Tag Archives: Novel

#Interviewsintranslation Estrella Cardona Gamio (@EstrellaCG ) and LETTER TO CHARO. Small is beautiful

Hi all:

I’d been promising you more interviews and here is a very special one for me. I loved the novel Carta a Charo when I first read it in Spanish and I was lucky enough to be asked to translate it. Today, I have the pleasure of introducing you to a Spanish writer, Estrella Cardona Gamio, and her novel Letter to Charo.

First, the author tells us a bit about herself.

Author Estrella Cardona Gamio
Author Estrella Cardona Gamio

I have a BA in Fine Arts and I’m an author of novels, stories and children’s tales, I have also been a member of the Spanish Association of Journalists and Correspondents, and I’ve contributed editorials and short tales to different publications. I have also collaborated in radio with my own featured programmes. My first novel was self-published in paper years back, El otro jardín (The Other Garden). In March 2006, I published a book of short stories, La dependienta (The Shop Girl), with a publishing company in Madrid, hybrid publishing. In 1999, my sister, María Concepción, registered the publishing company C. CARDONA GAMIO EDICIONES (that started as an online publishing company that same year). From 2006 we started publishing books in paperback format and from the 28th April 2012 we are on Amazon, in Kindle format, broadening our horizons.

Letter to Charo by Estrella Cardona Gamio. Translated by Olga Núñez Miret
Letter to Charo by Estrella Cardona Gamio. Translated by Olga Núñez Miret

Here are the questions:

  • When and how did you start writing? I started writing novels when I was eight years old, instinctively copying others. I was an avid reader and wanted to imitate the writers I read. It was a game to start with but with time it stopped being one.
  • Describe for us your experience as an independent (self-published) writer: Very satisfying. Like many first-time writers, I went through the litany of sending inquiries to publishing companies and finally when Amazon reached Spain, I found what I was looking for, a serious and honest company. My official baptism of fire in the indie world couldn’t have been better.
  • Is there a moment that you remember with particular affection from your career as a writer, up to now? For me, the experience of writing is already the best of all moments.
  • What made you decide to translate your novel Carta a Charo (now available in English as Letter to Charo)? The fact that the action of this novel, now Letter to Charo, develops through the exchange of letters, between London and Barcelona, and I thought it would be very appropriate to translate it, and as you are an excellent translator (her words, not mine) I approached you with the project.
  • Tell us a bit more about your novel. It’s a novel written with plenty of love and I enjoyed the possibilities the interaction between the protagonists all immersed in the same novel, but so different between them, gave me, as they progressively share with us their thoughts and their personality. Charo’s character is a jewel, a true finding, as without her there would be no novel.
  • Do you have any advice for your writer colleagues (and especially for new writers)? Not to feel disappointed if they are not successful from the very beginning. Writing is a beautiful but thankless profession. We shouldn’t look for millions of sales, or for becoming one of the top ten writers, we should try to write well and not lose our patience in the process. All the writers who persevered triumphed in the end and that’s the important thing.

Here a review, written by a publisher, Marlene Moleon:

“Epistolary novels allow us to get close and personal with the intimacy of a character in a way not possible through any other narrative form. It is like entering the world of a person as she is, without embellishments or interpretations on behalf of the narrator. Estrella Cardona Gamio shows us her mastery of the genre with LETTER TO CHARO.

A short novel where rich human feelings and passions fit perfectly in the short number of pages given.”

Link to Letter to Charo:

http://relinks.me/B01LY90NED

 

Follow Estrella Cardona Gamio:

http://www.ccgediciones.com

http://www.estrellacardonagamio.com/blog

https://www.facebook.com/estrellacardonagamioautora/

https://twitter.com/EstrellaCG/

 

Thanks so much to Estrella for her interview and on my behalf for her words and to her and her sister Concha for the opportunity to translate this great novel, thanks to all of you for reading and don’t forget to like, share, comment and CLICK!

The Right Way to Write

One of the most important lessons that I’ve learned as an aspiring writer is that it’s a major headache. Sometimes, I feel like finding a new hobby. I don’t know about other genres, but mysteries (my preferred field) can be such a pain. You have to hide evidence in plain sight and weave the story together in this perfect little web so that in the end it makes sense. And the catch is you don’t want your readers to say “yeah, duh. Saw that coming.” You want them to say “wow! I should have seen that coming!”

Because I try to come up with that twist to shock my readers, I hit many roadblocks. When I write, my mind tends to go one way, and then I’m like “well, that’s stupid. It doesn’t make a bit of sense.” I also try to be original. In this day and age, with all the unoriginal ideas, I think people would enjoy something fresh. Sometimes my attempts at originality turn dull, or plain dumb.

A headache. Actually, a migraine now that I think about it.

In the current manuscript I’m working on, I’ve written a hundred pages already, almost 40,000 words of my 80,000-word count goal. Since I had no clue as to where I really wanted to go, I hit a major roadblock. It’s like my characters are all running amuck doing completely different things than they should.

Then I began to stress. I’m a stresser, so it comes on naturally, especially when I want to do well in something I love. After trial and error, I found a few tips to help me iron it out a little bit: I’ve listened to the computer read the pages each morning, which not only helped me to add a few more scenes, but I’ve come to realize that the ending I had in mind wasn’t going to work for where the story was actually heading. In a book I started reading, if I remember correctly, I believe it was Stephen King’s On Writing, he said that he once read  Ernest Hemingway would read his work every morning from beginning to end before he wrote another word. I thought that was a great idea. So I started doing just that. I’ve found that it helped me a great deal. I was able to untangle some of the messes I created by not paying attention, or details I forgot. It takes me longer to finish my writing, but I’ve come to appreciate that in order to do it just right, you have to take your time. Especially if you’re an “organic writer,” like I am.

During a brief stressing out period, I was recently reminded by a fellow writer friend that this is the “fun” time. It’s the time when I’m building new worlds, creating new characters. I was struck by the realization that I’ve forgotten this was supposed to be a hobby. I was stressing myself out by trying to have my sequel (and other manuscripts-to-be) written in a certain time period (30 days).

Stressing causes me to have writer’s block, which in turn, causes depression, which results in my having a hard time getting my writing mojo back on. It is supposed to be fun. Starting a new story is always enjoyable, but I’ve realized setting unreachable goals, such as 30 days for an 80,000-word manuscript, fun will be replaced by a hair-pulling me. I’m not saying that it isn’t possible to reach 80,000 words in 30 days. I’m sure plenty of authors are capable, and I’m sure even I will manage it…some day. But to me, writing can be like losing weight. If you set unrealistic goals, you may fail. It’s better to have a long-term goal, giving you a little leeway. At least when you’re starting out.

Being a writer is a very peculiar sort of a job: it’s always you versus a blank sheet of paper (or a blank screen) and quite often the blank piece of paper wins. ~Neil Gaiman

So instead of moving forward, I began to re-read my story to clean it up. Now that I’ve been able to take a deep breath and stop hyperventilating, I was able to see where it was supposed to go. Sadly I’ve removed a lot of scenes that I’ve spent time writing. It just doesn’t fit…for this particular story, anyway. I have a lot floating around in my head right now. I just might be able to find a home for those scenes somewhere. However, even if I don’t, I don’t feel like I’ve wasted a lot of time and energy writing those scenes. I was able to replace those scenes with an equal amount of wording because somehow it gave me the inspiration.

And because I have a friend that is a writer, I’ve been able to brainstorm new ideas for this story. Whether I use it or not, it helps me overcome those pesky blocks. I suppose that there is no right way to write. I suppose it’s all up to you, as an author, to find out what works for you. For me, it’s a lot of trial and error. I tend to be clumsy and stumble around, but I’m slowly finding my footing in this world. What are some ways that help you to move forward?

There are three rules to writing a novel. Unfortunately, no one knows what they are. ~W. Somerset Maugham

by: Angela Kay

It’s a Long Road

To me, it’s exciting to know you have a talent for the arts. A lot of people don’t. Some lie in mathematics. Some in science. While I wish I had the talent in science, I don’t in either subject. My forte is writing. I have a passion for creating a whole new world. Honestly, it could be a made-up world that takes place in a Star Trek-type universe, or it’s right in my hometown with my lead investigator solving a grisly murder.

In 2009, I was taking a Creative Writing course in my final semester of college. In that course, I wrote a two-chapter excerpt from a book I had in mind to write. My professor and my classmates loved the first two chapters when they critiqued it. It’s pretty ironic because when I finished those chapters, the person I had “killed” was someone everyone in the story knew and hated—even the three children that found the body! But for whatever reason, my class enjoyed it.

After I finished that class, I continued working on my first draft, including a few more characters that were hateful. Yes, it’s safe to say that there was a lot of hate going on in my first draft. Curious, I must say! My mom read the entire book, said it was great. Maybe it was, maybe it wasn’t. She’s not one to say she liked it if she didn’t, although I wasn’t too pleased. However, I think it’s safe to say she liked the style of writing rather than the story itself.

When I re-read the story in order to change the spelling, punctuation, blah blah blah, I started in on major changes. The thought I had in mind was this: the dead guy was someone everybody hated. Um, yay, he’s dead? I didn’t care that he was dead. So, if I didn’t care, then why should potential readers? I wanted this thing to get published! If I didn’t care that the dead guy was dead, and I knew readers wouldn’t care, then why should publishers? They’d probably give me a phone call just to laugh at me even thinking I had a chance in the hard-to-get-an-agent world. But, you know…I was learning. When you’re starting out, even when you’ve been in the business for a while, there’s a lot to learn in this trade.

So, I completely rewrote the first few chapters. I made my dead guy loved by those who knew him. Boom! I wanted to find this killer that killed this wonderful man whose only crime was making a few mistakes in his life! Another character I created was someone who was also hateful, gruff, borderline abusive. I changed him into a nice guy, but stubborn and not always telling the whole truth. I felt much better with those characters. They were more believable.

As I went through the rewrite of my second draft, I found myself in the midst of a major, major mess.  It was a messy story that I wrote on a whim. It took me a year to write the first draft. Starting out, I think a year’s not bad. But it was the rewrite that set me back. I rewrote my manuscript, finished it, my mom read it, liked it. I still didn’t like it.

So comes the third rewrite. I wanted to strangle whoever said, “writing is all about rewriting.” My mom, and eventually when my stepfather

entered the picture, loves to tell me that I need to stop the rewriting. I always stuck to my guns, though. My response was always this: “the story is not over until there’s no more work to be done.” And, yes. My manuscript-in-progress had a LOT of work to be done.

Because it was such a mess, I felt it kind of held me back from writing. I spent years off and on going back to my manuscript. Every time I hit a wall, I’d get depressed and stop writing. I’d also begin two or three other stories on the side, but I would feel guilty that I haven’t finished my first “baby.”

Well, God kept me consistent. I may have been consistently writing off and on, but quite often, I’d hear the last name of one of my characters, which isn’t even a very common name. I would also hear my preacher in church often talk about “if you were meant to be a writer.” Or, I’d turn on Hallmark and a movie about a struggling writer would pop on. Maybe you think I’m crazy. But I think it’s God’s way of saying “get up, child! Finish the book!” Well, as of March 10, 2016, I finished my third, and yes, final draft of my story. The best part of it was that when I finished, I found myself an editor almost immediately. He’s editing as we speak. After re-reading the first seven chapters of my newly edited manuscript, I was like, “wow!” Honestly, after re-reading and rewriting so many times, I wanted to have it edited and not ever read it again. Now, I can’t wait for more!

Oh, and since I’ve finished my manuscript, I haven’t heard the preacher talk about writing, nor have I seen a movie about writing pop on unexpectedly, and I haven’t heard the name of that particular character. Amazing, huh? Well, to me it is…maybe you have to be there!

I’m thrilled that it’s in the hands of my editor. It’s one step closer to being published. And I’m also in the process of the sequel, as well as another manuscript. My fear is that I’ll stumble onto my old roadblocks. I really hope I don’t. However, if finishing this first book taught me anything, it’s this: no matter what happens, whether I’m published, or if it sits on my desktop collecting dust, I can rest assured knowing that it has been completed. It’s been a long road. But I’m taking the wheel, and am pretty satisfied.


Angela Kay, Author imageBy

Angela Kay

@AngelaKaysBooks

 

Nearly NaNoWriMo Time Again

Did you know that Fangirl by Rainbow Rowell, Wool by Hugh Howey, and Water for Elephants by Sara Gruen, were all begun for one of the annual NaNoWriMo challenges? Anyone who says that NaNo is just a bit of silliness for wannabe writers might want to ponder that a while, and anyone who is finding their writing stuck or slow going right now might want to consider taking up that challenge this year. You can take it as seriously or not seriously as you like. It’s only thirty days, so the world won’t end if you don’t make your word count or if you absolutely hate what you wrote, but if you’re having trouble getting nice chunks of words down towards your WIP, this little challenge should get you going. I see that there is also a twenty percent discount to purchase Scrivener for this year’s players, so if you’ve been thinking about getting that, here’s your chance.

You can write anything you want to. It doesn’t have to be a brand new book. You can continue to write something you’ve already started, as long as you only add the newly typed sections for each day to your official word count. Only you know what you’ve typed, because NaNoWriMo don’t save your work when you go to add your daily count on the site, so it’s not possible for anyone to ever read it unless you publish it, so typos and gremlins mean absolutely nothing. In fact, the last thing you want to be doing is looking back every day over what you wrote the day before. Just zoom straight on through to the end before editing anything. Another fine lesson to learn for those of us who over edit as we write. NaNoWriMo cured me of that.

The whole premise of the NaNo is to write fifty thousand words of a novel in thirty days, which works out to roughly one thousand, six hundred and sixty seven words written per day. This is your rough draft, so it doesn’t matter if there are plot holes in there. You write around them, and then fix them later if you decide to publish the book. If you win the challenge, you get the badge for this year, and also whatever swag they have going as prizes, which can come in really handy too – like getting free CreateSpace copies if you publish your NaNo novel.

If you’re competing this year, remember to stock your freezers now with food that can just be defrosted for some November meals, and get lists done of chores that your family and friends can do to help you out for that time too. The site launches on the fifth of October. Zoom over to the NaNoWriMo site to sign up, and then create your NaNo novel project by going to My Novels under the NaNoWriMo tab from that date.

NaNoWriMo