big Data is the answer but it is a valuable resource which we are ill-advised to ignore. Information is king or queen, and this is truer than before. Social science is becoming real science, Stephens-Davidowitz says. Why? Read the book.
Stephens-Davidowitz encourages us to approach this field with curiosity and creativity when contemplating how we use and manage data. Data however is neither good or evil; it is powerful. In “everybody lies”, he cautions against what Big Data cannot do and what we shouldn’t do with Big Data.
Would I recommend it?
Reading this book is a pleasurable journey. Highly recommended.
My rating: 4/5
© 2018 LitWorldInterviews
The Typist by Caroline Taylor available on AMAZON by clicking HERE.
The Typist by Caroline Taylor? Let me start out by saying that at 250 pages you’ll be able to read this one in one sitting if you choose to but actually because you can’t help it.
Set in 1960s Washington, D.C. the atmosphere is perfect. If you lived there during that time you would swear you were right back there again as you turn the pages. Taylor nailed it.
Judah Lundquist moves to DC to make a better life for herself after growing up having been used in schemes by her father and conflicting being bible thumped by her mother. That had to be confusing, but she finds the courage to move on and she ends up right in the middle of the deep end of secrets at an insurance company. Yes, an insurance company. Think about the 1960s and how easy it would be to do things less than the straight and narrow.
But the intelligent young woman doesn’t back down as the stories moves on although she is a bit naïve about certain things, it still doesn’t stop her.
You get twists and surprises by the end. The only thing I can say against the book is that it that is a bit slow to begin with, which I have found to be common in books lately. I think we as a society are just used to things being crammed into an hour or two hour filmed piece that we forget that books just like this one are behind what we see on screen, just cut up and pieced together. So keep reading and you’ll get in to a groove and finish before you know it.
Who is Caroline Taylor?
Formerly from Washington, D.C., Caroline Taylor is an award-winning writer and editor living in North Carolina. She has written two mysteries—What Are Friends For? (Five Star-Cengage, 2011) and Jewelry from a Grave (Five Star-Cengage, 2013)—and is the author of Publishing the Nonprofit Annual Report: Tips, Traps, and Tricks of the Trade (Jossey-Bass, 2001). Her short stories and essays have appeared in several online and print magazines. She is a member of the North Carolina Writers’ Network, Sisters in Crime, and Mystery Writers of America. Visit her at http://www.carolinestories.com
British Spymaster Tar Robertson and Double Cross were Instrumental in Winning D-Day
By Samuel Marquis
In Spies of the Midnight Sun: A True Story of WWII Heroes, Book 3 of his WWII Series, Historical Fiction Author Samuel Marquis brings to life legendary British MI5 Spymaster Tar Robertson and the Double Cross Spy System, which played a pivotal role in the Allied deception at Normandy on D-Day and other operations in Hitler’s Festung Europa.
It has become an annual ritual for Americans and British to celebrate the hoodwinking of Hitler and the triumph of democracy over tyranny represented by D-Day. We all know how important it was, the tremendous stakes involved, and the glamorous Allied players in the daring assault upon Hitler’s Festung Europa recreated in countless books and movies. We all know that June 6-9, 1944, comprised the most epic battle of WWII. The only problem is it’s not true. The D-Day deception operation and subsequent acquisition of the beaches of Normandy was, in the words of Ben Macintyre in his book Double Cross: The True Story of the D-Day Spies, “an undisputed, unalloyed, world-changing triumph”—but it was not the greatest battle of WWII. That distinction belongs to Stalingrad or Kursk. But the bloodbath of the Eastern Front—with war crimes committed by Hitler’s Germans and Stalin’s Russians in equal measure—doesn’t resonate with the historical poignancy of D-Day. And D-Day is still the greatest amphibious operation in the history of warfare.
With that in mind, the key to the success of that longest day was the Double Cross Spy System and Operation Fortitude, the latter of which was designed to persuade the Germans that the invasion of France would not take place in Normandy but in Pas de Calais. The Double Cross Spy System, or XX System, was a counterespionage and deception operation of the British Security Service, a civilian organization usually referred to by its cover title MI5. The system is described in detail in Books 1 and 3 of my World War Two Series, my countdown-to-D-Day thriller Bodyguard of Deception and the newly released Spies of the Midnight Sun: A True Story of WWII Heroes that takes place mostly in Occupied Norway. Under Double Cross, German agents in Britain – real and false – were captured, turned themselves in or simply announced themselves, and were then used by the British to broadcast mainly disinformation to their Nazi controllers. The deception operations were overseen by the Twenty Committee under the leadership of Thomas Argyll “Tar” Robertson and John Cecil Masterman; the name of the committee comes from the number 20 in Roman numerals: “XX” (i.e. a double cross).
Tar Robertson was the brains behind Double Cross. He wore a Glengarry cap and McKenzie tartan trews of the Seaforth Highlanders, and was universally well-liked by those who knew and worked with him. He played a pivotal role not only in the main Normandy deception, Operation Fortitude, but in Operation Mincemeat, a deception intended to cover the 1943 Allied invasion of Sicily by fooling the Germans into thinking that an invasion of Greece was imminent. His deft handling of a widely disparate collection of Double Cross agents—among them socialites, sex-addicts, criminals, and drunks—brought several spectacular military advantages to the Allied cause between 1942 and 1945.
Robertson—working with his multifaceted team of double agents and his MI5 colleague Masterman, the somewhat priggish, cricket-obsessed Oxford don— was the driving force in the various Double Cross deception operations that played an important role in the ultimate Allied victory (though not as much as the Big Red Army pounding away along the Eastern Front, remember). The most important by far was Operation Fortitude, which had the overall effect of immobilizing the Wehrmacht tank reserves and limiting the effectiveness of German counter attacks all along the Normandy coastline.
While the incessant rivalries among and within the Wehrmacht, Abwehr, SS, the Führer’s headquarters, and the various other bureaucracies clogging German decision-making played a huge role in the German failure and Allied triumph, the Fortitude deception drove the Reich to an even higher state of confusion at a critical time—with disastrous results for a vacillating Hitler and Nazi Germany. And it was all brought about by a thirty-one-year-old Scotsman named Thomas Argyll Robertson, who early on in the war decided to enlist captured Nazi operatives as double agents rather than hanging them from the gallows.
It was a brilliant and uplifting idea for a country under siege in the air by Nazi Germany during the Battle for Britain, and there is no doubt that Robertson was the right man for the job. By all accounts, he was affable, determined, discreet, and doggedly loyal—but he could also be ruthless in his handling of those who threatened Double Cross. With a fondness and appreciation for a good practical joke, he also liked to pick the names of his turned double agents and tended to give them colorful monikers that he and his staff would not fail to remember. Two of his favorite and most successful doubles were the convicted safecracker Eddie Chapman (code-named Agent Zigzag by Robertson because of his unpredictability) and the Yugoslavian playboy Dusko Popov (code-named Tricycle Robertson because he enjoyed ménage à trois sex).
Tar Robertson was widely recognized by many of his contemporaries as one of MI5’s greatest assets, but is little known today. So, this June 6—during the 74rd anniversary of D-Day—is a good time to pay homage to a legendary British spymaster who helped the Allies win the war. He was truly a great one—and he had a sense of humor to boot.
Get Spies of the Midnight Sun: A True Story of WWII Heroes at Amazon.com by clicking HERE.
The ninth great-grandson of legendary privateer Captain William Kidd, Samuel Marquis is the bestselling, award-winning author of a World War Two Series, the Nick Lassiter-Skyler International Espionage Series, and historical pirate fiction. His novels have been #1 Denver Post bestsellers, received multiple national book awards (Foreword Reviews Book of the Year, American Book Fest Best Book, USA Best Book, Beverly Hills, Next Generation Indie, Colorado Book Awards), and garnered glowing reviews from #1 bestseller James Patterson, Kirkus, and Foreword Reviews (5 Stars). Book reviewers have compared Marquis’s WWII thrillers Bodyguard of Deception and Altar of Resistance to the epic historical novels of Tom Clancy, John le Carré, Ken Follett, Herman Wouk, Daniel Silva, and Alan Furst. Mr. Marquis’s newest historical novel, Spies of the Midnight Sun, is the true story of legendary British safecracker and spy Eddie Chapman, the British Double Cross Spy System, and courageous Norwegian female Resistance operatives Dagmar Lahlum and Annemarie Breien. His website is samuelmarquisbooks.com and for publicity inquiries, please contact JKSCommunications at firstname.lastname@example.org.
The book has been compared has reminded readers of the works of Pat Conroy, and if you know anything about Southern novels then you know that is the highest praise. You won’t be disappointed.
Mourning Dove isn’t just a book about family in the South. It’s about the reality of a family in the South. There are many dramatizations of what people believe life is like here in the Southern part of the US, but unless you lived it, you don’t know it. Claire Fullerton lived it. The author and I have had exchanges in the past about commonalities in our lives to the point that I know she is the real deal. She grew up a Memphis girl while I lived just 2 hours away in Tupelo, MS.
One thing about Southern life is there are layers. Depending on who you are socializing with will determine which layer you allow to show. That’s for your own protection. You learn this quickly to survive, not only in Southern society but in your own family. If you aren’t like your blood then you in more trouble than you would be at any other point in time. This is just an observation I’m throwing in here.
Mourning Dove finds Posey, moving back to Memphis, the city of her birth with her two children. The story is told through the voice of Millie, the youngest child. She’s the quiet one who looks up to her charismatic brother, Finley. The children are thrown into a world totally alien to their Minnesota home when they set foot in Memphis, a city where old society still looks to generational lines to help determine societal prestige.
Posey, sets out to find a new husband and ends up catching the Colonel, a totally inappropriate match for a husband only because of his place in society in the hopes it will continue to help her and assure her children will not fall from grace. The problem is, this leaves her children without true parents. Posey mothers occasionally but it doesn’t really help her children.
The star of the show is Finley, the big brother that has been given almost god like qualities by Millie in his perfection. His talent, his intellect, his abilities to move people. The things she cannot do. But just as a god, he is just out of reach in his kinetic life of always pushing higher and higher to next level of his creativity. His time in Charlottesville to attend university and expanding his music lies perfectly with the music scene of the day for a certain element that continued in university towns on into the 80s.
But without Finley, Millie has to fend for herself in the aristocratic society of her mother’s upbringing. He was her navigator of Memphis, her protector of sorts.
If you want to know the real South of the 1970s, read Mourning Dove. Much like Claire Fullerton’s masterpiece, Dancing to an Irish Reel, you get atmosphere, emotions, characters, not only the main but a wonderful supporting cast, which very much matches what you find in the South. You also find yourself pulled in to the landscape and forget you exist in a present. You are present in the past.
Preorder Mourning Dove on Amazon by clicking HERE before June 29,
Because I liked the premise of this book by the 2014 Man Booker Price winner, I thought I’ll give it a try.
What’s it about?
“First Person” is a quiet yet violent thriller which begins with the protagonist Kif Kehlmann being offered a commission to ghost-write the memoir of Siegfried Heidl.
Heidl is a notorious con-man and corporate criminal awaiting trial. And Kif is a writer desperate for a well-paying job. How hard could it be anyway?
Little does Kif realise he would put his integrity on the line, even his morality and at times, sanity it seems.
The reader is taken on the journey of a man facing a moral crisis, culminating in an act which even Kif could not have foreseen.
Despite the interesting premise of this book, it was difficulty for me to move forth with it. The narrative seems “stuck” and so is the plot. Heidl feels one-dimensional, as I looked for depth and change in the character. Interestingly, Heidl is based on a real-life con artist John Freidrich whom the author interviewed early in his career as a journalist. Perhaps this explains the more intimate and relaxed feel of the book in parts where Kif is present.
The interactions between Kif and Heidl, and between Kif and Ray, Kif’s friend and Heidl’s gopher, are worthy reading even if they feel surreal at times. Kif ultimately becomes a witness to Heidl’s destruction.
Would I recommend it?
Yes, if you are prepared to see beyond the structural difficulties.
My rating: 3.5 /5
© 2018 LitWorldInterviews
The title was enticing… so I picked up the book.
What’s it about?
As the title suggests, this is a book about the history of love, and so much more.
Ever wonder how the heart icon ❤ came to symbolize love? And why is the heart organ linked to love? It wasn’t always so. Of course, this begs the question – what is the meaning of love across the ages?
The earliest depiction of the heart icon is found in 6th century BCE in what is now Libya. Then it was not associated with love but rather a representation of a seed, a sign for contraception. By 6th century AD Persia, it was symbolic of grapes, vines and wine – abundance. It was in the 13th and 14th century that the heart icon came to signify love. How?
This book traces this evolution in Western culture from ancient times – Plato’s metaphysical idealism of “love” to “Ovidian love…embedded in the flesh, with the “heart” a lofty euphemism for the genitals“.
It traces the narratives of love associated with Eros and Cupid. Does carnality and passion undermine love? Is love pure?
Is heart the locus of love?
Yalom’s research took her from medieval times through Catholic and Protestant traditions (where literature, royalty and religion enmeshed) to literary figures in the likes of Shakespeare and Austen to scientific writings as she laid out the trajectory of love and heart.
“The Amorous Heart” tracks amor (sensual love) and caritas (noble love) across the centuries and tells the story of the origin of the word “romance” to the tales of “true love” where “everything is permitted for those who love” taking it beyond the questions of morals and religion.
It gives an interesting account of the age-old discourse between the religious heart versus the amorous heart when Christianity separated sex and sensual love thus delineating the act for procreation and the passion which gave rise to it.
What does history say of the heart’s ability to love one or more persons? Can it? Ought it? How are heart and love tied to marriage and the place of woman? For it wasn’t always that love is a desired prerequisite to marriage.
It is interesting for me to discover for example, present narratives of “one’s true love as one who brings out the best in us” and the notion of “unconditional love” are not modern concepts. They can be traced to the songs of the troubadours of 12th and 13th century France, Spain and Germany who professed the same.
This impressive book provides a story of the social evolution of the iconography of the heart, of the sexes in relation to our capacity to love; it serves to demonstrate our natural instinct for love and erotic expression.
Would I recommend it?
A fascinating read of a phenomenon we take for granted and for which we believe we are entitled – love.
Highly recommended for curious minds.
My rating: 4/5
© 2018 LitWorldInterviews
Get Three Strikes, You’re Dead by author Elena Hartwell at Amazon by clicking HERE.
Three Strikes, You’re Dead by Elena Hartwell is the third book in the Eddie Shoes Mystery series. Each book is stand alone. First, the story was good with an ending you probably won’t see coming unless you really pick up on the clues.
Secondly, I had a challenging time getting past the first couple or three chapters, the reason being this isn’t my usual type of book. The Eddie (Edwina) Shoes series is on the border of Cozy Mystery and Mystery. I normally read things with lots of danger and political or secret spy type intrigue, but I received this book free for an honest review. Thus, I pushed on. And I’m happy I did.
Eddie is a private investigator that is accustomed to being on her own and doing her own thing, until recent events brought her parents into her life. Chava, her mother, is a character all her own, a bit crazy at times, but a nice touch of comedy when needed. Then there is Eduardo, the mob connected father that is very protective of his daughter and always seems to be in the right place at the right time. He’s my favorite character in the book.
The story begins as Chava is driving herself, Eddie, and Eddie’s dog Polar to the Cascade mountains for a short vacation at a spa. A free trip Eddie can’t pass up. But with Eddie it doesn’t take long for trouble to find her. I guess this time she finds it. She goes for a short hike her first day and ends up making a promise to a dying man in the forest that she will find his missing daughter. Then she’s running for her life from a forest fire.
And so, begins the mystery. Who was the man? Where is his daughter? With only a silver crucifix and photo of the daughter shoved in her hand by the dying man to go on how will Eddie solve the case? With the help of her parents, of course.
Don’t get tricked into thinking you know how the story ends by the obvious, that’s why I say this is a border line Cozy Mystery and Mystery book. It’s a comfortable read and a nice growth for characters in a series like this but it adds a bit more challenge than the usual fare.
With this third book it seems you get a better sense of what made up Eddie’s DNA, her ingrained character. She has as touch of the light of her mother with the seriousness of the father, even though only Chava was present in her life as a 16-year-old mother who didn’t know how to raise a daughter.
I give Three Strikes, You’re Dead 4 STARS because of what I saw as a slow intro. I didn’t take away from the rating based on this not being my normal reading genre, I read it for the genre it is. I’ve read all the Cat Who series by Lilian Jackson Braun. That’s the only Cozy I’ve ever been into. but I still get how the genre reads.
Remember to click HERE to visit Amazon and get the book.
And why is Elena such a great writer? Because she received her Ph.D. from the University of Georgia, my Alma Mater, so she was destined to be great.
Visit ElenaHartwell.com to discover more about her, her other books, and all THOSE ANIMALS!
Get Blackbeard: The Birth of America by best selling author Samuel Marquis at Amazon by clicking here.
You ever watch a historical movie and wonder about those conversations between historical figures? We’ve heard of the events but there really isn’t much about what people say to each other, but without those creative licenses the screenwriters take it would be a lot like being back in high school history class. Blackbeard: The Birth of America by Samuel Marquis is one of those historical adventures that teaches us by linking events with realistic dialogue and everyday events in between.
Ever since Blackbeard became a “pirate” there have been stories about him and most of them quite gruesome but in Marquis’ latest novel we get the truth. Being the direct descendent of a pirate, Marquis has the interest in the history and research savvy to get to the core of the real story.
I’ve done my own research into Blackbeard, having used him as a minor character in a pirate novel myself and Marquis goes way beyond anything I ever ventured into. Each chapter tells you when and where events are taking place all the way up to the murder of Edward Thache, or Blackbeard as we know him. Thache was an American hero in comparison to the men who went after his head at the end. Thache cared about America and the future of the Western Hemisphere while his adversary only cared about himself and England.
Engrossing, eye opening, and engaging, Blackbeard: The Birth of America is a must for adventure lovers, history lovers, and um lovers of tall dark haired men?
5 STARS, but from the award winning author Samuel Marquis what else do you expect?
Visit SamuelMarquisBooks.com for book availability through other vendors. And MAKE SURE to read the very ENTERTAINING About Samuel page. Here I thought I knew everything but “The Spider”? Who knew?
Daughters of Bad Men is what I am hoping is the first in an ongoing series with a strong female lead Private Investigator, and get this, there is no man having to bail her out of situations or being all lovey dovey to her. Jamie Rush is legit PI with some great supporting characters, a comic relief but protective best friend (Cookie) and the best possible breed of dog you could ever have, the English Bulldog named Deuce. (My alma mater is the Bulldogs.)
In this novel Jamie is asked by her estranged con-artist half brother to find his daughter, who has gone missing. Jamie hesitates because there is a huge trust issue but since it involves the niece she once loved like her own she caves and starts the search. Her investigation leads her to shady side of Port Arlene, TX, a nice little Gulf Coast winter haven for the snowbirds of the north based on Port Aransas, TX, which is across the Corpus Christi Bay from the city of Corpus Christi.
We meet Erin, the high class but young bookie who likes to treat her silver and blue haired snow bird clients well and like family and Marissa the daughter of the local crime boss. I hope to see a lot of both in books to come. Erin has something to prove by going her own way and making her business venture work and Marissa is already a force to be reckoned with. I seriously want to see Cookie and Marissa together, which would be an interesting development considering the history between the families. Read the book to find out what I mean.
This book succeeds in what I believe it intended to, a great story AND giving a comprehensive background of all the major players in the Port Arlene universe. You close the back cover knowing exactly who Jamie is, the role Cookie plays and who the various elements to watch out for in town. Deuce, the bulldog, is as great and needed addition to the family by giving comic relief and showing another side of Jamie instead of the tougher PI side.
I give this a 4.5 out of 5 only because it took me a couple of chapters or so to get into the story. So you guys keep reading and you will really enjoy the world building Laura creates.
I definitely want to review future Jamie Rush stories.
Get DAUGHTERS OF BAD MEN at Amazon by clicking the “BUY ON AMAZON” link in the Amazon Book Cover Image below.
ABOUT THE AUTHOR – Laura Oles is a photo industry journalist who spent twenty years covering tech and trends before turning to crime fiction.
She has published over 200 articles in retail and consumer magazines and
has served as a columnist for Digital Camera Magazine, Memory Makers Magazine, Picture Business, PhotoInduced, Cafe Mom) and others. Her book, “Digital Photography for Busy Women,” was named a photography category finalist in USA Book News.com’s ‘Best Books’ awards.
Laura’s short stories have appeared in several anthologies, including
Murder on Wheels, which won the Silver Falchion Award in 2016. Her debut mystery, Daughters of Bad Men, was a Claymore Award Finalist. She is also a Writers’ League of Texas Award Finalist. Laura is a member of Austin Mystery Writers, Sisters in Crime and Writers’ League of Texas.
Laura lives on the edge of the Texas Hill Country with her husband, daughter and twin sons. When she isn’t writing or working, you’ll find her serving as the family Uber driver or at her kids’ sporting events.
After several years of watching soccer, she still can’t tell when a player is off sides. She spends too much money in bookstores. Visit her online at https://lauraoles.com.
Who’s the Real Criminal: Blackbeard the Pirate or Governor Spotswood Who Hunted Him Down?
By Samuel Marquis
In Blackbeard: The Birth of America, Historical Fiction Author Samuel Marquis, the ninth great-grandson of Captain William Kidd, chronicles the legendary Edward Thache—former British Navy seaman and notorious privateer-turned-pirate, who lorded over the Atlantic seaboard and Caribbean during the Golden Age of Piracy. A Robin-Hood-like American patriot and the most famous freebooter of all time, Blackbeard was illegally hunted down by Virginia Governor Alexander Spotswood, the British Crown’s man in Williamsburg obsessed with his capture. This year marks the 300th anniversary of Blackbeard’s death.
On February 14, 1719, Virginia Lieutenant Governor Spotswood wrote a letter to Lord Cartwright, a proprietor of North Carolina, in which he attempted to explain his justification for authorizing the invasion of his lordship’s colony and killing of Blackbeard the pirate and nine of his crew members at Ocracoke Island on November 22, 1718. The pirate, whose real name was Edward Thache of Spanish Town, Jamaica, and his men had recently been pardoned by Governor Eden of the colony, and Spotswood wanted to make sure that he was not accused of exceeding his authority and committing murder in North Carolina waters. His deliberately misleading letter was one of the British governor’s usual interminable fussy letters, and in it he falsely boasted to have rescued “the trade of North Carolina from the insults of pirates upon the earnest solicitations of the inhabitants there,” even though only one complaint involving a single minor incident had been filed. He further expressed his hope that his actions would “not be unacceptable to your lordships.” He admitted that he had not informed either the proprietors or Eden about his invasion plan, which was required by law, but chose not to mention that this was because he believed Eden to be conspiring with Blackbeard.
When Spotswood invaded the proprietary colony of North Carolina to the south, neither he nor the seventy Royal Navy officers and crew members he commanded to hunt down Blackbeard and his pirates had the authority to invade another colony. In the fall of 1718 at the time of the attack, Blackbeard was, legally speaking, a citizen who had broken no laws and was in good standing. He had been pardoned by Governor Eden for his previous piracies, had paid the appropriate fees to the governor and customs collector Tobias Knight in the form of casks of sugar, had applied for and received legal approval to salvage a French vessel captured near Bermuda from that same governor, and had yet to be indicted for any crime. Spotswood had, in effect, authorized the kidnapping or killing of the resident of another colony—depending on whether Blackbeard resisted or not.
But the governor was not bothered by the overt illegality of his scheme. He had already made up in his mind months earlier that he was going to go after Edward Thache without reservation, by taking action first and seeking approval from the British Board of Trade and lords proprietors later. He wanted the notorious Blackbeard—and Governor Eden and Tobias Knight too—so badly that he could taste it. He had long been intent on extending his control and influence over Virginia’s southern border, which he never considered to be far enough south, and he was intent on acquiring the fledgling proprietary colony and folding it into his own powerful royal colony of Virginia. By finding damning evidence that Eden and Blackbeard were in collusion and that Eden and Knight were receiving bribes for looking the other way, he hoped to make a Virginia takeover a reality.
The aggressive overreach of Spotswood begs the question: who is the criminal in this case, the lawfully pardoned and likely retired pirate or the colonial governor who knowingly broke the law to hunt him down, killed him and his crew, and then put the survivors on trial?
Between January 1716 and November 22, 1718, when he was killed at Ocracoke at the hands of Lieutenant Maynard and the Royal Navy, Edward Thache captured more than thirty merchant vessels along the Atlantic seaboard, Caribbean, and Spanish Main, and one 200-ton slaver, which he converted into his flagship, the Queen Anne’s Revenge. At the peak of his freebooting career in April 1718, he served as commodore of a 700-man, five-ship, 60-plus-gun pirate flotilla that rivaled the strength of any pirate fleet in history. According to one researcher, Blackbeard and the other pirates of his short-lived era had at their zenith “disrupted the trans-Atlantic commerce of three empires and even had the warships of the Royal Navy on the run.” And yet, during the course of his career, he never physically harmed anyone until the day he was battling for his life (he was reportedly shot five times and stabbed more than twenty times before he finally fell from being decapitated by a seaman’s cutlass). In fact, Thache typically showed his victims respect and let them down easily after taking their ships as prizes, giving them vessels in trade, food and provisions, and even receipts for merchandise.
In an age when violence was commonplace, he did no more harm to captured ship captains than to detain them for a brief period of time. As pirate historian Arne Bialuschewski states: “I haven’t seen one single piece of evidence that Blackbeard ever used violence against anyone.” Colin Woodard, author of The Republic of Pirates, echoes this sentiment: “Blackbeard was remarkably judicious in his use of force. In the dozens of eyewitness accounts of his victims, there is not a single instance in which he killed anyone prior to his final, fatal battle with the Royal Navy. “
The son of a wealthy plantation-owner from Jamaica and a former Royal Navy officer and privateer on behalf of the British Crown, by 1716 Thache became a no-holds-barred outlaw taking the vessels of all nations. But he and his men did not view themselves as outlaws, but rather as Robin-Hood-like figures and American patriots fighting against British domination and the Atlantic mercantile system that favored the 1% of their day. And that was how the American people largely viewed them, too. While the upper-middle-class Jamaican was portrayed as a “barbarous” monster by the pro-British newspapers, merchant elite, and Alexander Spotswood, he was known as a Robin-Hood-like folk hero defying the British Crown among his fellow American colonists. The image of Blackbeard as a cruel and ruthless villain imbued with almost supernatural powers was largely created by propagandist newspaper accounts of the era (particularly the pro-British Boston News-Letter) and Captain Charles Johnson’s (Nathanial Mist’s) A General History of the Robberies and Murders of the Most Notorious Pirates, first published in 1724 six years after Blackbeard’s death. As Bialuschewski states about the latter: “This book has been plundered by generations of historians, despite the fact that it is riddled with errors, exaggerations, and misunderstandings.” More than any published work, Captain Johnson’s propogandist tome created the notorious but unrealistic Blackbeard image that we know today and celebrate in movies like Pirates of the Caribbean and TV shows like Black Sails and Crossbones.
And what about Spotswood? While Blackbeard was playing out the role of Robin Hood of the high seas, the governor of Virginia was getting rich and fat at the colonists’ expense and showing open contempt for the colony’s lower house of elected representatives and the colonial democratic process. The governor’s many critics claimed he employed heavy-handed tactics to control tobacco exports through his Tobacco Inspection Act, rewarded his loyal friends with patronage positions, and acquired large tracts of valuable land through shady practices. With his Indian Trade Act, he granted the Virginia Indian Company that he created a twenty-year monopoly over American Indian trade, and charged the company with maintaining Fort Christanna, a settlement in the southern tidewater region for smaller Indian tribes. Establishing the company was Spotswood’s attempt to circumvent political opposition by shifting the financial burden of defense against Indians from the colonial government to private enterprise, but in doing so, he angered those who had invested in private trade. All in all, his policies were unpopular with Virginia tobacco planters, landholders, and commoners alike since all sought to maintain their independence from the British Crown. By 1722, he was toppled from government due to “an accumulation of grievances” from Virginia’s House of Burgesses and his own Governor’s Council, but by then Spotswood had made so much money from questionable land deals that his governorship had become immaterial. He would remain the wealthiest man in Virginia until his death in 1740.
One of his more disgraceful actions was to deny payment of the promised reward money to Lieutenant Maynard and the other Royal Navy seamen who had battled Thache at Ocracoke until four years after the battle—even though Spotswood had, by binding decree, promised prompt payment upon the capture of the pirate and his crew. After four years of delay, many of those who had fought valiantly and spilled blood upon the decks of the two naval sloops had died or retired from the service, and so never received a penny.
For Spotswood, the judgement of history has been severe, particularly when it comes to Blackbeard. He knowingly launched an illegal expedition in violation of the King’s and governor of North Carolina’s pardons to destroy the freebooter (who was likely retired from piracy) and his crew, all in an effort to gather evidence to be used to undermine Eden and his second-in-command and thereby further his own career and financial gain. In the eyes of history, it is Spotswood who is far more criminal, immoral, and unethical than Blackbeard, Eden, or Knight. Not only did he knowingly and illicitly violate the sovereignty of a neighboring colony, he conspired with and was closely associated with the ethically suspect Edward Moseley, Colonel Maurice Moore, and Captain Vail. In December 1718, the Moseley gang broke into the house of North Carolina Secretary John Lovick in an attempt to examine Council records for incriminating evidence against Eden and Knight. When Spotswood’s North Carolina conspirators Moseley and Moore were tried the following year, the event was a sensation and Moseley was fined and barred from public office for three years. Spotswood did his best to distance himself from Moseley and Moore, but his critics knew better.
In the end, he is remembered as a slave-owning British elitist, stodgy bureaucrat, hypocrite, and profiteer who used the governor’s office to lord over “the people” in the name of the Crown, promote his own self-interests at the public expense, and destroy his political enemies or those, like Blackbeard, that he disapproved of.
He will always be Inspector Javert to Blackbeard’s Jean Valjean from Victor Hugo’s Les Misérables.
The ninth great-grandson of legendary privateer Captain William Kidd, Samuel Marquis is the bestselling, award-winning author of historical pirate fiction, a World War Two Series, and the Nick Lassiter-Skyler International Espionage Series. His novels have been #1 Denver Post bestsellers, received multiple national book awards (Foreword Reviews Book of the Year, American Book Fest Best Book, USA Best Book, Beverly Hills, Next Generation Indie, Colorado Book Awards), and garnered glowing reviews from #1 bestseller James Patterson, Kirkus, and Foreword Reviews (5 Stars). Book reviewers have compared Marquis’s WWII thrillers Bodyguard of Deception and Altar of Resistance to the epic historical novels of Tom Clancy, John le Carré, Ken Follett, Herman Wouk, Daniel Silva, and Alan Furst. Mr. Marquis’s newest historical fiction novel, Blackbeard: The Birth of America, commemorates the 300th anniversary of Blackbeard’s death. His website is www.samuelmarquisbooks.com and for publicity inquiries, please contact JKS Communications at email@example.com.
Historical romance is a guilty pleasure of mine… so when I was offered this book for an honest review, how could I refuse…? And in time for Valentine’s Day 🙂
What’s it about?
The Soul’s Expression is set in the late Victorian era.
Katherine Forrester was coerced into a marriage by her parents, and due to her fears, her marriage has not been consummated.
Her patient husband, after nearly a year of marriage is not so patient anymore. Her mother-in-law pressures her into seeing a psychiatrist for her “troubles” and Katherine suspects she will be diagnosed with hysteria and locked up.
In a bid to protect herself, she decides to cooperate fully with her psychiatrist, and unwittingly embarks on a journey of self-discovery and sexual awakening.
Then she encounters a situation that she has not ever anticipated. With her life in danger, who will she turn to?
How will this end for a woman with no financial means, nor power or legal status to defend herself?
Will love indeed conquer all?
Would I recommend it?
Yes, for historical romance readers and those sufficiently curios to venture to this genre. It is a quick and pleasant read.
My rating: 3 /5
© 2018 LitWorldInterviews
Author Brian P. Sheets releases his two book series Two Images of God: Quest and Two Images of God: Discontent today for Free on Kindle.
Two Images of God: Quest
The conflict between Muslims and non-Muslims is not just imaginary.
It’s very real.
In Book 1 of the Two Images of God series, Quest explores the search for peaceful co-existence between Christianity, Islam, and Judaism by revealing people who are more focused on the character of an individual rather than their religious affiliation. Members of clergy, science, medicine, and education come together to explore a common viewpoint that provides a basis for communication.
But, their comradery is short-lived as their blissful coexistence is abruptly halted by militant forces bent on seeing them destroyed. Following a deadly attack at their archaeological site in Israel, will their new-found friendships last? Or, will they revert back to the prejudices of their native religious beliefs?
Two Images of God-Quest begins a journey of discovery, gaining speed like a heavily laden train, until it arrives at breakneck pace that keeps you on the edge of your seat!
Two Images of God: Discontent
The explosion was deafening. Then, utter silence.
A baby’s whimper broke the still air. One by one, people began to move, reawakened to the Samaritan need to go to the aid of the baby in distress.
Then, quiet once again.
In this rapid-fire sequel to Two Images of God-Quest (Book 1), the author reveals a brewing conflict between the Western Alliance and the Islamic World Order, a new coalition promising global destruction. Recognizing the danger of mutual annihilation, will the leaders of the opposing armies pursue peace or war? Or, will they be overthrown by subordinates seething with hatred and a desire for total control?
Written to parallel the same time period as Book 1 in the Two Images of God series, Two Images of God-Discontent (Book 2) provides the backstory for the climax in Quest. It will keep you on the edge of your seat, with an ending you will not expect!
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