WWII – Lit World Interviews

Book Review of Dead in the Water by Mark Ellis.

Where to begin? Dead in the Water is a story of 1942 WW2. London with ramifications beyond. London has been bombed to a shell of itself with Anglo-Spanish DCI Frank Merlin continuing to his mission to protect the city from not only the criminal element within but any such characters that wander in from outside the nations borders.

A body found floating in the Thames. Missing art. Stolen or otherwise. Who’s to know? That’s Merlin’s job.

There are many layers to what Ellis has done here. You have the married couple of Frank Merlin and his wife with their young son. You have families that have sought refuge in London from Poland and Germany.

There are deserters from armies, gangsters willing to take advantage of any situation.

And all of that’s just the obvious on the surface elements.

Of course you then have the spies. Who all do they work for? Where do they come from?

You read reviews about how a writer weaves the different stories in a book into one overall story. That’s not one of my favorite ways of describing a book but in this case… unless I use a thesaurus, weaving is what Ellis has done.

The seemingly separate story lines, some are separate, obviously, but many will at some point link together as you might expect in a mystery like this. If not, then all those sub plots would be useless. But here, pay attention and you start to piece things together.

There are surprises to be experienced, not just by the reader but by the characters as well. A bit of Agatha Christie if you will.

As for the setting for the book. WW2 history is my specialty. It’s what I primarily studied and taught. There is a lot to learn from what Ellis gives us in Dead in the Water that you won’t necessarily learn in a classroom. You don’t get what life was like on a daily basis in London during this time. You don’t consider that life goes on, crimes happen, police have a job to do. Love happens, betrayal, affairs. Anything and everything. And you don’t consider that during wartime on an island nation like Britain that some would take advantage of their fellow suffering citizens.

Dead in the Water is not only entertaining and good paced read, it’s also a learning experience.

I give it a 4 out of 5.

About the Author:

Mark Ellis is a thriller writer from Swansea and a former barrister and entrepreneur.

He is the creator of DCI Frank Merlin, an Anglo-Spanish police detective operating in World War 2 London. His books treat the reader to a vivid portrait of London during the war skilfully blended with gripping plots, political intrigue and a charismatic protagonist.

Mark grew up under the shadow of his parents’ experience of the Second World War. His father served in the wartime navy and died a young man. His mother told him stories of watching the heavy bombardment of Swansea from the safe vantage point of a hill in Llanelli, and of attending tea dances in wartime London under the bombs and doodlebugs.

In consequence Mark has always been fascinated by WW2 and in particular the Home Front and the fact that while the nation was engaged in a heroic endeavour, crime flourished. Murder, robbery, theft and rape were rife and the Blitz provided scope for widespread looting.

This was an intriguing, harsh and cruel world. This is the world of DCI Frank Merlin.

Mark Ellis’ books regularly appear in the Kindle bestseller charts.

He is published by Headline Accent, an imprint of Headline.

He is a member of Crime Cymru, the Welsh crime writing collective, and of the Crime Writers Association (CWA).

Instagram: https://www.instagram.com/markell1/

facebook: https://www.facebook.com/MarkEllisAuthor

Twitter: https://twitter.com/MarkEllis15

“I never wanted to write this memoir.” A Guest Post from Author Gabrielle Robinson.

I never wanted to write this memoir

I first discovered my grandfather’s diaries after my mother’s death, hidden behind books. Although it was already late at night, I started to read immediately. My grandfather, Api as I called him, had given me my first stable home after the war, and I had spent the happiest days of my childhood with him. Since my father had been killed in the war, he was both father and grandfather to me. As I opened the first of the two little green notebooks, I noticed that each entry was in the form of a letter to my grandmother, mother, and even me, a baby. We had fled the city in February 1945 while Api had stayed behind to serve as doctor during the final period of round the clock bombing before the fall of Berlin. Starting in April 1945, he recorded his experiences every day:

“Towards evening, the sky to the east is a ghastly sea of smoke. I creep out at ten o’clock at night to the clinic under whistling grenades and bombs, a wilderness of fire and dust, behind it, although already high in sky, the blood-red moon.”

Still reading while the first light broke in the sky, I came upon something that hit me like a punch to the gut: my beloved Api had been a member of the Nazi Party. For a while I sat there with a pounding heart, unable to move, and then I hid the diaries again, just as my mother had done, not even telling my husband Mike.

Two years later, Mike and I were relaxing in a coffee house when suddenly I started to cry, and my secret burst out. To my surprise Mike said that I needed to write about the diaries and show how ordinary people get caught in a totalitarian regime. That thought kept me awake at night, and yet I couldn’t get started. It felt like a betrayal. However, for the first time in my life I began to seek out books about the Nazi period. I was surprised how historians stressed the importance of personal experiences, like the diaries, for our understanding of history. So gradually I got up the courage to write Api’s Berlin Diaries. My Quest to Understand my Grandfather’s Nazi Past.

I set out with two goals in mind. I wanted to give the reader a powerful personal perspective of what it was like in Berlin as Hitler’s Reich collapsed. Working to exhaustion in medical cellars, Api could do little for the wounded and dying. Doctors were left with few medications and without even water after the last drops had been drained from the heaters. He records in graphic detail how streets had become unrecognizable beneath the ruins so that he had to find his way over rubble and through cellars of destroyed buildings. The entire city seemed in flames, the smoke making it hard to breathe. He saw starving people cut up a dead horse in the midst of bombardment.

My second goal was to find out why Api had joined the Party in 1933. In Berlin archives, I found out more about his life. Raised in a Prussian town, he obtained a scholarship to a prestigious Berlin academy to become an ophthalmologist. The only stipulation was that for every semester he took, he had to serve a year as military doctor. The moment he graduated in 1914, he was sent to the Eastern front where he suffered a nervous breakdown and for a while was a patient at the Charite Hospital where just before he had been a student. Within a few months, he was back at the front.

After the war Api set up his own practice in Berlin. The city was torn by violence, strikes, even assassinations. Gangs of young Communists fought gangs of young Nazis; shootings were common. The Weimar Republic, Germany’s first democratic government, was unable to prevail. At the same time, the gay twenties turned Berlin into “the Babylon of the new world,” as so many tried to forget the war, the gargantuan inflation immediately after, and abandon themselves to a life of orgies and wildness. Into this world stepped Hitler. He promised to restore law and order; he promised peace and stability, and a return to Christian values. Api, I learned, fit the profile of people who joined in 1933: educated, conservative, veterans of World War I.

In the process of writing, two other themes forced themselves into the book. Finding out more about Api’s life brought up a flood of memories of living with him after the war which I hadn’t thought about for half a century. The other subject that kept pushing itself into my mind was reflections on German guilt, and Api’s in particular. His de-Nazification document categorized him as Exonerated. This was a relief to me, but at the same time I knew that it was too easy and incomplete an answer. Although I do not believe in collective guilt, I do believe that we are accountable for what happens in our countries. The words of Martin Luther King, Jr. who condemned not only the actions of the bad people but the silence of the good kept ringing in my ears.

Api’s Berlin Diaries made me confront a past I had evaded all my life. As I grew up in post-war Germany there was complete silence about the recent past. Our history classes stopped with the end of World War I. Neither I, nor as I remember any of my friends, ever questioned this silence. So now, late in life, I needed to come to terms with my German past. I had always been ashamed of being German for the country’s horrendous history of genocide and war, but I had never dealt with the guilt.

It was hard to face German guilt on such a personal level. I kept asking myself “what would I have done if I had lived in the Third Reich?” What small acts of courage or cowardice would I have committed? Would I have given the Hitler salute or dared to refuse? How far would I have been willing to go to help Jewish neighbors? I doubt that I would have had the courage to risk my life and stand up against the Nazis.

I hope that readers of today will come away with two main feelings. First, an emotional understanding of how the “volcanic eruptions” of history impacted my grandfather’s life who had to serve in two world wars and lost his only son, and how these tremors still reverberate with me in the third generation. Juxtaposed with these are my happy memories of Api who loved me and played with me, who taught me Latin and showed me how to build a kite. These passages I hope may trigger readers’ childhood memories of their own that will continue long after they have finished the book. Above all, I hope readers will feel more strongly how all our lives intersect with history. We all have a past and that past is still with us.

I hope that the ultimate take-away that sticks with my readers is one of empathy, of understanding other people’s behavior and mindset, that we may need now more than ever. This will strengthen our faith in our common humanity, in our capacity for compassion and tolerance. Although much of the diary focuses on the horrors of torture and persecution perpetrated by human beings upon one another, it also shows instances of kindness and love that testify to the power of the human spirit to breach the gulf of hate. As Api wrote even in the depth of his despair: “If love once again dwells in all human hearts then also will the life on God’s wonderful earth again become not only bearable but beautiful.”

Gabrielle tells stories about people that reveal their personal situation within its historical context.

One reason for her fascination with the intersection of the personal and historical stems from her own experience. Born in Berlin in 1942, her father’s fighter plane was shot down in 1943. After her family was bombed out twice, they fled Berlin in 1945.

To learn more about Gabrielle, the author, and the normal everyday Gabrielle with her cat named…, visit her website, https://www.gabriellerobinson.com/

You can purchase Gabrielle’s Book at Amazon by visiting the book site. Just click the logo below and it will take you to the page. And while you’re there, visit her Author Page for her other books.

Historical Accuracy Must Come First: The Real History of The English Patient and Operation Condor

Historical Accuracy Must Come First: The Real History of The English Patient and Operation Condor

By Samuel Marquis

In May 1942, just before German General Erwin Rommel, the Desert Fox, launched his offensive to drive the British Eighth Army out of Egypt and take the Suez, the German Intelligence Service (Abwehr) sent a two-man espionage team to Cairo. Operation Condor, as it became known, proved to be the most legendary and historically misrepresented intelligence operation in the WWII North African campaign.

In Lions of the Desert: A True Story of WWII Heroes in North Africa, I tell the tale of the famous Operation Condor and 1941-1942 Desert War between Rommel’s Afrika Korps and Eighth Army, based on recently declassified British and U.S. Military Intelligence records. The romantic Condor story has been told many times before—most famously in Michael Ondaatje’s 1992 Booker Prize winning novel The English Patient and the 1996 Oscar-winning film of the same name—but until recently virtually every fictional and factual account has been historically inaccurate. That is precisely why I had to write my book.

The reason that the Condor story has been shrouded in mischaracterization and embellishment is simple: prior to the 2006 public declassification of large numbers of WWII government documents, the only historical records on the subject available to the general public were those written by the main protagonists, who had access to only limited information and were not privy to the larger military-intelligence picture. In addition, records have conclusively shown that these participants, despite laying down a solid foundation of verifiable facts, have in a number of critical places distorted and embroidered the Condor narrative to enhance their own role in history or embroider the story, making it difficult for subsequent researchers to separate fact from fiction. I had no idea of these shortcomings when I set out to write my book—but once I discovered them, the opportunity to set the record straight and tell the true Condor story became my raison d’être for penning my work.

The narrators of these early first-hand accounts included: Anwar el Sadat, the Egyptian Army officer, nationalist, and later President of Egypt (Revolt on the Nile, 1957); Lieutenant Johannes Eppler, the German spy in the Operation Condor affair (Rommel Ruft Cairo, 1960, later translated as Operation Condor: Rommel’s Spy, 1977); Leonard Mosley, a British war correspondent in Cairo at the time of Operation Condor, who conducted extensive interviews of Eppler prior to the German spy penning his own version of events (The Cat and the Mice, 1958); and Major A.W. Sansom, the head of British Field Security in Cairo who played a prominent role in the capture of Eppler and his espionage cohort Heinrich Gerd Sandstette (I Spied Spies, 1965). While accurate in many respects and unquestionably entertaining, these subjective first-hand accounts have one fatal flaw in common: they exaggerate the espionage accomplishments of several of the key players in the Condor story and, consequently, draw conclusions that are not supported by reliable historical documents.

Without access to the declassified materials and thus the bigger picture, subsequent writers on the subject—Anthony Cave Brown, Bodyguard of Lies (1976); David Mure, Practice to Deceive (1977) and Master of Deception (1980); Nigel West, MI6 (1983); and Richard Deacon, ‘C’: A Biography of Sir Maurice Oldfield (1985)—could not help but fall into the trap of relying heavily on the embellished accounts of the main protagonists. Following in a similar vein, the bestselling historical fiction novels by Ken Follett (The Key to Rebecca, 1980, made into a 1989 TV movie) and Len Deighton (The City of Gold, 1992) used both the original sources and the subsequent embellished works as the basis of their books, making for great entertainment but questionable historical accuracy with regard to the significant details of the North African campaign and Operation Condor.

As it turns out, the Condor story needs no embellishment. The real-life protagonists, while admittedly more prosaic than their highly fictionalized doppelgängers, are still fascinating in their own right. That became my overarching goal in Lions of the Desert: to tell the real story—a story that has captivated the minds of authors, historians, and filmmakers for the past three-quarters of a century but that, until quite recently, virtually no one has been able to get right due to lack of access to the full truth.

With that in mind, I told the story through the eyes of six of the main historical figures who lived through the larger-than-life events in Egypt and Libya in 1941-1942: Scottish Lieutenant Colonel David Stirling, founder and leader of the Special Air Service (SAS), a brigade of eccentric desert commandos that raided Axis aerodromes and supply lines; Rommel, who as commander of the legendary Afrika Korps very nearly succeeded in driving the British out of Egypt; Egyptian Hekmat Fahmy, the renowned belly dancer, regarded as a Mata-Hari-like German agent in previous accounts but in fact a far more intriguing and ambiguous character in real life; Colonel Bonner Fellers, the U.S. military attaché in Cairo, who was privy to critical Allied secrets in the North African theater and inadvertently played an important role in intelligence-gathering activities for both sides in the campaign; and Sansom and Eppler, who played a game of cat-and-mouse and whose real-life stories are finally told.

Of the above historical figures, Eppler, Sansom, and the Egyptian belly dancer Hekmat Fahmy have been the most grossly distorted in previous accounts—primarily because of Eppler’s and Mosley’s embellished stories that set the tone but also due in part to the security chief Sansom’s self-serving recording of history in his own book. History has shown that Eppler was not quite the master spy portrayed in his own imagination or in books and movies; Hekmat was no Mata Hari at all but was a legendary entertainer and important member of Cairene high society; and Sansom was not the Sam-Spade-like sleuth who solved the case but one of several diligent British intelligence officers who helped catch the two German spies. In fact, Operation Condor ultimately proved to be more comical farce than an intelligence success story; in the end, the German operatives that have been portrayed as virtuoso master spies in books and the silver screen for several decades emerge with little credit from the affair. But it is precisely the sloppily real and deeply flawed human element that makes the Condor story so engaging.

From my standpoint, therefore, it was critical to present Eppler and Fahmy not as the ruthless master German operatives and Sansom as the master British sleuth of previous highly fictionalized accounts, but as the people they truly were with warts and all. To accurately portray the historical figures in the book, I placed the characters where they actually were during a given recorded historical event and use, to the extent possible, their actual words based on recently declassified British and American case files, contemporary transcripts, trial documents, memoirs, and other quoted materials. Like Michael Shaara in his excellent historical novel about the Battle of Gettysburg, The Killer Angels, I did not “consciously change any fact” or “knowingly violate the action.” The interpretations of character and motivation were still ultimately a part of my overall imaginative landscape, but the scenes themselves and the historical figures were deliberately rendered as historically accurately as a non-fiction history book.

Why? Because truth in historical fiction is paramount and not something to be compromised. Because all the other important things in a novel—sympathetic characters, edge-of-your-seat suspense, and unexpected twists and turns—spring from portraying ones beloved heroes and villains in all their glory and infamy just like the real-world, flawed historical figures they were in life. The bottom line is that history itself provides plenty of conflict, tension, and drama, and does not need to be consciously changed to generate more excitement. For Lions of the Desert, I felt it was up to me as the author to select those scenes of historical significance and bring them back to life in vivid color, while filling in between known historical events with scenes that shed light on the historical figures’ true motivation and character as revealed from the recently declassified documents and latest research.

While recently declassified government files form the backbone of Lions of the Desert, the original eyewitness accounts of Sansom, Eppler, Mosley, and Sadat have still proved useful—but only where supported by other eyewitness accounts, government records, or wireless decrypts. As David Mure, author of Master of Deception, states, “The Condor story has been told many times, always with new dimensions and variations; it is a tangled web indeed.” Not anymore. With the relevant declassified WWII records now available, the true Condor story can now be told—and that is precisely what I have done. Because telling the truth and getting the story right matters in historical fiction.

In fact, nothing matters more.

Biography

The ninth great-grandson of legendary privateer Captain William Kidd, Samuel Marquis is the bestselling, award-winning author of a World War Two Series, the Nick Lassiter-Skyler International Espionage Series, and historical pirate fiction. His novels have been #1 Denver Post bestsellers, received multiple national book awards (Foreword Reviews Book of the Year, American Book Fest Best Book, USA Best Book, IPPY, Beverly Hills, Next Generation Indie, Colorado Book Awards), and garnered glowing reviews from #1 bestseller James Patterson, Kirkus, and Foreword Reviews (5 Stars). Book reviewers have compared Marquis’s WWII thrillers Bodyguard of Deception, Altar of Resistance, and Spies of the Midnight Sun to the epic historical novels of Tom Clancy, John le Carré, Ken Follett, Herman Wouk, Daniel Silva, Len Deighton, and Alan Furst. Mr. Marquis’s newest historical novel, Lions of the Desert is the true story of the WWII 1941-1942 Desert War in North Africa and Operation Condor based on recently declassified British Secret MI6 files and U.S. Military Intelligence records. His website is samuelmarquisbooks.com and for publicity inquiries, please contact JKS Communications at info@jkscommunications.com.

#BookReview Spies of the Midnight Sun: A True Story of WWII Heroes by @Sammarquisbooks

SPIES OF THE MIDNIGHT SUN: A TRUE STORY OF WWII HEROES

SAMUEL MARQUIS

You might ask me why I have read just about every one of Sam Marquis’ books, but don’t bother. I’m going to give you reasons why as I go along. As a former history teacher and continued historian and lover of history, perhaps those last two are one and the same, and having been known as a World, read European, History specialist, you would think I would know the finer details of something with such significance to the world as WWII. But, unfortunately all the nice money I paid for a top of the line college education failed me yet again. And I know this only because of that evil man writer known as Samuel Marquis.

Of all the books Marquis has written, his WWII trilogy is by far my favorite, only because of my love of history. I am biased that way. I love his other books too but again, I am biased. What sets his books apart from other historical fiction efforts is his deep research and attention to detail. He doesn’t just use information that is easy to find, he uses information that has been declassified by governments. That means he dredges through file after file and reads obscure books with information in it that would bore a bookaholic, all in the effort to find three characters little known by anyone outside of their families and immediate hierarchy during WWII.

Eddie Chapman Agent Zigzag — Eddie Chapman-Agent Zigzag

Spies of the Midnight Sun: A True Story of WWII Heroes is about real people. We have the colorful British safecracker, Eddie Chapman, who is the double agent known as Agent Zigzag. Then there are two amazing female Norwegian Resistance fighters, the 20-year-old model Dagmar Lahlum, who is Chapman’s lover, and Annemarie Breien. Of course, if there are heroes and good guys then there are the evil bad guy and of course Nazis cover that role well, and in this case, it is the Gestapo’s investigator Siegfried Fehmer.

Several reviewers have commented that this book should be a film and I agree. You have it all. Spies, the Resistance, Nazis, surprises, twists and turns, and moments of complete shock. And you can’t forget the must of great characters.

So why do I like Marquis’ books and recommend them to everyone? He isn’t just writing fluff about a favorite subject, which he could and get away with it because his writing is that good, he loves his subject deeply and it shows in the quality you get with each chapter. With Spies of the Midnight Sun, the final in his WWII trilogy, he chooses to spotlight the women who made victory possible. I don’t believe that fact has been shouted enough. He is bringing to light how important women were, the chances they took, the willingness to die, or perhaps experience worse, for their country’s freedom.

I only hope Sam Marquis has more historical fiction left in him. How he has put out this much in-depth content so rapidly and not slackened in his quality or even quantity of words for that matter, is beyond me. I’ve written historical fiction and afterwards I was so burnt out that I needed a serious break, but Marquis seems to have an IV of Red Bull permanently inserted in his veins.

Get this book! You don’t need to have read the other books in the trilogy. They are standalones. Once you read this one, you will WANT those others, especially Altar of Resistance, which includes declassified information about the Vatican and Pope’s roles during WWII. You will be surprised. Go to Amazon NOW before you forget to later!

Click any words in blue or any image to go to Amazon to order the book.

#BookReview of The Fourth Pularchek by @Sammarquisbooks

Get The Fourth Pularchek by best selling author Sam Marquis at Amazon by clicking here

The Fourth Pularchek is an action adventure novel set today with ties to the WWII. Nick Lassiter and his just married bride Natalie are about to head on their honeymoon when they witness an assassination. The assassination leads to a honeymoon in Poland and a race to find a Nazi horde of stolen art worth billions. Did I mention Lassiter discovers his real father is as Polish billionaire?

I like books with a link to the past. But a lot of them sort of tend to be the same old thing. Not that I’m complaining. They are still fun to read. But in The Fourth Pularchek, Marquis, takes a familiar prompt and adds a lot of twists and turns to it.

Marquis could have simply made this an action book with a lot of guns and chases but instead he throws in some head line events the real world is facing today. There are also so many subplots going on, that all tie into the main story, that you shouldn’t rest when you think something isn’t happening.

I recommend The Fourth Pularchek to those who like action and adventure or like a touch of history to their modern stories. I think when you’ve been compared to James Patterson you must be good.

#Interviews-in-translation. Today, @BlancaMiosi and Waldek

Hi all:

As you’ll remember I promised you last week that I’d bring you interviews with some well-known independent writers I’ve met in groups of writers who first and foremost write in Spanish. As some of them have had books translated to English in recent times, I thought it was a good opportunity for you to get to know not only the writer, but also their work.

Today, I’m very pleased to bring you Blanca Miosi. Although she’ll tell you more about herself, I can tell you that she’s one of the authors that many independent writers see as their mentor, as she has worked hard not only to share her knowledge with others but also to promote her colleagues and help them along in their careers.

Mini biography

Born in Lima (Perú) of a Japanese father and Peruvian mother, Blanca Miosi has been living for the last three decades in Venezuela. She is the author of Waldek, the boy who confronted the Nazis a novel based on the life of her husband, a survivor of the Auschwitz and Mauthausen camps. First published in its original Spanish as La Búsqueda (Editorial Roca) the work received international acclaim and won the 2007 Thriller Award. In 2009, Miosi published El Legado (Editorial Viceversa), a family saga based on Erik Hanussen, the notorious Berlin clairvoyant and personal counsel to Adolf Hitler. In 2011, and as an independent author with Amazon.com, Blanca Miosi published La búsqueda, El Legado, Dimitri Galunov, El Manuscrito I. El Secreto; El Manuscrito II El coleccionista and Amanda. Her novels occupy first ranking positions among Amazon’s best sold titles in Spanish. Her next launch : El rastreador.

How and when did you start writing?

I started writing in 2001, suddenly, about an idea that had been going round in my head for several days. I simply sat down and started to write. Since that day I’ve never stopped.

Describe your experience as an independent writer.

It is one of the best experiences in my life, much better than what happened to me when I published with publishing companies. From the moment I made that decision, my life as a writer took on a definite and momentous course. All my books are now published in Amazon, I control my earnings, the sales and can make the changes I choose.

What’s the moment you remember most fondly (until now) of your experience as a writer?

The amount of time my book ‘The Manuscript’ stayed in the first place in the rankings in Amazon.com and Amazon.es. I simply couldn’t believe it. It was the first time one of my books had reached so many people. Then, ‘La búsqueda’ (the Spanish original version of ‘Waldek’) was number one in all categories in Spanish for fourteen months. It will always be an unforgettable time for me.

What made you think about translating your work?

I had always wanted to enter the English market, as I believe my novels have international themes that could be of interest for the general public.

Do you have any advice for your fellow writers (and especially new writers):

My fellow writers are as knowledgeable as I am, as we started down this path together.

To new writers I would tell them not to publish before they have revised and edited the book well. One shouldn’t waste any opportunities, as they might not come around again. A badly written book will rarely have a second chance, even after being edited and reviewed.

Here is Blanca’s Amazon Page, in case you want to check more information:

http://www.amazon.com/Blanca-Miosi/e/B005C7603C/

I asked Blanca to share one of her books with us.

The book is called ‘Waldek. The Boy Who Defied the Nazis’ and tells the story of Blanca’s husband, Waldek Grodek, who was a concentration camp prisoner as a child and survived to tell the tale.

Description:

Waldek, The Boy who Defied the Nazis (La Búsqueda in Spanish) chronicles the dramatic and heroic story of Waldek Grodek, who experienced first-hand and at a very young age the German occupation of his native Poland. Many decades later, while visiting the UN offices that granted compensation to the survivors of the Nazi concentration camps, Waldek reflects on the events that started when he was made prisoner and taken to Auschwitz and Mauthausen and, in the years following his liberation, subjected him to the whims of European and Latin American totalitarian regimes, international espionage and the Mossad. Waldek Grodek is a memorable character whose unique perspective and amazing life story deserves to be told.

After more than 154 weeks, Waldek, The Boy who Defied the Nazis (La búsqueda) still occupies the top 10 ranking on Amazon Spanish language. A thriller that is well worth reading.

Link:

http://rxe.me/1S2FOA

This is a review that I think might give you some idea about the opinions on this book:

“I feel so happy that Blanca Miosi’s first novel translated into English is “Waldek, the boy who defied the Nazis”, published in Spanish with the title La búsqueda (The Search).
I have read several Miosi’s novels. She is a great storyteller, but this one is her MASTERPIECE.
The novel begins with the story of a Polish Catholic child, her husband in real life, which was in the Nazi concentration camps. Anyone could say: Another sad and devastating history of concentration camps! But no, in this novel the story begins just after that. How to survive? What gives meaning to life? It is the search for meaning what defines the story.
“Waldek” is a heartbreaking and intense historical thriller.”

And, just in case, I’ve also read Waldek, and here is my own review:

Waldek by well-known (to the Spanish reading public) author Blanca Miosi is the chronicle (novelised) of a life. It is indeed a novel but based on a first-hand account by Waldek Grodek of his life. The volume I discuss is the translation of the author’s bestseller La búsqueda (The Search).

All lives are extraordinary but some (be by design, by good or bad luck or by fate) are more extraordinary than the great majority. This is one of them. Waldek was born in the wrong place at the wrong time (or maybe not, it depends on your point of view).

Being born in Poland and being a teenager at the time of Hitler’s invasion is not very lucky. His decision to be actively engaged in the resistance (however modest form it could take at such young age) could be seen as the first of many unwise (or at least detrimental to his own well-being) decisions he would take over his life. It lands him in a concentration camp (first Auschwitz and then Mauthausen). He manages to cope with his experience by focusing on survival at all costs and trying not to think too far back or ahead. This portion of the book is fascinating but hard to read, no matter how many books on the subject and personal accounts you have read before. Indeed it’s true that each person’s suffering is different to anybody else’s, and so are the defence mechanisms they use to survive.

I will not go into detail about all the adventures Waldek goes through in his life, but let me say he travels to South America, he sees success but also poverty, he is forced to live in circumstances not of his choosing more than once, but he survives.

One of the qualities of this book as that it succeeds in not turning the protagonist into a hero or a Saint. He remains a human being, who might not fully understand or like what he feels he has to do, who is not always consistent, and who loves and hates at times against his best interests and irrationally. He remains a complex and credible human being, even if not always a likeable one. Personally we might question some of his decisions, his expressed thoughts and ideas, and wonder how many of his sometimes surprising reactions and attachments might relate to his early traumatic experiences, although he never allows himself any excuses and pushes on.

Novels like this one, that take place in recognisable historical times and situation, make us question what would we do. And if we’re honest with ourselves, we might not like the answers we get. Would we be more generous or less? Would we take more risks, or fewer? Would we be as naïve? Would be have pursued justice at all cost (even our own), or decided on forgiveness? Can we truly know?

This being a first-person narration it presents a very specific perspective on the events and we can’t but question how much the narrator tells us and how much he censures. I did feel that there were many things I didn’t know or heard about, and those will keep me thinking, and that’s something I appreciate in a book.

However accurate we might believe all the details are, the story is a page turner, and no matter what our personal feelings for the protagonist might be, we want to know what happens to him and try to solve his puzzle. Blanca Miosi writes fluidly, with enough detail to allow us to create a mental picture of the locations and people, and she is particularly skilled at making us hear Waldek as if he was sitting next to us telling us his story. I understand that the author tried at first to publish the story (of her now dead husband) as a personal account and was told by a publishing company that those did not sell very well and they would only be interested if it were a novel. Several years of hard work resulted in this book. The novel is not only Waldek’s journey through life, but also Blanca Miosi’s search for her literary voice, and it is a success in both accounts. If you dare to go on this journey with Waldek and the author, I’m sure you won’t regret it. See what you discover.

Thanks so much to Blanca for sharing her views and her work with us, thanks to you all for reading, and you know, please, like, share, comment and CLICK!

Olga Núñez Miret

@OlgaNM7

http://OlgaNM.wordpress.com

http://www.OlgaNM.com

The Tower’s Alchemist Q&A Alesha L. Escobar @The_GrayTower

RW: So let’s start this off from the beginning, I read that your husband gave you this idea for a female wizard spying for the Allies in WWII against the Nazis and basically said, see what you can do with it and you did. And you did it quite well if I may say so. Now where did he come up with that idea?

ALESHA: Thank you! He started off trying to create a fun roleplaying game (RPG) character for his sister, and when I heard “female spy” and “World War II” mixed with magic and intrigue, I immediately knew that such a character would fit well in a full-fledged story. I told him to give me that character, and she became Isabella George.

RW: People have said your main character of wizard Isabella George is another take on something Jim Butcher would have created. I have my opinion but why do you think people say that?

ALESHA: I don’t mind taking that as a compliment, because I’m a huge fan of Jim Butcher! I think people may say that because of a wizard openly practicing and offering wizardly services in modern society. When we first meet Butcher’s Harry Dresden, he is a wizard for hire (and he becomes much more). Isabella is a trained alchemist, and British intelligence hires her to spy against the Nazis; throughout the course of the trilogy, she becomes much more.

RW: Tells us why Isabella and your version of wizardry is not Jim Butcher?

ALESHA: I think the difference comes in with the magic system, as well as the fact that in the Gray Tower Trilogy, the number of people with magical abilities are declining, almost like a dying breed. There’s also going to be this unique voice and spark that will come through when you follow Isabella on her journey.

RW: You have different types of Wizards in your books. Why the divisions in abilities? Where did that come from?

ALESHA: Just as we have physical and mental talents, people who are born with magical abilities also have a propensity toward certain powers–mind control, alchemy, healing, etc. One of my characters, a priest named Gabriel, explains that these preternatural abilities were normal and widespread before the Fall of Man, but we’ve lost most of it since then. Throughout time, people like shamans, healers and miracle workers, were remnants of this legacy. The Gray Tower was founded in order to support and train these people for the good of society. They track down people who exhibit abilities (some people have only one predominate ability, others have two) and offer to train them.

RW: How many drafts of The Tower’s Alchemist did you go through?

ALESHA: More than two, that’s for sure. But it was necessary, and the process made me better and stronger as a writer.

RW: How different is the book from that first draft to what we see now?

ALESHA: Very different, which is a good thing, because it shows what you’ve put into the process and what you’ve learned from the process.

RW: Was your plan from the beginning to write a trilogy?

ALESHA: Yes, because a series spanning 10+ books? I ain’t got time for that!

RW: Were there any actual Historical elements that led you to how to approach writing The Tower’s Alchemist?

ALESHA: I definitely played upon the concept that Hitler and his followers were into the occult and wanted to use it to their advantage. In the book, though Hitler doesn’t appear as a character, he is spoken of as having formed an alliance with warlocks who would help fight the Allies and give him victory. This is why my heroine, Isabella, is hired by the British to spy against the Nazis. Is there a rogue alchemist poisoning Ally soldiers? Let’s send in that woman trained by the Gray Tower to take care of it. That’s their line of reasoning.

RW: How did you come up with the names of your characters?

ALESHA: I will not lie. Baby Names book. Sometimes I purposefully set out to find a name with a colorful flair, but I often had to be mindful about taking into account things like a character’s nationality or ethnicity (and this went for both first and last names).

RW: How did you determine what your story would be about? I mean there is a lot in WWII you could go with but for this one it wasn’t going right for the heart of the Nazis like what the next two include. I really need to start reading them.

ALESHA: Please do! I want to chat about the next two books with you. While researching WWII, I found out that female spies going behind enemy lines lasted an average of six weeks. In the story, Isabella has been at it for more than a few months—so she’s a survivor, but she’s also burned out. I wanted her to go from being jaded and tired to being reinvigorated. So the general arc of The Tower’s Alchemist is about Isabella experiencing what should have been her last mission, and how it caused her to become even more entangled in this deadly world of espionage and magic.

RW: That was a very subtle thing you did there. I didn’t even think of it like that. I just enjoyed the story and went along for the ride. Very awesome. Now, was there a temptation to make Isabella George a woman of ethnic background who is good at disguise?

ALESHA: There wasn’t, but I did want a diverse reflection of people who in real life aided in the effort against the Nazis. The character Jasmine Leon, for example, is an homage to the black singer/actress Josephine Baker, who spied for the French. Adelaide was inspired by a real Indian princess (Noor Khan) who sided with the French Resistance and did the dangerous work of radio broadcasting, sending coded messages to the Resistance. Come to think of it, there is an amazing international cast filling this story. I’m searching for a voice actor (for the audiobook) who can do several accents, because we’ve got British, German, French, Russian, American, Italian, and Irish characters.

RW: I read the Amazon Reviews for The Tower’s Alchemist, well I actually read the worst ones because I wanted to see what faults people found. To be honest two of the three were written by the same person using their own log in and a separate one under the title of Amazon customer. And I really could take the time to shoot every single one of this person’s problems down but not wasting any more of my time with that. Actually, I might do that, just not here. I thoroughly dislike amateur haters who don’t know good writing from the back of cereal boxes. When you read a review like that what do you do with it, what do you take away from it? And really what do you do with the reviews at all?

ALESHA: I just let it be. I can’t tell anyone how to feel about the story, or to like it. I respect the fact that we all have our opinions and preferences. I will definitely respond to a reader who has directly contacted me via Facebook or email, because they took the time to send me a note saying how much they’ve enjoyed the books, or they might have a question about them. I love when that happens, because I’ve been spinning stories since I was a kid, and what made it all worth it was seeing others enjoy my tales.

RW: The world The Tower’s Alchemist is set in is filled with magic somewhat openly. I feel it’s more that certain parts of society like the military and maybe the governments are more actively aware but that doesn’t mean it is an accepted thing so much. For me personally I get a since from a character or two at times that it’s like there is a slight fear of Wizards but in part because of an unknown factor and a feeling of being slightly inferior in a way. Are those feelings you were going for and if so why?

ALESHA: Definitely so. “Normal” people’s reactions to wizards are going to run the spectrum from acceptance to rejection. In the world of the Gray Tower Trilogy, people with magical abilities are in the minority, and those formally trained as wizards by the Gray Tower are even fewer in number. So the general population isn’t afraid of wizards, survival-wise, but because the hierarchy within the Tower is composed of some arrogant Master Wizards, and no one can find the actual Gray Tower unless summoned, there is an air of mystery and hesitation. This is why you also see in the story people who decide that they don’t want or need the Gray Tower, or people who see a spiritual significance in their abilities and end up turning to the Church for guidance (like Gabriel, our resident sword-wielding Catholic priest with elemental abilities). Governments and military are more in tune with wizards and what’s going on. Everyday people are more likely to view a wizard as the equivalent of a Freemason plus cool powers.

RW: Tell us about the book cover design. Is there meaning to it? Who designed it? Why did you pick the colors you did?

ALESHA: I’m one of those people who’ll unabashedly give you stick figures! I’m both jealous and in awe of artists. I knew I couldn’t do the covers alone, so I had my husband design them. He’s been doing art professionally for a long time, so I figured he’d take care of it (plus, you know, I bribed him with tacos). The symbols on the covers are alchemical ones. On The Tower’s Alchemist, I believe the symbols stand for Time, Secrecy, and Hidden Things. For the following two books, the symbols change along with the major theme of each book.

RW: Tacos? Ah, now you are speaking my dinero. Anyone else notice the word dine is in dinero? Perfect. Okay, back on track here. You have done something I really enjoy here and that is you have created something called the Cruenti and the Black Wolves which I somewhat compare to two other magical creations of sorts we all should be familiar with. Would you tell us about them and how you came about them being what they are or more about how they ended up being what they are from who they were if that makes sense?

ALESHA: Oh boy, the Cruenti. Where do I start? You know our vampire myths? In the world of my story, those vampires are really warlocks known as Cruenti. However, the difference is that they’re only interested in your blood if you’re a wizard. You’re tastier to them if you have magical abilities, plus they can steal your powers this way. Usually they’ll leave you alone if you’re Joe Normal Guy walking down the street—unless you get in their way. Another interesting thing about them is that in order to become a Cruenti, you have to make a pact with a demon. It’s not for the faint of heart, but definitely for the vain and greedy. Now, we all know how those types of pacts end—the Cruenti warlock ends up degenerating and losing his humanity until he’s physically and mentally transformed into a monster—and that’s how Black Wolves are born. Black Wolves are powerful magical creatures, former warlocks, but they are also unpredictable and irrational—sometimes they attack their own allies.

RW: You have two works coming out this year. Tell us about those and do I get a copy to review?

ALESHA: Yes! I’ve just sent off my short story, LOGAN 6, to the editor. It’s coming up in the Masters of Time anthology (July 2015) and I’m working my way through a novel as well. I’d love to send you a copy, but first you must promise me

I have no idea what I have to promise but I promise!!! Typical writer cliff hanger thingy.

RW: What is Creative Alchemy?

ALESHA: Creative Alchemy is the small media/publishing company founded by Luis [the taco loving hubby artist] and me. It’s basically a micro-press (we publish a few titles per year), and an author services company. As an independent author, there have been times when I needed things like a press release, a freelance editor, or story feedback, and I didn’t have time to search a million places. This was a great solution for me, and since I’m a lover and promoter of other independent authors, being able to offer these great services became a natural extension of Creative Alchemy.

RW: Who would you say was your biggest literary influence when you consider what you write and why?

ALESHA: Robert Jordan, George Martin, JK Rowling, Jim Butcher. They write amazing stories and create memorable characters. When I stepped out of my “I only want to read Tolkien and Tolkien-like fantasy” bubble, their stories welcomed me with open arms. Dresden Files was the first urban fantasy I had ever read, Jordan’s Wheel of Time made me love magic mashed with politics and intrigue (and apparently, detailed descriptions of what my dinner guest is wearing), Martin ripped my heart out (I’m still salty over the fate of Ned), and I first read Harry Potter while taking a Children’s Literature course in college, back in 2001.

RW: What is your favorite beverage to drink and why?

ALESHA: Coffee. It’s delicious, flavorful, and I think I’ve built up a resistance to it, so I drink more than I should. No! Why am I telling you this? Is this answer going to be part of the interview?

RW: What is your biggest writing pet peeve and why?

ALESHA: For myself, it’s all about time. I can easily get frustrated when I lack time I need to write. I wish I could say I sit down for a couple of hours and bang out a thousand words, but I’m lucky if I get in a paragraph. I’m a mom, constantly trying to convince my three year old that wearing Spiderman pajamas doesn’t mean he can jump off the furniture, or I’m driving my eldest to school or dance class. As a reader who enjoys stories, a writing pet peeve of mine is when I encounter passionless or inauthentic writing. I read books to escape, to imagine a different world, and in order to enjoy all that, I want you (the writer) to pull me in and give it all you’ve got—don’t hold back!

RW: What are two hobbies that you have?

ALESHA: I like working with my hands, so you might find me mixing a homemade hair elixir or beading a necklace. I also enjoy baking desserts.

RW: So now we see where the Alchemist comes from. Watch out Luis! What would your husband say is his favorite thing about you?

ALESHA: He feels I’m a kindred spirit and that I accept him for who he is. I love that!

RW: What is your favorite word and why?

ALESHA: That’s tough, asking me to narrow it down. I know…I have a favorite phrase. It’s the last line of Dante’s Divine Comedy: “The love that moves the sun and the other stars.” It’s beautiful to me.

RW: Finally, why should people buy your book?

ALESHA: People should buy my book because it’s a fantastic ride. It’s a fresh, fun fantasy mash-up that will make you want to continue reading.

And now you all want to go and buy the book, right? You can’t! Why? Because it’s FREE for Kindle right now! Click here.

Make sure to follow Alesha on Twitter @The_GrayTower and check out her site at aleshaescobar.com.

And there you have it. Was I given The Tower’s Alchemist to read for this interview or for a review? No. Did I find Alesha on my own and then read her book after I got it on my own? Yes. I’ll be honest, I don’t often have the time to do that. But I did and I am glad I did. Get it and you will want the next one. I want to see whose butt Isabella kicks next!

@RonovanWrites
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#Book #Review of The Tower’s Alchemist The Gray Tower Trilogy Book 1 by Alesha Escobar @The_GrayTower

Title: The Tower’s Alchemist
Author: Alesha Escobar @The_GrayTower
File Size: 1415 KB
Print Length: 322 page
Simultaneous Device Usage: Unlimited
Publisher: Creative Alchemy, Inc.; 2 edition (September 28, 2011)
Sold by: Amazon Digital Services, Inc.
Language: English
ASIN: B005QSFXC6
Text-to-Speech: Enabled
X-Ray:Not Enabled
Word Wise: Not Enabled
Lending: Enabled

From my interview with author Alesha L Escobar this coming Monday.

RW: People have said your main character of wizard Isabella George is another take on something Jim Butcher would have created. I have my opinion but why do you think people say that?

RW: Tells us why Isabella and your version of wizardry is not Jim Butcher?

Now for the review.

Isabella George is not your typical spy. For one she’s a female spy in WWII sneaking in to German occupied France. Yes, there were female spies but not the norm in literature of this type. And for another thing, she’s a wizard. Her mission in this first book of the Gray Tower Trilogy is to find and bring home the wizard creating a chemical weapon for the Nazis. But would it be a book worth a Trilogy if it were that simple?

Some have compared Escobar’s book to Jim Butcher and his wizard Harry Dresden. Okay, Isabella is a wizard in the real world and works in the real world using her abilities. End of similarities. Isabella is more than a wizard. In The Tower’s Alchemist, she is a spy, first and foremost in my eyes. She just happens to be a wizard as well. Think of it as her having a specialty like someone might be an explosives specialist on a team that goes in to extract a person behind enemy lines.

Isabella is that explosive expert and boy can she explode things at times. The problem is the Nazis have their specialists as well and they are the Cruenti and the Black Wolves, wizards that use dark magic so much they slowly turn into something less than human or more than human, depending on how you look at it.

Isabella meets several members of the French Resistance, some based on actual historical figures, and runs in to other wizards hunting her long dead father. She receives a letter from her father that’s left for her in case she passes through a safe house in France. It warns her of things to be careful of. As she carries on through her mission she discovers many things are not what she thought they were and slowly becomes aware of a need to learn more. A lot more, but how? If she learns too much the wizards against her will be able to extract what she knows.

Love, hate, friends, foes, adventure, Vampires, and Nazis. What more could you ask for?

Character Believability: 5
Flow and Pace: 4
Reader Engagement: 4
Reader Enrichment: 4
Reader Enjoyment: 5
Overall Rate: 4.4

That 4.4 surprised me when it came up. Yes, I use a formula. I do an average of the 5 categories. And that number is what I post here and on Amazon and on GoodReads. It keeps me honest. But I tell you, 4.4 is misleading. I really enjoyed this book. I could tell research and a lot of effort went in to putting out a quality story.

Alesha L. Escobar is an Author and more based out there somewhere. There are two other books available in the Trilogy. Visit Amazon here for her author page to get them all. Book 1 and 2 are Free and book 3 is .99 right now. Get them before they blow up and she starts really charging for them.

Share this review by reblog or tweet or any other way you choose.

Click today and get them all!

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#Book #Review by N.A. Granger @rhebrewster of The Judas Apocalypse by @DanMcNeil888

I am a huge fan of Dan Brown, James Rollins and Steve Berry, so when Ronovan suggested I read The Judas Apocalypse by Dan McNeil, I jumped in.

The book begins in Judea in AD 33, then moves on to Rennes-le-Château, France in 1917, creating the basis for the story from actual fact. Rennes-le-Château is a small hilltop town known in modern times for various conspiracy theories, including the possible burial of a treasure discovered by its somewhat mysterious 19th-century priest Bérenger Saunière. The nature of the treasure is at the core of this book.

The story itself is rather remarkably set in WW II. Its protagonist is the German archeologist, Dr. Gerhard Denninger, who works for the German Ahnenerbe, an institute of the Nazi Germany government, founded by Heinrich Himmler and originally purposed to research the archaeological and cultural history of the Aryan race. Denninger is approached by infamous Otto Rahn, who was a real German historian, medievalist and fanatic seeker of the Holy Grail. Rahn tells Denninger a fantastic story of Templars, Church scandal, a long-buried manuscript, and the key to finding the famous lost treasure of the Cathars. The Cathars were a sect of ascetic priests who believed in the idea of two gods or principles, one being good and the other evil, which was of course anathema to the monotheistic Catholic Church. They lived in the region of Rennes-le-Château, and their treasure is presumably the one discovered by Bérenger Saunière.

Rahn gives him what turns out to be the diary of Father Saunière’s confessor and a sheet of parchment containing clues to the location of Saunière’s supposed treasure. I must admit I became a little lost in Rahn’s story, which encompassed so much and in much detail. However, I came out the other side relatively unscathed and traveled with Denninger to Tibet for five frustrating years of measuring Tibetan heads, noses and eyes for the Ahnenerbe, before he gets back on track to find the treasure.

Denninger finagles passage to France on a German U boat, using his Ahnenerbe credentials and once on French soil, runs into a group of American soldiers, whom he persuades to help him in his quest for the secret of the Cathar treasure. At this point, I had become so engrossed with the story, I couldn’t put the book down. The fact that the resolution to the search is a shocking discovery was the best part.

The author’s characters are highly believable and inherently interesting, real or not, and there were enough twists and turns to keep the reader enthralled. This is a good read for anyone who loves historical fiction as well as a rollicking story.

Author Dan McNeil hails from Canada. He grew up surrounded by books and music, ensuring that he would have a love for both. He spent much of the 80’s playing in bands around Ottawa, winning a number of song-writing contests with his writing partner Steve Casey. After spending 24 years as a camera operator and senior editor in television, often composing music for local productions, he decided to try penning a novel. The Judas Apocalypse was his first book, published in 2008. I hope he writes another in this genre!

Get The Judas Apocalypse on Amazon by clicking here.

Guest Book Reviewer
Noelle Granger of Sayling Away.

“I had a long and active career in academia, and if you want to know more about that, you can Google me. For now, I am just a writer trying to find her voice.”~ Noelle Granger Writing as N.A. Granger, Author of Death in a Red Canvas Sail and Death in a Dacron Sail.

LitWorldInterviews encourages the Reblogging and Sharing of this review all you like. We’re here to spread the word about Authors.

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The Judas Apocalypse & Can’t Buy Me Love Q&A @DanMcNeil888

A lover of history who says his books don’t have a message, they’re entertainment. Honesty. Gotta love that, right? I will repeat that phrase later. Dan McNeil is someone I would hate if he wasn’t such a nice guy. He’s writing the dream I want and am working to achieve. He’s even picking subjects that I’m in to. If I were a betting man, which I’m not, I would bet that some of you buy at least one of his books after reading this interview. I’m still waiting on the autographed Kindle version. Personally signed no less.

RW: What is your favorite word?

DAN: Most of my favourite words are unprintable. I also make up a lot of my own words (usually when I’m driving) but they’re unprintable too. “Cacophony” is pretty cool – I like the hard “c” sounds and it sounds like what it is, in an onomatopoeia-ic kind of way…

RW: And with that answer, Dan, I have no idea where this is going to go, but I imagine it will be entertaining. You gotta love honesty. Let’s jump straight into your books. You have two to share with is. Tell us about The Judas Apocalypse first.

DAN: It’s basically an adventure story (about a treasure hunt during World War II), but there are many layers to it (secrets, hidden truths, etc.) The title refers to a hidden truth they ultimately discover. The Judas Apocalypse is the story of an archaeologist with a passion for a long lost religious group known as the Cathars. He gains possession of a Knights Templar document that, when deciphered, could lead him to the fabled Cathar treasure. After he is captured by a group of GI’s just after the Normandy invasion, they all form an alliance to hunt the treasure. However, what they find is not what they believed it would be. It was inspired by a number of things, but the main inspiration would give away too much. I will say though, that there is a definite Indiana Jones/Kelly’s Heroes influence that runs throughout the novel.

“Simply, I enjoy a book that draws me into the story and takes me to a different time and place. This book made me forget I was sitting in my own bed and had to go to work in the morning.
That is what a good book can do for you.
Loved this book!”~Amazon Review

Gerhard Denninger is the protagonist of “The Judas Apocalypse.” He is a dedicated archaeologist whose passion for the history of the Cathars has led him to search for their legendary lost treasure all of his life. I purposely made him an older character because I wanted to avoid the young hero stereotype. He’s made many choices in his life and career that may have been clouded by his passion. I think readers connect to characters like this because they are not perfect and I think more believable.

“I picked up this book as probably one of the millions for whom the genre’s pack leader, Dan Brown, leaves an aching void. I’m delighted to say this story is so much more believable than the Hollywood twaddle we are fed by the other Dan. Dan McNeil is a darn good story teller, and weaves this gripping tale from the Crucifixion itself to the Cathar tragedy of the Middle Ages then with exciting twists and turns through both World Wars.”Amazon Review

RW: So far you’ve got me and I am angry you didn’t offer a copy for me to review. Just kidding, a little, sort of. Okay, the sulking is over with. Tell us about your second book.

DAN: “Can’t Buy Me Love,” is about a hapless group of crooks hoping to rob a bank during the Beatles’ first appearance on The Ed Sullivan Show in ’64, so I knew it would have to be a Beatles song title. I think “Can’t Buy Me Love” is certainly apropos. It was inspired by something I read in “The Love You Make” by Peter Brown (with Steven Gaines.) In it, Brown references the Beatles’ performance on the Sullivan show in ’64. There is an urban myth that says that in the hour they performed, not one major crime was committed in New York City. In fact, not even a hubcap was stolen (presumably, because everyone was huddled in front of their television sets watching the show.) When I read that, I immediately thought “that would have been a great time to rob a bank” – hence, the plot for the book.

“I read this in 2 days, couldn’t put it down. Absolutely a great story with the a moment in history as a backdrop. I think it would make a great movie. Great job, hope Dan has more stories to tell.”~Amazon Review

Sonny Carter, the protagonist of “Can’t Buy Me Love” is also an older “hero” but it was necessary to make him this way because of his twenty five year incarceration. Like Gerhard Denninger, he’s made some questionable decisions in his life (like trying to rob a bank, for instance). His single mindedness in knocking over the same bank he tried to rob in 1939, and his quest for revenge against the stool pigeon who ratted him out, while not exactly heroic qualities, I think make him, in strange kind of way, a rather fascinating character. The reader essentially pulls for him to be successful.

“With an action driven plot, characterisation often takes second place, but I thought some of the characters here were well drawn and very believable. My favourite was Provenzano the mob boss whose command of English gave Dan McNeil the chance to show that he can also write comedy with the best of them.
And the Beatles? I expected their inclusion in this book to be no more than window dressing. In fact we meet the boys on several occasions, where they are not only characters in their own right, but become an intrinsic part of the plot. If you want to know more, well you’ll just have to invest in a copy of Cant Buy Me Love yourself, won’t you? It really is money well spent.
In short, this is an excellent book which is not only a thoroughly entertaining and enjoyable read, but one that deserves to take its place in the library of literature inspired by the Beatles.”~Amazon Review

RW: It’s official, I am one unhappy guy. Not a single book given to me. Sigh. I may have to actually buy them at;

The Judas Apocalypse

Amazon

Barnes&Noble

Can’t Buy Me Love

Amazon

Barnes&Noble

www.shop.pulsepub.net

(Just so people know, I am joking about being upset about no book. I never asked for one. But in truth, they both look great from what I can see of them. He nailed the subject to catch my attention for sure. I know that’s why he picked what he did. Just for me!)

RW: Dan, you have a very unusual path to becoming a novelist. One I can appreciate. Share part of that with our Readers today.

DAN: My cousin and I used to write songs, hoping to strike it big with a #1 hit. Although we seemed to do very well with contests, winning five for five different tunes, the big hit song somehow still eluded us so I decided that I would try my hand at novel writing. Very different beast but just as satisfying creatively.

RW: Where did you write these undiscovered #1 hits?

DAN: I was born in Toronto, Ontario but I’ve made Ottawa my home since 1970.

RW: What does an Ottawan like to quench his thirst with?

DAN: I have a couple – it all depends on my mood. Given the choice, if an exceptional scotch or bourbon came my way, I wouldn’t say no. Alexander Keith’s Pale Ale is my go-to beverage.

That one gave me my “search for this” moment for the interview. “Alexander Keith arrives in Nova Scotia from Scotland in 1817 and opens his brewery in 1820.”~From the Alexander Keith’s website.

RW: Who are your favorite authors?

DAN: My favourite book is “Catcher in the Rye” by J.D. Salinger and I am a big fan of Jeffery Deaver. I also love Stephen King’s early work.

RW: And what’s on the nightstand for reading at this moment?

DAN: I’m actually helping a fellow writer friend (Jasmine Aziz, author of Sex and Samosas) edit her current manuscript so I’m not actually reading anything at the moment. The last book I read was Jeffery Deaver’s “The Cold Moon.” After I’m done with the manuscript editing, I have about 4 or 5 books to get to.

RW: Writing, editing, and a good deal of time with the social network aspect, I can attest to that, with all of that writing aspect what do you do when you need to step away from it for a bit?

DAN: I used to go to movies all the time, but all that CG stuff they’re making these days really bores me. I prefer the films of the 60’s and 70’s. I also love music (I used to write songs many years ago) so that’s a really big passion of mine.

RW: Since I mentioned the social networking thing, this is how to connect with Dan:

Twitter – https://twitter.com/DanMcNeil888

Facebook – https://www.facebook.com/dan.mcneil

Website – http://www.danmcneil.ca/

Blog – http://dmcneil888.wordpress.com/

RW: What did you learn about yourself from writing this book?

DAN: I really surprised myself with the fact that I was able to write a book. I always thought writing would be a tough gig, and of course it was! After I started, I wasn’t sure that I could even finish it so when I typed the words “The End,” I was both shocked and absolutely pleased with myself. I learned that I could do it and so I wrote a second book.

RW: What is your biggest tip for someone to getting published?

DAN: This may sound flippant but make sure the book is as great as it can be. Make sure you rewrite it as many times as necessary and get a copy editor to go through it. I can’t stress that enough.

RW: Describe your book in one word.

DAN: “The Judas Apocalypse” – provocative

“Can’t Buy Me Love” – entertaining

A big thank you to Dan for the interview and giving all of us books to add to our to read lists. Make sure to click and get those books at the links above and watch the Book Trailer for The Judas Apocalypse Book Trailer.

@RonovanWrites

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I give it a 4 out of 5.

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From my interview with author Alesha L Escobar this coming Monday.

Now for the review.

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