“The idea for “19” was inspired by a line in Hamilton: “When I meet Thomas Jefferson, I’ma compel him to include women in the sequel.” That line struck me because I thought, “Where’s the sequel? We’re still waiting to be heard — and I’m going to do something about that right now.”-Jennifer Schwed and Doug Bradshaw
As many of you who follow this site know, I’m a historian, by degree and desire. I remember the Suffragist Era being on one of my history finals at the University of Georgia. A long essay and I still couldn’t get it all in, but I hit the points I could and that’s the problem with history today and what we know. We only get the high points and most of those points are by men in power positions, with the biggest bank rolls and biggest voices. – Ronovan (And I got an A on that final.)
19: The Musicalis the dynamic and little-known story of Alice Paul, Ida B. Wells, Susan B. Anthony, Carrie Chapman Catt, Inez Milholland and the other suffragists who fought to get women the right to vote – The 19th Amendment. The inspirational story of these fearless women is brought to life through jazz, traditional musical standards style, spoken word, and hints of gospel. Alice Paul and the suffragist’s fight for equality have been re-imagined for a new generation with a poignant and uplifting message that will resonate for years to come.
Originally created and performed on stage, 19: The Musicalhas been adapted for a new medium to reach a broader audience through audiobooks.
19: The Musical Book & Lyrics by Jennifer Schwed and Doug Bradshaw, Music Composed & Arranged by Charlie Barnett
Why choose to turn the stage production into an audiobook?
In 2020, we were prepared to take “19” to New York for an investor reading so we could move the show to bigger venues. However, COVID-19 undercut our theatrical dreams for the show. We continued to work on the production; we had Zoom readings and did some online appearances over the past several years. Eventually, it occurred to us that “19” is a history that has been overlooked, yet, as evidenced by our live audiences pre-COVID, there’s a great hunger to know more about these women and their fight for suffrage. We thought that an audiobook format would allow us to reach a new and much broader audience — an audience that would appreciate both the story and the music.
Can you explain a bit how the themes “19” touches on are still relevant for today’s audience?
“19” has never stopped being relevant. Women’s rights are still being dismantled today. Voting and voting rights are being gutted. Protests and activism still remain a staple of how we move forward politically in this country. Did you know the Women’s March of 1913 was the blueprint for peaceful protest marches in this country? “19” is motivational, educational and inspirational. It offers insights on how we, as a people, can use use tactics like nonviolent protest to dissent when the government has taken a position that is fundamentally against our personhood. “19” tells the true story of how against all odds, those without power can battle a system built upon their oppression, but through brilliant strategic decisions, bold tactical choices and pure grit, they can eventually achieve victory and gain equality.
John Viera left his CIA fieldwork hoping for a “normal” occupation and a long-awaited family, but when a Pakistani engineer is kidnapped from a top-secret US project and diplomatic entanglements tie the government’s hands, the Intelligence Community turns to John and his team of ex-operatives to investigate — strictly off the books. They uncover a plot of unprecedented magnitude that will precipitate the slaughter of millions.
From the corporate skyscrapers of Montreal to the treacherous alleys of Baluchistan, these formidable enemies strike, determined to create a regional apocalypse and permanently alter the balance of world power. Isolated in their knowledge of the impending devastation, John and his network stand alone between total destruction and the Leopard of Cairo.
This is the first book in the Apex Predator series.
The majority of our research for The Leopard of Cairo and our other fiction comes from Jay Holmes’s fifty years of experience in military and intelligence operations. Piper will call him up and say something like, “We need to blow something up,” or “What will John Viera do if he’s being followed?” Jay either tells her off the top of his head or he gets back to her in a day or so, and she fills in the rest from her own knowledge and with Google.
Which was the easiest character to write?
Jay finds it easiest to write the male operatives on the team. For Piper, the female characters are easiest to write, particularly the middle-aged female assassin, Mrs. Beasley. Piper isn’t sure what that says about her own personal character.
Where do you get inspiration for your stories?
Usually, our inspiration starts with some tawdry joke we make while eating a fresh chocolate cake in Holmes’s kitchen sometime after midnight. If we’ve had a sip of guinda, a Spanish cherry liqueur, the work goes faster.
Your book is set in Quetta, Pakistan, Cairo, Egypt, Montreal, Canada, Northern Vermont, and Flagstaff, Arizona. Have you ever been there?
Piper has only been to Flagstaff, but Jay has been to all of these places. Piper would love to visit Montreal and Vermont, but Jay has warned her away from Quetta and Cairo.
If you could put yourself as a character in your book, who would you be?
Piper would love to be as tough as Angelina. Jay is already one or two of the male characters, including our protagonist John Viera.
How long have you been writing?
Piper has been writing off and on since she flunked Calculus in college and switched her major from Biophysics to technical writing. She began writing novels in 2004.
Jay has been writing professional papers for over four decades, and he has occasionally been forced to turn in government paperwork that resembles writing during that same time span. Piper roped him into writing fiction, spycraft, and history books in 2010.
What is the last great book you’ve read?
Piper just finished Seven Pillars of Wisdom by T.E. Lawrence, a.k.a. Lawrence of Arabia. It’s an absolute masterpiece detailing his work with the Arab tribes to overthrow the Ottoman Empire and build the nations of the Arabian Peninsula.
Jay just re-read Admiral Arleigh Burke, a biography by E.B. Potter, and he highly recommends it.
Which authors inspired you to write?
Piper is inspired by authors of great characters and stories from all eras, such as Alexandre Dumas and J.K. Rowling. Jay was inspired by Piper asking him to write.
What is something you had to cut from your book that you wish you could have kept?
Piper: Not with The Leopard of Cairo.
Jay: Piper constantly edits out my X-rated content.
Who was your childhood celebrity crush?
Piper: Roger Moore. At fifteen I was in London and was thrilled to get a picture of the trash in front of the building where he lived.
Jay: Raquel Welch. I wanted things to happen with me and her. By the time I was ten, I figured out that was a nonstarter, and I started focusing more on local girls.
Piper Bayard is an author and a recovering attorney with a college degree or two. She is also a belly dancer and a former hospice volunteer. She has been working daily with her good friend Jay Holmes for the past decade, learning about foreign affairs, espionage history, and field techniques for the purpose of writing fiction and nonfiction. She currently pens espionage nonfiction and international spy thrillers with Jay Holmes, as well as post-apocalyptic fiction of her own.
Jay Holmes is a forty-five-year veteran of field espionage operations with experience spanning from the Cold War fight against the Soviets, the East Germans, and the various terrorist organizations they sponsored to the present Global War on Terror. He is unwilling to admit to much more than that. Piper is the public face of their partnership.Together, Bayard & Holmes author non-fiction articles and books on espionage and foreign affairs, as well as fictional international spy thrillers. They are also the bestselling authors of The Spy Bride from the Risky Brides Bestsellers Collection and were featured contributors for Social In Worldwide, Inc.
When they aren’t writing or, in Jay’s case, busy with “other work,” Piper and Jay are enjoying time with their families, hiking, exploring back roads of America, talking foreign affairs, laughing at their own rude jokes until the wee hours, and questing for the perfect chocolate cake recipe.
“I want to present Cleopatra to the World,” Lady Stanhope sighed and reached for her purse. Two very young and inexperienced detectives, Flinders Petrie and Thomas Pettigrew, were unexpectedly presented with the case of a lifetime. Flinders and Pettigrew, recent graduates of Oxford and rivals of Sherlock Holmes and John Watson, suddenly find themselves confronted with the task of finding Cleopatra’s tomb. The tomb’s location, as they quickly discovered, was protected by the adherents of an ancient cult. Their quest leads them to Cairo and Alexandria. They meet a mysterious woman, who is possibly the descendant of Cleopatra. Their story weaves between the ‘City of the Dead’ in Cairo and the ‘Mound of Shards’ in Alexandria. They discover that becoming a detective is more difficult than they imagined as students. Set against the background of the River War in the Sudan and written by an expert in archeology and Middle East history, readers will find this story a worthy successor to the Conan Doyle legacy. “Find me Cleopatra, and I will pay for all this….”
What would be your one sentence elevator pitch of what your book is about to get someone to want to read it?
Two quirky young detectives are hired to find Cleopatra’s tomb, they grow up quick, but almost get killed during the chase.
Why choose the detective fiction genre for your book?
I read the Adventure of the Speckled Band as a kid. It scared the wits out of me. Ever since, I’ve wanted to write a detective story.
What research did you do to ensure you were historically accurate in setting, language and the like?
For the Middle East, no problem, I taught Middle Eastern politics for 25 years, and lived in Cairo for a year studying at the American University. (I also wrote a couple of books on Middle East politics). For everything else: Wikipedia, online publications, academic theses, and Bing AI (AI is really neat, if you know what to ask).
I know for my own book it was a real process to get things just right. Coming up with character names is more difficult than people might think, how did you go about picking yours?
They are from historical characters: Flinders Petrie is the nephew of Sir Flinders Petrie, the great archeologist. Thomas Pettigrew is the grandson of Thomas Pettigrew, the British anatomist and mummy exhibitor. E A Walis Budge is himself. Lady Hestor is herself. Lord Cromer is himself. Inji was second in command of ‘Social Affairs’ in Cairo, and a very scary lady, indeed. (The first description of Inji is exactly the person I met in Cairo). Other names are from lists of Greek and Egyptian baby names.
How has your world traveling impressed itself on your writing?
Traveling supplied the background ambience. Owen Lattimore, the China expert, once wrote something to this effect: “If you haven’t been there and don’t know that there are tapeworm segments in the bottom of outhouses, you’re not an expert.” He was right. I lived on the economy in Cairo for a year and had to learn Arabic. I saw a lot of stuff a tourist would not see. My daughter is an amateur archeologist who worked on the digs at Pompeii, so I had an bona fide archeological source.
What will connect the reader to the story and make them keep reading to the end?
There are multiple levels, I think. Obviously, there is the Sherlock Holmes nostalgia. But beyond that, the story of a couple of self-entitled kids being forced to grow up in a hostile world is the same theme that you have in the US today: A lot of readers are experiencing the same trauma. And, of course, there is the lost love theme which is a pretty universal experience.
Probably everybody can relate to Flinders and Petrie, they are a very likeable and funny pair: reviewers seem to like them.
Did you have difficulty deciding your book was ready to publish?
I hadn’t a clue. I ran the manuscript by several literary agents who weren’t interested and then shipped it off to the same hybrid I used for the Student. A mistake. I have revised it to take out the clinkers and add material since I now have the advantage of hindsight.
What age(s) of reader do you think would enjoy The Cleopatra Caper?
I wrote another book and the developmental editor said that I write for eleven year olds. Maybe so. I like to think that I write for anyone who has the imagination to be scared by the Speckled Band.
What’s your next project idea?
The Stolen Goddess will be out in April. Flinders and Petrie meet TE Lawrence and Gertrude Bell. It’s set in Istanbul at the end of the Ottoman Empire. I have tried to portray the old empire in all its complexity. It has some truly villainous villains: the Veiled One is the Phantom of the Opera on steroids, and the Bulbul (the bulbul, “nightingale,” was the official executioner in the Ottoman Empire) is modeled after Charles Mansion (I represented one of the Manson family in a parole hearing). The theme is that of the arc of life, unlike Holmes and other fictional detectives, Flinders and Petrie age.
The Bones of the Apostle will probably be out later this year. This is a darker work set in 1915, the time of the Armenian genocide. (My late wife’s grandmother survived the death march). I’m still revising; I’m not sure I can do it justice. I have invented a new character, Gazelda Jones, who is as quirky as the detectives and adds a love theme. She will be around to the end of the series.
There are other detective fiction novels set in times past, why should a reader choose The Cleopatra Caper?
It’s a detective story with all the fast action of the genre, but it’s also a story about growing up, about lost innocence, and about lost love. In a way it’s a ghost story, because the heroes are haunted by their experiences. Their character development is central: These guys are driven by wanderlust, by guilt, and by the loneliness of their newly chosen profession. I suppose you could say that it’s part Conan Doyle, part Lawrence Durrell, part Henry James, and a smidgen of the “Thin Man.”
John Amos holds a PhD and a JD. He has taught at university level for 25 years. His academic publications include several books and multiple articles. His fiction works include The Student (2022), The Cleopatra Caper (2023), and The Case of the Stolen Goddess (2024). He has lived in the Middle East, most notably in Egypt, Lebanon, Libya, and Turkey. He currently practices Law.
Maggie has always accepted life’s constraints: that is, until she witnesses a breathtaking moment of liberation as a butterfly breaks free from a spider’s web. And this small, defiant act sparks a fire within her soul.
That’s a dangerous thing for a field slave in 1850 Missouri.
As her daughter ascends to the coveted position of personal maid to the Mistress, Maggie’s family is thrust into the intricate dynamics of power and privilege within the House.
But in the shadows, a chance encounter between Maggie’s sons and Preacher, a burly, escaped slave, sets the stage for a risky alliance.
Meanwhile, Lucy, the Master’s lonely daughter, hungers for the warmth and kindness that Maggie effortlessly exudes. The boundaries that separate them are as rigid as the times they live in, but the desire for connection and understanding defies the odds.
Maggie, recognizing an opportunity for freedom, finds herself entwined in a perilous dance between liberation and the relentless pull of her current station.
Will she follow in the path of the butterfly?
The Honey Tree
What would be your one sentence elevator pitch of what your book is about to get someone to want to read it?
This is the story of Maggie, a slave who excels at picking cotton, and Lucy, a nine year old whose mother believes she can’t excel at anything.
Why do you think Maggie was so persistent in wanting you to tell her story?
Honestly, I still don’t know.
She haunted me for years – years. I’d jot a few things down, toss them away. I kept telling myself it wasn’t a story for me to tell. The ideas would fade – only to come back stronger.
One full moon I dreamt – vividly – of that wild night on the Mississippi River. The next morning I wrote in earnest.
The Honey Tree is different from your ventures into fiction. What is your background to be able to write Maggie’s story? What research did you need to do?
There was a bit of a familiar echo from a few characters to some elders I remember as a child. And if you read Wake of the Sadico, you might see a connection. But I had a ton of research to do.
I disliked research before the internet. Spending hours in libraries trying to learn what 15th century seafaring was truly like is incredibly time consuming – and when you get home you always realize you missed some key details.
Now at least you can Google online, or use it to seek knowledgeable folk. Even then, as I’m doing my early morning writing, I’ll suddenly realize I have no idea if they drank tea or coffee in Missouri. What will connect the reader to the story and make them keep reading to the end? I see stories as carnival rides. The events are the track laid down and the characters are the vehicles you ride in. You have to believe in the characters – like them. You need to feel their drive, their desires, their goals.
You must want to take that journey beside them.
Did you have difficulty deciding your book was ready to publish? I always have trouble letting go. There’s another tweak here, a bit more polishing there.
These stories grow into friends, and it’s hard releasing them. Once they venture out into the world, they take on their own life. You can only watch from the side-line.
What age(s) of reader do you think would enjoy The Honey Tree?
I’ve had friends give it to twelve year olds, who loved it. I suppose it depends on the parent’s perspective.
What’s your next project idea?
I seem to have stumbled across a dead girl in the Arizona desert who wants to talk to her mother.
What led you to leave the sunshine of Arizona to the not-so-much sunshine of Plymouth, England?
My darling spouse is British, and had lived with me in the U.S. for thirty-six years. It was simply my turn to live abroad.
It’s a wonderful adventure.
What do you miss about the U.S.?
Mexican food, large parking lots, and central air. When we bought our place in the UK, I discovered that “A.C.” on this side of the Atlantic stands for an “Airing Cupboard.”
Finally, there are other historical fiction novels with similar subject matter, why should a reader choose The Honey Tree?
To me, this is not another story about slavery. It’s about people who wanted something better for themselves, their families. A man who fought and lost and gave up, then fell in love and fought all the more. About a woman struck by the idea that freedom might be possible after a lifetime of believing otherwise. A woman risking more and more for her children, and then someone else’s child.
In a nutshell, it is about that spiritual leap of faith – and Lucy’s literal leap of faith.
Find The Honey Tree at several outlets includingAmazon.
Visit Jo’sbooks2read.com/HoneyTree site for all of the vendors (12 in all) you can purchase The Honey Tree from.
Jo Sparkes
Jo Sparkes
From television shows to football articles, Jo Sparkes can’t put the pen down. She’s interviewed Emmit Smith and Anquan Boldin (as Arizona Cardinals), taught screenwriting at the Film School at SCC, and went on camera to make “Stepping Above Criticism”.
An award winning writer, she’s recently moved to Plymouth, England – and learning to speak the language.
The world as we know it is built upon choices. If different choices had been made in the past, we might be living in an entirely different world. What if the so-called Lost Colony of settlers in North Carolina were in fact not lost at all but instead merged happily with the Native American tribes to create a new people and unique society?
Sixteen-year-old Charli is living in a pandemic-ravaged 2020 America when she stumbles upon the parallel world of the Q’ehazi. Drawn to these peaceful people, whose constant joy and optimism provides a stark contrast to the suffering and violence in her own life, Charli wants nothing more than to stay with them forever-but first, she must learn to attain a state of grace.
Can she forgive her mother’s abusive boyfriend? Can she learn empathy for her mother? In The World Beyond the Redbud Tree, Charli’s inward and outward struggles will lead her to a discovery she wasn’t even looking for: the beauty of her own world.
The World Beyond the Redbud Tree
You have only a few seconds to tell someone what your book is about, in two sentences tell them what your book is about? In other words, what would you say to interest them about The World Beyond the Redbud Tree?
OK, my elevator pitch: The novel is a utopian fantasy about a parallel universe in which different and more positive choices have been made.
“The World Beyond the Redbud Tree” is a gripping, coming-of-age narrative set in a pandemic-ravaged America, in which Charli, the sixteen-year-old protagonist, stumbles upon a parallel world where people co-exist peacefully, providing a stark contrast to her own troubled existence. The Q’ehazi society, with its emphasis on joy and optimism, serves as an uplifting contrast to the struggles faced by Charli in her own reality. Charli’s journey is not only an external exploration of this parallel world but also an internal quest for forgiveness and empathy. The narrative skillfully weaves together Charli’s personal struggles with larger societal issues, making the story both intimate and universal. The themes of forgiveness, empathy, and the pursuit of grace are handled with nuance and depth.
There are sensitive, but widely occurring, subjects you approach in the story. What led you to doing a book about those subjects?
I am a therapist and I help clients all the time who are dealing with these issues. These sensitive topics are based on the truth of my experiences and those of my clients, and they help to point up the contrast between our world and the mythical Q’ehazi world.
Forgiveness is a big part of The World Beyond the Redbud Tree. That’s a difficult thing to do in many situations, especially for a teen. For Charli, facing the prospect of forgiving Sean is something that would seem impossible. Failure is so easy to achieve in such a situation. Why choose this aspect of one’s character as a key theme of the story?
It’s not something that’s very often written about. In our culture, “revenge” is much more often the norm, and yet we discover that violence just leads to more violence. I wanted to show that a different choice was possible. Charli is young but she has an emotional maturity way beyond her years, and she is open to learning a different way of being. She doesn’t necessarily attain it in this book, but her journey towards wisdom and grace takes place over the course of the three books that make up the trilogy.
Where is the setting or settings for The World Beyond the Redbud Tree and is there a specific reason for its selection?
The setting is where I live, which is Weaverville, NC. I chose that area because it inspired me. We have a redbud tree on our property and I love the way it changes colors four times during the season (pink, red, green, yellow). I discovered later that it is one of the seven “sacred woods” of the Cherokee people. (See also below)
Early American history and the Cherokee people influenced your book, what research did you do to help with your book?
Ironically, I didn’t do much research before writing the book, as it’s a fantasy, other than reading books about the Lost Colony and finding out about the real history from that era. However, I visited the Cherokee Oconoluftee village in Cherokee NC a few months after writing my book, and was amazed and delighted to discover that many of the themes and ideas I had written about as being part of the Q’ehazi culture were in fact mirrored in the Cherokee culture.
The name you chose for the parallel world of Q’ehazi, I’ve found a similar word and the definition fits the world you’ve created, but how did you come up with it?
I literally made it up. I didn’t want it to be a real word in another language. So I flung together a few letters and my friend suggested the apostrophe.
If you had to be one character in The World Beyond the Redbud Tree, who would you choose and why?
I actually wrote the character of Maudina (Sovereign Aurora’s sister) for me to play, should there ever be a movie made! I resonate with her youthful spirit and her creativity.
What will connect the reader to the story and make them want to keep reading?
A variety of things. I would hope they would be intrigued by the unique and imaginative parallel world; some people have called the book a “page turner” because they want to find out what happens to Charli, as she’s a very sympathetic and multi-faceted protagonist; many people have described the book as “thought-provoking” because it’s not just a story but also a message about our world and how to make it better.
What’s the biggest difference between living in California and now in North Carolina?
Interesting question. I’m originally from England and I loved all the trees in NC, it’s like being in England before all the trees were cut down, many hundreds of years ago now. I enjoy both states, and they are very different. It’s also important to mention that I moved from Los Angeles to the tiny little rural town of Weaverville, and that experience contributes to the difference also. The people here are gentler and the pace is a lot slower. There isn’t so much diversity here, either in people or activities. I feel more connected to nature here, because we live on an acre of land. However, in LA I lived near the beach and I enjoyed that too. So there’s good things about both places.
What’s your next project idea?
Book Two in the series, called “The World of the Q’ehazi” (working title). I have just finished the first draft, will be refining it and hope to publish it later this year.
Find The World Beyond the Redbud Tree at several outlets includingAmazon.
Madison C. Brightwell
Author Bio:
Madison C. Brightwell is an author and a licensed MFT with a doctorate in psychology. She has been working as a therapist for fifteen years, before which she worked as a professional actress and in film and TV development. She has written four other novels and three self-help books in the field of psychology. Since moving to Asheville, North Carolina, from her native Britain, Madison has become inspired by the history of this land, originally inhabited by the Cherokee. She draws on many of her experiences helping clients with trauma, addiction, and chronic pain.
Having the ability to foretell events and connect with people in the afterlife is a unique gift. But can it also be a horrible curse!
Anna Mavrides has been burdened her whole life by the violent visions she had as a young girl. When she decides decades later to write a book about those visions and her family’s connection to the spirit world, it becomes an instant bestseller, but it ultimately triggers a chain of events that would have her charged with the brutal murder of her childhood friend.
As Anna wrestles with the fractured memories and tangled relationships of her youth from her prison cell, her determined supporters dig to expose the motives of the leader of a Spiritualist community featured in the book and the District Attorney who charged her with murder.
Their efforts could exonerate her and provide some answers about Anna’s distant past, but her reward will be a penultimate showdown at a seaside Maine amusement park, where the past and present fuse in a fiery conclusion.
All her life, people have asked Anna Mavrides, “How do you know?” Can she finally answer that question?
How Does She Know
If you only had two sentences to tell someone what your book is about, what would you say to excite them about the story?
Anna Mavries decides to tell the world her story about the extraordinary supernatural gifts and Greek legacy she possesses, but little did she know the ripple effect on the present day and the past it would conjure up. As she sits in jail, both friends, foes, and paranormal play tug of war with Anna’s life and as the rope unravels, Anna sees the truth.
How did you and DIane meet and decide to collaborate on a book?
We met at work and developed a deep friendship. Diane began to tell me about her gifts and the manuscript in which she detailed these events. And of course with my insatiable hunger to know more about paranormal, I could not resist the opportunity to bring it to life.
Why a murder mystery?
The pivotal vision is Christine so it felt right to develop a more profound story around it
Where is the setting for How Does She Know and is there a specific reason for its selection?
Portland Maine is Diane’s home and she is considered a Mainer. Since the majority is based on true events, it seemed fitting to keep it in her birth place plus it adds so much color to the story.
How have your own experiences influenced your characters in their personalities, characteristics, and little details? For example; do one of you have someone in your life that you put a little bit into Marjorie?
The story revolves around true events that Diane has and continues to experience as a medium- thus all those details built the main character Anna.
If you had to be one character in How Does She Know, who would you choose and why?
I really bond with Lori as I like her moxy and she has the traits of a Gemini which I am part of that club.
What will connect the reader to the story and make them want to keep reading the story?
I find that the layers of the past and present swirling around Anna’s paranormal experiences, the readers want to know how it all intersects at the end.
What was it like collaborating in creating How Does She Know?
Moving from Diane’s detail manuscript to a compelling story had its journey with stops, starts, tears and joy but in the end it is a passion project that came into reality at the right time!
Many first time authors have a problem with letting their work enter into the world for others to read. Did you have difficulty deciding your book was ready to publish?
I truly believe the universe decided when this passion project was ready and it came through with implacable timing. I am a believer of signs and throughout 2023 I was seeing multiple numerals in a row repeating – my sign was the number 1 and it was loud and clear!
What are the daytime secret identities of the authors of How Does She Know that help pay for the electricity to power your computers?
Diane and I both work I work in hospital reimbursement again being a Gemini I have 2 sides for sure!
What is your next project?
A sequel is currently in the works for Anna to continue to bring forth the intrigue of her gifts as they expand and grow – again based on true events!
Andrea Rubinowitz was born and raised in a suburb of Milwaukee, Wisconsin and from the age of 6 years old fascinated with the paranormal world. From chasing ghosts before impending thunderstorms, racing home after school to watch Dark Shadows, seeing every horror movie with Vincent Price, and finally as an adult, the urge of knowing more never ceased in fact it grew. Upon meeting Diane M. Sylvester, born into a generation of fortune tellers not by choice certainly cannot guarantee a life time of happiness.
Diane M Sylvester
Diane M. Sylvester was raised in Portland, Maine and continues to reside in this beautiful state known as Vacationland. Born into a generation of fortune tellers not by choice; this pedigree cannot guarantee a life time of happiness. She longed to tell her story of her lineage, physic abilities and paranormal experiences that she cannot ignore. How Does She Know is Diane’s first book regarding her amazing gifts.
The last witch on Earth takes on interdimensional invaders, tentacled overlords, and local politics in this fun, funny, and fast-paced urban fantasy series.
The witch of Tophet County has three primary preoccupations: Kentucky bourbon, Amish romance novels . . . and protecting her true identity from the chthonic monsters who rule humanity with an iron tentacle.
Despite her best efforts to get fired, the witch is trapped in a draconian, century-long contract that condemns her to work for the Archons of the Nether Realms in the banal misery of county government. But when she accidentally pleases her many-armed overlords, the Dread Lord of Human Resources curses her with an unwanted promotion. And it involves meetings.
As she enters a new bureaucratic hellscape, the witch is assigned to lead a task force investigating recent attacks on senior Archons. Fortunately, her boss has offered her a deal: if she solves the case, they’ll knock fifteen years off her sentence. And if that doesn’t work out, well, she just might have to find a way to help take down the tentaclarchy—or else be doomed to permanent civil servitude . . .
The Witch of Tophet County
The Witch of Tophet County was offered to me for an honest review. I like stories with magic. Check. Sarcasm. Check. Female leads. Check. (I do like stories with male leads as well.) And take-no-guff from anyone. Check. So I had to check this book out. See what I did there? And I didn’t even plan it. I’m just that cheesy. (Yes, Witch has taken me over and is writing this review.)
For fans of Jim Butcher when you hear about a witch who happens to do some detective type work and the like in an urban setting one might think of Butcher’s Harry Dresden, I think the sarcasm would be kind of comfortable, but the story is unique to J. H. Schiller. I think you will want to give it a read.
What I like about the story in The Witch of Tophet County is it’s about relationships. A lot of writers have a great idea for an adventure but they fail because they forget about the people in the story. WITCH, and yes, Witch is her name, has a difficult time with having relationships and friends. It’s a bit obvious right from the beginning. This book is the first in a new series and I think it does a great job of not only entertaining the reader but setting up Witch’s story and personality and those of her supporting cast. Some of her supporting cast are CHAD, her nerdy IT friendly torture victim, MAGNOLIA, the Archon but human loving assistant, and well her boss, the Archon Dread Lord of Human Resources. Could there be a better name for an HR head?
J. H. Schiller does a good job of getting the reader to visualize there being different types of beings in a scene. By ‘beings’ I mean humans, WITCH, and Archons. Archons are the ones who subjugated the humans years before the book’s story happens, and run the whole show now. The characters have normal conversations, mostly, but Schiller has somehow written the story in such a way you know if an Archon is speaking or a human is speaking. When WITCH is speaking… let’s just say there is no doubt. I’m a big fan of giving each character their own voice and Schiller does this so well.
One thing that might throw some readers is some of the language/wording used. Witch tends to use profanity. She was not raised by other witches or even a human family. So, I’m sure when she was first let out into the world as an adult she adapted as quickly as she was and with her personality, abrasive was her go to identity. The language fits her.
As every adventure and book about magic does, WITCH has a big choice to make. You think you know what’s going to happen, then what is happening. But when the one who WITCH prays to, or whatever, is named DISCORDIA, yes, as in chaos, never think you know what you know. And even when you finally do, you don’t.
If you thought that was confusing, try writing it and making sure it actually does make sense. CHAOS I TELL YOU! Oh, and then there’s the baby. I know. Now that’s madness that becomes chaos. (My chaos is 19 and in college and thinks he knows everything.)
If you want a fun read with more heart than a witch knew she had, character development and a story that does a great job of surprising you with details you forgot about, this is the one for you.
The Witch of Tophet County
Now get your digits working and click Amazon below to get the book or the Dread Lord of IT will find you. Read it. Love it. Amazon.
J. H. Schiller writes speculative fiction with a flair for the weird and a healthy dose of the absurd. In an earlier incarnation, she earned a graduate degree in international affairs and worked for the federal government in Washington, DC. She has since escaped to Ohio, where she writes full-time. Her short fiction has been featured in several anthologies and published by The Arcanist and Flame Tree Press. Her debut novel, The Witch of Tophet County, was published in January 2024 (Podium). She is a member of the SFWA. Check out her latest news at J.H. Schiller (jhschiller.com).
Marco did okay in math. He could follow the complex blueprints provided to him, navigate the steps, and arrive at the answers that earned him a shiny grade near the front of the alphabet. That is, until middle school. As new and confusing letters started creeping into every question, Marco developed a problem. When a new figure ‘pops’ into his life, he is introduced to a fantastical world where numbers rule, where they live together in villages, engage in duels, build stadiums and cheer for their favorite team as players are flung through the air. Marco’s imagination runs wild as he develops new powers and hungers for more.
But everything is not as it seems. Join Marco, his annoying little sister Maggie, and his best friends Oliver and Liam (a math whiz and a conspiracy nut), as they discover this magical world is more real than they ever could have dreamt. And find out… Will Marco master the Numberfolk before the Numberfolk, very literally, master him?
Marco the Great and the History of Numberville is the first installment in a fantastical adventure series that will have readers learning math and enjoying every minute of it. In addition, the text includes over 300 practice problems and solutions as well as access to an entire digital world allowing students to dive directly into Marco’s world with 40+ games to level-up their learning.
Marco the Great
See the tour–wide giveaway at the end.
How did you come up with the idea for Marco the Great?
I have always been an avid reader and a lover of stories. When my daughters were young, we would read The Magic Treehouse series and I was so impressed with how well my kids could pick up on facts from fiction much better than they could with standard textbooks. The idea to create a similar mathematical fantasy world rattled around in my brain for years. It wasn’t until my daughter hit 6th grade and was really struggling that gave me the push I needed to help her. I was substituting a class and the way I happened to explain solving equations had a fun and creepy vibe to it. At that moment I finally knew what the story would be. I started writing and honestly haven’t stopped since! As a bonus, my daughter no longer ‘hates’ math, she has this wonderful excitement when she talks about it, she is so proud and confident, and she went from being behind to being a leader in her honors course. This alone was well worth it, and I so hope that Marco the Great can have a similar impact on students across the world.
How did you do research for Marco the Great?
The math was the easy part. I feel like I have been researching not only the content but the best way to present it to students for my entire personal life and professional career. Every one of the 100+ math textbooks I own, every experience as an educator, and every ‘aha’ moment contributed to the scope, sequence, and presentation of the topics.
I, in some way, researched everything else that went into Marco the Great. Sometimes this was a deep dive into Google or the books I have at home, but often it was just throwing myself into the experience. In one scene, Marco and Mr. Pikake do math in the snow. My kids and I physically did this. I wanted everything to be just right and believable. For instance, I needed to know how it sounds when you are shivering and trying to speak the character’s words. So we played it out! We even wrote out all the equations with a stick and took pictures of them to aid me as I wrote the scene.
Marco the Great has unique page numbers, how did you come up with this idea?
One goal of the book was to help students see that numbers are everywhere. There are numbers we see and don’t ever really think about, and there are others we don’t see that are governing the natural world like friction or gravity. The page numbers were a great place to highlight this. By making them different mathematical equations and expressions, my goal was to show that no matter how difficult the math might look, it’s just a number.
Every book has page numbers that serve as a way to reference and communicate information. They are something we often ignore. In Marco the Great you can’t miss the strange mix of letters and numbers taking over the bottom of each page and they differ depending on the chapter and the concept we are talking about. This provided both a fun and novel way for students to check their understanding and an opportunity to normalize complicated notation and make it more approachable. It had the added benefit of highlighting the unseen numbers we take for granted.
What makes your book different from what’s out there?
One of the reasons I finally took the terrifying leap to publish was because there wasn’t anything on the market. I am certainly a bibliophile and I searched and searched and came up empty. There are books that are math adjacent, but I found these never dug deep enough into the actual concepts. Books that did dig deep were textbooks or technical writing that were hard to read and felt like I had to first translate them into English and then try to understand what they were attempting to explain. Marco the Great presents rigorous mathematics in a way that is fun to read and much easier to comprehend. It uses the power of storytelling to provide a fresh perspective that I believe is so needed in today’s classrooms.
Do you have another profession besides writing?
My technical profession is educator and instructional designer. I have spent years designing and developing courses and curricular material which made the transition to writing a bit easier. A huge part of my educational philosophy is that learning should be fun. Most of my days are spent coding math games. I think that learning through play is the absolute best way to master new concepts.
The norm is for instructional designers to stay out of the classroom. I always felt this was a huge mistake. How can I design a strong and engaging curriculum if I am so removed from the students using it? So, throughout the years I have always kept one foot in the classroom. Not only does this bring me so much joy, energy, and purpose, it helps me to continue to understand the demographics I am designing for and what is important to them.
What is your next project?
I am very excited for the next book in the Marco the Great series: Marco the Great and the Mystery of Phaseville. It focuses on Algebra concepts such as functions and graphing. I am in love with the story and can’t wait to get everything just right.
What are the biggest rewards and challenges with writing Marco the Great?
The biggest reward is helping students to not fear numbers; to see their importance, and to feel more confident in learning and doing mathematics. There is so much talk about how math is useless, we don’t use what we learn in our daily lives. But I see it differently, I see math everywhere I look. Learning math is the process of making sense of the world around us, optimization, logic, engineering, it’s everything. If I can help a student to see, understand, and appreciate math, it is all worth it.
As a mom, how do you balance your time?
My kids inspire me. I watch how my teenagers respond to situations, funny things they say, and all of that goes into the story in some way. They help me a lot. I’ll read a passage and watch their reaction. When they smile or can’t help but let out a chuckle it tells me ‘that’s a good line’.
My husband is also a huge help. We both work from home and homeschool. We split things up. The kids rotate coming out into my office (my son is here with me now working on his own math homework) and then back inside. Everything is a balancing act, and I am sure I fail at it. But that’s okay. I try to do better every day and am so thankful for all the time I get with my kids.
Marco the Great and the History of Numberville is a MathBait publication. The first installment in the series covers standards from 6th & 7th grade Prealgebra. The exact topics can be found at www.mathbait.com/marco-the-great.
Marco the Great has a 4th-6th grade reading level and was written for a middle school audience. However, it is a great option for younger students as well, either independently or read aloud. Throughout his journey, Marco encounters bullying which may be uncomfortable for younger readers. Parents may skip the related passages (pages 22, 60, and 112), if desired, for the given audience
Find Marco the Great an the History of Numberville at Amazon.
We are doing a tour–wide giveaway of a signed copy of the book and a MathBait T-shirt. SK has THREE sets available for US and/or Canada winners.
SK Bennett is an award-winning educator, instructional designer, mathematician, and homeschool mom of five. She spent years designing courses for top companies and institutions before deciding it was time to embrace her belief that learning should be fun and math should never be all about memorization and rote procedures. Inspired by her favorite stories, she set out to create Marco’s world – where learning is an adventure and math is never ever boring.
Why do we spend so much time and effort creating a fairytale world for our children, just to take it away from them? Author Jeff Janke faced that dilemma three years ago when his daughter started questioning her belief in Santa Claus. Like most parents, he had two problems to solve–how to gently teach his child the true meaning of Christmas, and how to prevent her from spoiling the fairytale for other children. Out of this problem, Secret Santa Claus Club was born.
Secret Santa Claus Club is a beautifully illustrated story about a little girl thinking back on the magic of each Christmas. She remembers meeting Santa at the mall and seeing her first bike under the tree on Christmas morning. As time goes on, she starts to wonder if it’s all real. When she decides she’s ready to know the truth–her parents help guide her to the true meaning of the holiday.
Secret Santa Claus Club was written to be a tool for parents during these challenging moments. Combined with love, patience, and compassion, SSCC will help transition the reader from believing to becoming. At the end of the story, your child will be invited to join Secret Santa Claus Club. They’ll understand the importance of keeping the secret, creating the magic for believers, and helping other members of the club.
Secret Santa Claus Club
See the tour–wide giveaway at the end.
A Reader’s Review
“I recommend using Secret Santa Claus Club to help break the news to any child. Or if your kid knows already, like mine did, it can help put the strange idea of “becoming” Santa into perspective. There’s some emphasis on keeping the secret from other believers (and helping spread the magic), which I really appreciate. Very glad I purchased. The quality is excellent. But most importantly, the story is really sweet.”
— Erin M. (Amazon reviewer)
Secret Santa Claus Club Page 34
A Parent’s Guide to Navigating the Santa Talk: How to Use a Secret Club to Help Support the Truth and Transition your Child
My daughter, River, was 9 when she started to question Santa Claus. It really took me off guard, but I knew this momentous occasion deserved something special. I couldn’t find the exact solution I was hunting for, so we held off telling her and I spent a year writing her a book.
I had several goals in mind, some driven by common fears all parents have in my shoes.
I wanted to make sure she didn’t feel betrayed. Saint Nick was real after all! But would she feel like I lied to her all these years?
I wanted to keep Christmas special and full of magic. I didn’t want it to lose its luster.
I needed to hold her accountable for all the believers in her life. I didn’t want her to spoil the secret for any of her peers.
And I wondered if I could replace feelings of exclusivity with inclusivity.
These goals and fears are what drove me to my light bulb moment. The Secret Santa Claus Club was born. 5 years later, I can say it worked better than I ever imagined.
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Here are the steps I took, the insights I gained, and the changes I would make:
Make Your Own Club Rules:
For me, I focused on spreading the magic and keeping the secret. Of course, every family will have their own unique approach. In a nutshell, here are my SSCC Rules:
Respect all Santas, including mall Santas and parents dressed as Santa
Help fill stockings
Never share the secret with any believer, no matter how young or old
Only caregivers can invite members into the club
Always leave milk and cookies
Carry on all the same Christmas Traditions with love and joyfully give to others
Find other members:
If your child has a tight-knit crew, find out who’s in the know and who isn’t. Share the concept of your club with family members and parents. Encourage them to extend their warm welcome to your child. River loved the feeling of community once older folks started talking about “the club”.
Find believers:
It’s helpful to know who to guard the secret from. And it’s also fun to pick a few close believers—like siblings or friends—and perform “acts of magic” for them. More on this below.
Create Club Activities:
Spreading the magic was a huge emphasis for us. River loved finding out how her mom and I made magic for her over the years. It gave her great ideas on how to pass it on. Some examples of club activities are writing letters from Santa to younger siblings or friends, or picking out stocking gifts for the family and stuffing them.
Charity:
I wish I specifically mentioned charity in our written club rules, but we always make sure to focus on it during the holidays. There’s no better way to honor the legacy of St. Nick than by giving to those in need. We started the tradition of finding someone in our community less fortunate, brainstorming a helpful gift, and leaving it for them anonymously. We also have River pick out 5 of her toys to donate. This helps make room for what’s coming.
Make it official:
If you’d like to make it more official and are crafty, make a badge, ID Card, patch, certificate, or ornament. We printed the club rules on linen certificate paper and I was so surprised at how much River studied those rules!
Celebrate:
Don’t forget to celebrate the induction of the club like a graduation or special achievement. This is a big deal! A rite of passage! Ask other adults to recognize the newest member into the club. A talk with family ahead of time can really make the transition special.
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One of the best parts about using the Secret Santa Claus Club was the way it transformed the event from a potential tragedy into an adventure. Once River joined the club, there was so much for her to look forward to; it replaced the magic that Santa supplied with a whole new world of magic of her own making.
If you’d like a tool to help your family start this conversation and introduce your child to the Secret Santa Claus Club, grab a copy of my children’s book! https://a.co/d/2tk9rFD You certainly don’t need it to have a successful transition, but it can be helpful. I also have lots of helpful blogs on my website: www.secretsantaclausclub.com
Happy holidays to you and your family and best of luck to you!
Jeff Janke is a single dad who considers himself more of a problem solver than an author. When his daughter started questioning Santa, he wrote a book to help guide her from a world of believing in Santa to a community of truly becoming Santa. When his daughter wanted to invite other friends into the club (after they learned the secret), and after lots of encouragement from friends and family who have faced the same dilemma, he decided to publish Secret Santa Claus Club to help other parents and children too!
Michelle Alger flees when her secretly recorded tryst winds up on the internet. She has no option but to hide. Her one-night stand—the son of a powerful US senator—was murdered. Learning she’s the prime suspect is traumatizing. Already a member of witness protection thanks to a Colombian drug lord kidnapping her in college, she now has to run from the senator and law enforcement. To make matters worse, the drug lord finally knows her location and is hot on her trail. There’s only one man she trusts. He saved her once, can he do it again six years later?
Captain Jeremy Malone no longer wears a Green Beret. He’s traded in his fatigues for a new life leading Delta Squad, a covert unit within SweetBriar Group. His latest orders from the senator: find the unknown woman and bring her to me. But Jeremy knows her identity. He once rescued her from a Colombian cartel, and has never forgotten her. He assigns his squad a new mission: find Michelle first and learn the real story.
Michelle and Jeremy can’t deny their explosive chemistry. But, with every new piece of evidence, Jeremy’s faith in Michelle’s innocence is questioned. Is her plea for help a ruse…or a trap set by a beautiful woman determined to expose Jeremy’s own secrets…
This is the second book in the SweetBriar Group (SBG) series and can be read as a standalone.
Shadow of Doubt
See the tour–wide giveaway at the end.
Where do you get inspiration for your stories?
Inspirations for stories sometimes come from real-life situations in the world. I think in high concept when I see a news story or read an article (war, bioweapon, terrorist) and play the “what if” game. Example: What if a small terrorist cell gets their hands on a bioweapon, how would my black ops team stop them?
Other story ideas just hit me from nowhere. Characters start to introduce themselves and I try to “talk” to them to understand who they are.
How did you do research for your book?
For this book and series, I used a combination of hands-on, internet, and interviews. A few years ago, I attended The Writer’s Police Academy. It’s a hands-on, comprehensive conference given by police officers, first responders, and federal law enforcement. It was amazing and taught me so much. Especially when they let me shoot lasers from a real (but modified) gun. I also interviewed anybody and everybody that would talk to me about so many topics.
Which was the hardest character to write? The easiest?
Wraith was the hardest character to write. She’s complex. She’s a badass sniper who made a horrible mistake during a mission. I had to show her losing the ability to compartmentalize emotions to feeling everything. And make it so the readers still rooted for her.
Talon seems to be the easiest character to write because he hogs every scene and wants to be the center of attention. I’m constantly reining him in.
There are many books out there with black ops teams in romantic suspense. Why should you read mine?
The SBG series not only deals with life-and-death situations, but also with emotional complexities and dynamics within a team of people who’re closer than family. You’ll read both heavy-action and intricate emotional entanglements. These operators are badass, trained to save the day/world at all costs, but they’re also human with human emotions and responses.
Your book is set in a couple of US locations. Have you ever been there?
Most of my books have international settings. I like to hop around the world to keep the suspense engaging. That said, Shadow of Doubt has two main locations in the US: A fictional town in the North Carolina mountains, and Indianapolis. I’ll admit I chose these locations because I’ve been to both and could picture the places as I set the scenes.
How long have you been writing?
I started late in life. I’ve been an avid reader from the moment I sounded out “See Jane Run,” but it never occurred to me to write a book myself. That happened in 2009. Oy. Some days I wonder if the elevator got stuck on the bottom floor of my brain when I decided to “give it a shot.”
What advice would you give budding writers?
I have two pieces of advice. One is for those who’ve never attempted to write an entire book: Don’t angst and worry about story structure and trying to make it perfect. No matter if it becomes published or not, you will always have a story you want to read.
The second advice is for those who reached the end of their draft and are saying “now what?” Celebrate the victory. It’s tremendously hard to achieve this milestone. Revel in your success.
What is your next project?
I’m in the process of brainstorming an anti-hero. I’ve always written alpha characters and strong villains. Now, I want to see if I can write a villain worth rooting for.
We are doing a tour–wide giveaway of a signed print copy and some swag. P.A. has FIVE sets available for US winners. She also has FIVE ebooks to send to readers worldwide.
A. DePaul is a Publishers Weekly Bestselling and award-winning author.Her books are full of action, suspense, and romance.
As a hybrid author, she has books traditionally and independently published. Her traditional publishers include Berkley, a Penguin Random House imprint, and Harlequin Books.
When two murders strain the police force of a remote Alaskan fishing port, veterinarian Maureen McMurtry is tapped by Dutch Harbor’s police chief for forensic assistance. The doctor’s got a past she’d rather not discuss, a gun in her closet, and a retired police dog that hasn’t lost her chops. All come in handy as she deciphers the cause and time of death of a local drug addict washed ashore with dead sea lions and an environmentalist found in a crab pot hauled from the sea in the net of a fishing vessel.
When her romantic relationship with a boat captain is swamped by mounting evidence that he’s the prime suspect in one of the murders, McMurtry struggles with her own doubts to prove his innocence. But can she? McMurtry’s pals, a manager of the Bering Sea crab fishery and another who tends Alaska’s most dangerous bar assist in unraveling the sinister truth.
See the tour–wide giveaway at the end.
How did you research your book?
Research was not required. Write what you know, right? As a longtime participant in the Alaska fishing industry, I couldn’t pass up the opportunity to use my experience as the backdrop to this book. What could be more intriguing than creating a world where commercial fishing and murder meet? However, I knew nothing about police dogs and so made an inquiry with the Seattle Police K9 Unit. They invited me to their training site. I was so appreciative, I named the dog in the book after the K9 Unit shepherd, CoCo.
Which was the hardest character to write?
The arch villain. It was difficult for me to navigate how to leave clues without giving away the identity of the culprit. The protagonist was a bit of a struggle, a learning experience really. Because the book is written in third person, I wrote many revisions trying out ways to best express what was inside her head.
Which was the easiest?
The police chief was the easiest character to write. I have no idea why.
There are many crime mystery books out there. What makes yours different?
As a former fisherman married to a fishing boat captain, and with a career as a journalist, fisheries specialist for the State of Alaska and a seafood company executive, I’ve got the credentials to pull off authenticity. And along the way, the reader will learn a lot about Alaska and commercial fishing.
What’s your next project?
I’m currently writing the second book of the series. So if you like the characters that inhabit DEATH IN DUTCH HARBOR, you can revisit them.
What is the last great book you read?
I could not put down the book, HORSE, by Geraldine Brooks. Its historical fiction, based on a real racehorse that was trained by a slave. The mystery unravels through the point of view of different characters, some in the present and some in the past. It tackles racism in a unique and poignant manner.
What authors inspired you to write?
There were many authors that inspired me to write like Kurt Vonnegut, John Irving, Craig Johnson, Michael Connelly, John Grisham, Martin Cruz Smith, Raymond Chandler, Agatha Christie and Dashell Hammett but the book that lit a writing fire under me as a teenager was John Barth’s book, The Sot-Weed Factor. It’s a wild ride of historical fiction that showed me there was no limit to using your imagination when crafting a yarn.
What is something you had to cut from your book that you wish you could have kept?
There was a scene between Dr. Mo and her pal, Patsy, in a restaurant that was painful to cut. Patsy, one of my favorite characters, used salt and pepper shakers, hot sauce and catsup bottles and a fork to make a point about the doc’s messed-up personal life. It was near the end of the book where the pace had escalated. The scene slowed things down and, gulp, had to go. I hope to find a place for it in the second book!
D. MacNeill Parker and her family are long time participants in the Alaska fishing industry. In addition to fishing for halibut, salmon, crab, and cod, she’s been a journalist, a fisheries specialist for the State of Alaska, and a seafood company executive. She’s traveled to most ports in Alaska, trekked mountains in the Chugach range, rafted the Chulitna River, worked in hunting camps, andsurvived a boat that went down off the coast of Kodiak. Parker’s been to Dutch Harbor many times experiencing her share of white knuckler airplane landings and beer at the Elbow Room, famed as Alaska’s most dangerous bar. While the characters in this book leapt from her imagination, they thrive in this authentic setting. She loves Alaska, the sea, a good yarn and her amazing family.
Penny Crenshaw’s divorce and her husband’s swift remarriage to a much younger woman have been hot topics around Atlanta’s social circles. After a year of enduring the cruel gossip, Penny leaps from the frying pan into the fire by heading back to Kentucky to settle her grandmother’s estate.Reluctantly, Penny travels to her hometown of Camden, knowing she will be stirring up all the ghosts from her turbulent childhood. But not all her problems stem from a dysfunctional family. One of Penny’s greatest sources of pain lives just down the street: Bradley Hitchens, her childhood best friend, the keeper of her darkest secrets, and the boy who shattered her heart.As Penny struggles with sorting through her grandmother’s house and her own memories, a colorful group of friends drifts back into her life, reminding her of the unique warmth, fellowship, and romance that only the Bluegrass state can provide. Now that fate has forced Penny back, she must either let go of the scars of her past or risk losing a second chance at love..
I want to bring the charm of the South to a wider community of readers. It’s my goal to immerse them in the culture, food, and characters, so I look around my surroundings or dig back to my upbringing to find inspiration
Your book is set in Kentucky. Have you ever been there?
I was born and raised in the Bluegrass State. I still consider it home, though I’ve been gone for decades.
How did you do research for your book?
Where the Grass Grows Blue is set in Kentucky, where I was born and raised, so I was comfortable with most topics—food, dialogue, and setting. But I did write in flashbacks and had to study pop culture during those decades so as tonot get the year wrong. I also had to do some serious research into genetic diseases, as they are a plot point for my protagonist.
What is your next project?
I’m almost finished with my second book, Ashes to Ashes. It’s an upmarket fiction book, set in the South, of course, that focuses on a tight-knit group of women whose world is rocked after the unexpected death of their dear friend, Ellen, under mysterious circumstances. But before they can even process their grief, they stumble across a web of secrets and lies, unraveling Ellen’s perfect life—the one she tried so hard to project to the outside world. Now they must rely on each other to find out who the real Ellen Foster was while grappling with the idea that they never really knew her at all.
What genre do you write in?
Women’s fiction and contemporary romance. But my third book will be historical fiction because it’s set in the early 1970s. I don’t want to be boxed into one genre.
What is the last great book you’ve read?
On Gin Lane by Brooke Lea Foster. I can’t tell you how much I loved that book.
Which authors inspired you to write?
Elin Hilderbrand. She’s the reason I started writing in the first place. I adore her. I even traveled to Nantucket last fall with a group of girlfriends to have the Elin “experience.” It was an absolute blast, plus I met her! On my website, you can find a blog post I wrote about that trip.
Do you have another profession besides writing?
I was a stay-at-home mother of five for twenty-five years. A few years ago, I started re-evaluating my life. At that point, it hit me. My children would soon be leaving for college. So I started “journaling” on a laptop. That lasted about a week before I noticed I wasn’t writing aboutmyfeelings or goals—I was creating a character.Now that my children are grown, I’m writing full-time. But that’s only one part of my “writing life.” I’m also a tour guide for Bookish Road Trip, an upbeat community of book lovers, authors, and bibliophiles. You can find them on Facebook, Instagram, andon their website. I’m in charge of the Author Take the Wheel program.
Hope Gibbs grew up in rural Scottsville, Kentucky. As the daughter of an English teacher, she was raised to value the importance of good storytelling from an early age. Today, she’s an avid reader of women’s fiction. Drawn to multi-generational family sagas, relationship issues, and the complexities of being a woman, she translates those themes into her own writing. Hope lives in Tennessee with her husband and her persnickety Shih Tzu, Harley. She is also the mother of five. In her downtime, she loves playing tennis, poring over old church cookbooks, singing karaoke, curling up on her favorite chair with a book, and playing board games. Hope has a B.A. from Western Kentucky University and is a member of the Women’s Fiction Writers Association.
I’ll start by saying, this is a book that may take you a few chapters to get into to. I’ve said that about a lot of books but it’s just how some need to be to get a reader to understand what’s to come later. That being said, once you get to the guts, you get going.
I was asked if I’d do a review of Tree of Lives by Elizabeth Garden without the person doing the requesting knowing how appropriate it would be. No, it wasn’t Elizabeth that asked. It’s a bit of a difficult book for me to put into words for a review, but I’ll do what I can and share other views. I really connected with the book. For some good and not so good reason.
Tree of Lives by Elizabeth Garden
Here’s the Amazon Blurb:
Ruth will not be silenced. She will not be robbed of her strength. Tree of Lives is her epic story about the power of words and actions, and the legacy of violence and abuse passed down through generations — and the redeeming strength of Ruth, a singular woman who overcomes the effects of a horrific secret. A clear-eyed young artist with a promising future, Ruth is stymied at every turn by men who seek to maintain power over her. Gripping and inspiring, Tree of Lives spans the 20th century, and in following Ruth’s development, demonstrates how feisty and independent women paved the way in the fight for social equality as the decades unraveled. Ambitious and tender, at the heart of this novel is the story of one woman who made her own way with wit, grit, luck and a wide open heart.
This book is a poignant reminder of the importance of self-empowerment and the courage needed to break free from the shackles of the past. Within each of us, there is a hidden well from which we can draw our power, whether it is filled with art or any other channel of love. Overall, this is a tale that is often painful but equally inspiring. Readers with an interest in complex soul-searching into family secrets and the dynamics they forge will feel the same way.
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I’ll tell you how this connected with me. For one, I am also a survivor of childhood trauma, both mental and physical. This imprints on you and carry over into how you live your life. The choices you make. Oddly some for the good but many are more damaging than you’ll ever know unless you work at it rediscovery. Much like the main character in Tree of Lives, Ruth, art has been my outlet. Creativity.
“Luckily, art can serve as an escape hatch and a pathway to document the rawness of that tightly packed energy which seeks release. I believe that when suffering is put into words or form, the sharing of it dilutes the pain as others harmonize in that same key, and real healing can begin. Indeed, I am very gratified that Tree of Lives is used by therapists for adult patients of childhood abuse.” Elizabeth Garden
Garden uses a fictional characters to show the twist and turns of a woman’s life from the traumas to the constant work of healing.
A Therapist’s Perspective by C. V. — Therapist, Adult Healing Center / Montpelier, France Elizabeth Garden’s cathartic codex: “Tree of Lives” can open difficult wounds, but this book will also cleanse them; and help bring a troubled reader to the path of healing. (See the rest of the perspective at Amazon.
Reviews
"Despite having an unusual life, a fascinating ancestry and a lot of abuse, it is not easy to write it all down and make it as fascinating to others as it is to you. Kudos to Elizabeth Garden for her well designed structure, beautifully written scenes and to Barbara Bose for her lovely art. It goes beyond the traditional haunting 'ghost story' as her ancestor seeks redemption and relief and she comes to forgive her parents and move beyond a twisted script." Amazon Review
"This is a disturbing story of a deeply troubled family with horrific secrets. It’s also a story of survival and triumph. Somehow Ruth, the plucky and talented protagonist, overcomes numerous challenges, learning more about herself as she unearths her family’s history. This is a testament to endurance, hope, and success. The haunting illustrations add to the story. I googled one of the "secrets" and discovered that it's absolutely true. WOW! One wonders – is this autobiographical? True or not, this is an uplifting tale of the character’s indomitable spirit." Amazon Review
" I enjoyed being jolted across dreamscapes, former lives, and present actions as the story's core mystery unspools with suspense reminiscent of Hanya Yanagihara's "A Little Life"." Amazon Review David Cohen
I think many folks, especially artists like me, suffer from the fallout from the undiagnosed mental illness of others. For example, when I found out there was a mass murderer in my family, I wasn’t the least bit surprised. Luckily for me, my artwork served as an escape hatch and a pathway to document the rawness of that tightly packed energy which sought release.
I believe that when suffering is put into words or form, the sharing of it dilutes the pain as others harmonize in that same key, and real healing can began. Indeed, my novel Tree of Lives is used by therapists for adult patients of childhood abuse.
Bigotry and its evil twin, white male domination, are woven into the fabric of the typical 20th Century American ethos on full display in my life as it is in the household of my protagonist, Ruth Thompson. Ruth’s rocky path out of the “Wildwoods” can be seen as a heroine’s journey through the invisible gauntlet of unaddressed childhood trauma.
I like to play golf. But sometimes my ball goes way off into another fairway and the rest of the journey to the cup is the arduous correction to make it to the place where I once belonged. Ruth’s life (and mine) in Tree of Lives takes a very similar tack – the journey to the happy place I had in mind, but in a parallel universe compared to everyone I know.
I am not a writer who likes to do art. Rather, I am an artist who wrote a book. I started out my career as an illustrator but learned layout and art direction in order to get a better salary — albeit always less of a salary because I was a woman and even more less because I lacked a college degree. With two babies to raise (three, counting perpetually un- or underemployed mates), I took what I could get and tried as hard as I could. As for the rest of my bio, read Tree of Lives. It’s all there.
The bridge at Sagamore was closed when we got there that summer of 1956. We had to cross the canal at Buzzards Bay over the only other roadway that tethered Cape Cod to the mainland.
Thus twelve-year-old Lily Grainger, while safe from ‘communists and the Pope,’ finds her family suddenly adrift. That was the summer the Andrea Doria sank, pilot whales stranded, and Lily’s father built a house he couldn’t afford. Target practice on a nearby decommissioned Liberty Ship echoed not only the rancor in her parents’ marriage, a rancor stoked by Lily’s competitive uncle, but also Lily’s troubles with her sister, her cousins, and especially with her mother. In her increasingly desperate efforts to salvage her parents’ marriage, Lily discovers betrayals beyond her understanding as well as the small ways in which people try to rescue each other. She draws on her music lessons and her love of Cape Cod—from Sagamore and Monomoy to Nauset Spit and the Wellfleet Dunes, seeking safe passage from the limited world of her salt marsh to the larger, open ocean.
Water Music by Marcia Peck 12 QUESTIONS WITH Marcia peck
There are many books out there about complicated family dynamics…What makes yours different?
The difficulties Lily’s family grapple with are not only grounded in their own history, but are very much echoed in the landscape they inhabit. They are nourished by the bounty of the sea and salt air, but also threatened by storms and a changeable, often indifferent landscape.
Your book is set in Cape Cod. Have you ever been there?
My family spent our summers on Cape Cod all through my childhood and adolescence, and I’ve felt spiritually bonded to that remarkable bit of land and sea all my life.
In your book you make a reference to the sinking of the Andrea Doria….how did you come up with this idea? What made you write a book about…?
The sinking of that brand new, sleek ocean liner has always fascinated me. And when I learned that the Ile de France turned around, 40 miles out to sea to come to the princess ship’s aid and saved countless lives, I saw a parallel between the young ocean liner (Lily) and the older, reliable Ile de France (the steady mother Lily longed to have.)
Which was the hardest character to write? The easiest?
Hardest character to write was Lily’s mother. To understand her, I had to place myself in the shoes of a talented, smart, isolated mother of two daughters in the 1950’s who longed to find meaning in her role.
Easiest was Uncle George, the blow-hard.
How long have you been writing?
Forty-ish years. I loved reading to my daughter when she was little. In fact I began reading to her almost from the day she was born. (And kept it up until she cut me off!) I began to journal when she was born, and before I knew it, I was trying to write short stories.
In one sentence, what was the road to publishing like?
Fraught with signs of hope, rejection, learning new skills, a huge time drain, and
finally…euphoria.
Do you have another profession besides writing?
I’m a cellist with a symphony orchestra. For me, that has been a perfect combination. In WATER MUSIC I kept thinking about the little motifs that recur in Wagner or Rachmaninoff, those little echoes that invisibly tie a work together.
Is there a specific ritualistic thing you do during your writing time?
I try to empty my head. I meditate (with an app) for ten or twenty minutes before I begin to write.
If you were stuck on a deserted island, which 3 books would you want with you?
Hmmm… The God of Small Things by Arundhati Roy, A Gentleman in Moscow by Amor Towles, and Archie and Mehitabel by Don Marquis
What TV series are you currently binge watching?
Paris Murders, Modern Love
Any hobbies? or Name a quirky thing you like to do.
I consider myself a mycophile (mushroom hunter). But have gotten awfully rusty, so these days I confine myself to a couple of the choicest (and easiest to identify).
What’s the most courageous thing you’ve ever done?
Two things: Climb the Grand Teton and perform an unaccompanied Bach Suite
Marcia Peck’s writing has received a variety of awards, including New Millenium Writings (First prize for “Memento Mori”) and Lake Superior Writers’ Conference (First Prize for “Pride and Humility”). Her articles have appeared in Musical America, Strad Magazine, Strings Magazine, Senza Sordino, and the op-ed pages of the Minneapolis StarTribune. Marcia’s fiction has appeared in Chautauqua Journal, New Millenium Writings, Gemini Magazine, and Glimmer Train, among others.
Growing up in New Jersey with parents who were both musicians, Marcia set out to be the best cellist she could be. She spent two years studying in Germany in the Master Class of the renowned Italian cellist, Antonio Janigro. Since then she has spent her musical career with the Minnesota Orchestra, where she met and married the handsome fourth horn player.
Marcia has always been a cat person. But she has learned to love dogs—even the naughty ones, maybe especially the naughty ones.
Clarissa Martinez, a biracial young woman, has lived in seven different countries by the time she turns twenty. She thinks it’s time to settle in a place she could call home. But where?
She joins a quest for the provenance of stolen illuminated manuscripts, a medieval art form that languished with the fifteenth century invention of the printing press. For her, these ancient manuscripts elicit cherished memories of children’s picture books her mother read to her, nourishing a passion for art.
Though immersed in art, she’s naïve about life. She’s disheartened and disillusioned by the machinations the quest reveals of an esoteric, sometimes unscrupulous art world. What compels individuals to steal artworks, and conquerors to plunder them from the vanquished? Why do collectors buy artworks for hundreds of millions of dollars? Who decides the value of an art piece and how?
And she wonders—will this quest reward her with a sense of belonging, a sense of home?
8 QUESTIONS WITH Evy Journey
What makes your book different from other fiction on art, artists, and art heists?
Few novels focus on illuminated manuscripts, especially stolen ones. This story is inspired by real events and goes deeper into motives other than financial gain for art thievery. It gives a glimpse into an esoteric art world, and of medieval manuscripts as precursors to today’s picture books.
Your book is set mainly in the Bay Area, but also includes scenes in Paris. Have you ever been to these places?
I’ve lived in different cities in California including the SF Bay Area and stayed for two to six months in Paris across several years. I presume to know these places fairly well.
How did you do research for your book?
I wrote a paper on illuminated manuscripts decades ago. But recent research usually uncovers previously unknown facts, and the scope of this book goes beyond manuscripts, so I read more books and articles and watched relevant documentaries. I also surveyed my email list to learn what and how many readers know or have read about illuminated manuscripts.
What is your next project?
How about a novel on Edouard Manet (“father” of modern art, Le Dejeuner SurL’herbe) and Berthe Morisot, one of very few female Impressionist painters? Were they more than friends, or was he just a mentor/painter to her student/muse? She eventually married his brother. If I find enough intrigue in what’s been written about them, I’ll be sorely tempted.
What genre do you write and why?
The freedom self-publishing gives me is that I can mix genres—a little mystery, a little romance, women’s issues, family life—all in one novel. So I say I write literary because it can accommodate all those, and it lets you probe into the inner lives of characters. Lately, I’ve woven well-researched real events into my fiction that I hope would raise a question or two in readers’ minds.
What is the last great book you’ve read?
It’s still Anthony Doerr’s All the Light We Cannot See, which I read in 2015. I’ve read a number of good books since, including Doerr’s latest, but this to me is still tops.
Which authors inspired you to write?
Austen and Dostoevsky—writers from my youth whose books I’ve read several times. Ms. Austen might be an obvious inspiration. Dostoevsky nurtures my characters’ existential angst, as well as mine.
Any encounters with celebrities?
I talked (kind of) to Francis Ford Coppola, dapper in a light brown linen suit, sitting by himself outside a café next to the short-stay apartment we were renting in Paris. I wrote about the encounter on my author website.
Teensy excerpts: “Polite in that guarded celebrity way, he doesn’t encourage much interaction, but doesn’t shrink from it, either.
Hero-worship shining in my eyes, I say, “I think you’re the best director America has seen in a while. I love your movies, especially Apocalypse Now.”
He smiles patiently, mumbles something nice and inconsequential. After a few more inane remarks, we realize we must leave him in peace so he can enjoy pretending he’s like everyone else who visits Paris.”
Evy Journey writes. Stories and blog posts. Novels that tend to cross genres. She’s also a wannabe artist, and a flâneuse.
Evy studied psychology (M.A., University of Hawaii; Ph.D. University of Illinois). So her fiction spins tales about nuanced characters dealing with contemporary life issues and problems. She believes in love and its many faces.
Her one ungranted wish: To live in Paris where art is everywhere and people have honed aimless roaming to an art form. She has visited and stayed a few months at a time.
What if crying out for help made you a target? Within hours of arriving in Montego Bay, Eddie Barrow and his friend Corey Stephenson witness a gruesome murder outside a bar. When the victim’s sister reaches out for help, they learn of machinations to conceal foreign corporate corruption and a series of horrific sex crimes. However, Barrow and Stephenson’s commitment to solving the case is put to the test once they find themselves in the crosshairs of a ruthless criminal network—one that extends beyond the shores of Jamaica.
Jam Run by Russell Brooks.
11 Questions with Russell Brooks.
How did you do research for your book? I read several news articles to research the subject matter of Jam Run—especially the character and situation that were inspired by the murder of Dwayne Jones. He was a trans teenager who attended a dance party outside Montego Bay dressed as a woman. I read about other events that also inspired the story’s plot.
Further research involved consulting with experts, including locals in Jamaica, gun and martial arts experts, a Jamaican lawyer, a psychologist, and even an inventor who appeared on the TV show Shark Tank.
Your book is set in Montego Bay and its surrounding areas. Have you ever been there? Yes. I visited Montego Bay in January 2023 and spent two weeks visiting the locations in Jam Run.
Which was the hardest character to write? The easiest? Chevelle was the most challenging character to write. She’s a high-functioning autistic person who was raped when she was twelve and had a son. My knowledge of autism was limited before I created the character, so it was essential to consult with Nordia Sweeney—a Jamaican specializing in teaching intellectually disabled students—to make Chevelle realistic. Since Chevelle was also a rape victim, I had to approach that content very carefully to avoid offending readers who are either rape survivors or who know or work with them.
The protagonists, Eddie Barrow and Corey Stephenson were the easiest characters to write because I already wrote about them in Chill Run, the first book in the series. As an author, I learn more about the characters I write about as I progress with a manuscript.
How are you similar to or different from your lead character? The only similarities between Eddie Barrow and myself are that we’re both authors born and raised in Montreal and whose parents are from Barbados.
In your book you make a reference to the murder of Dwayne Jones…how did you come up with this idea? What made you write a book about…Dwayne? I read about Dwayne Jones’s murder while working on The Demeter Code. I was disturbed to read he was killed for dressing up as a woman while attending a straight party. What was worst was the way he was killed. The poor guy was stabbed, shot, and run over by a vehicle. That’s beyond hatred. It’s pure evil. And it says a lot about the killer(s). What also bothered me was the fact there were over 300 people at the party, yet nobody claimed to have seen anything—even though the incident began in the parking lot. The details of the murder were so disturbing I couldn’t ignore or forget. Full disclosure, Chill Run was initially written as a standalone. However, Dwayne Jones’s murder inspired me to write a sequel that deals with hatred, crimes, and injustices against the LGBTQ+ community because, in my opinion, these issues aren’t addressed in the Caribbean community often enough. Fortunately, some countries in the Caribbean have abolished laws that discriminate against the LGBTQ+ community. Others still keep these laws active, which I believe is unfortunate.
There are many crime thriller books out there about rape and hate crimes. What makes yours different? What makes Jam Run different from other novels in the genre is that 98% of the characters are Afro-Caribbean and inspired by events that mostly took place in Jamaica. What’s also unique is that Eddie Barrow is a young Black man of Barbadian descent born in Montreal, Quebec. We usually see crime-solving characters who are white and who are either detectives or former military. Sometimes we see Black characters who are tough and intimidating. Luther—played by Idris Elba—comes to mind.
Eddie is the opposite. He’s not a detective. He’s an author with no fighting skills, nor does he fit the tough guy image we’re used to. He’s the guy next door and one of the least intimidating people you can imagine.
But most importantly, we often read about stories of the genre with Caribbean settings. Still, the Caribbean culture is absent because they aren’t written by authors who are either West Indian or of West Indian descent. I wrote and researched Jam Run in a way that would not stereotype Jamaica or the Caribbean. This is why having the Jamaican characters speak as the average Jamaican living in Jamaica would speak—whether in Patois, broken English or English with local expressions was important. For instance, there’s a scene where Eddie, Corey, and a secondary character are trying to escape a burning house. Their acquaintance tells them they can exit through the washroom. Eddie’s puzzled until Corey yells that their acquaintance was referring to the laundry room.
What is your next project? My next project will be the fourth Ridley Fox/Nita Parris thriller.
What is the last great book you’ve read? Die Trying by Lee Child.
What were the biggest rewards and challenges with writing your book? One of the challenges for me was raising funds to publish and market Jam Run. The story and subject required weeks of research due to the sensitivity of the content. While working on my first book, I read that the average person won’t be my only audience. There will be industry professionals such as police officers, martial artists, lawyers, and doctors who’ll read my books. But in this instance, I knew that I had to be extra careful so as not to offend rape survivors or those who know or have worked with these victims to be sure that the wrong message is not interpreted by either a sentence of dialogue or the way I describe a scene. The biggest reward as of today was that for the first time, I visited Jamaica and went to the locations that took place in the story. I also had a chance to experience Jamaica, meet the locals, and have one of the best times of my life.
Which authors inspired you to write? John Grisham, Vince Flynn, and Joseph Finder.
If there is one thing you want readers to remember about you, what would it be? I want them to remember me as the author that kept them up late at night that they woke up late for work.
Russell Brooks is an Amazon bestselling author of several thrillers—Pandora’s Succession, Unsavory Delicacies, Chill Run, and The Demeter Code. If you enjoy heart-pounding thrillers with conspiracies, martial arts, sex, betrayal, and revenge, then you don’t need to look any further and
see why these are among the best mystery thriller books of all time..
Leaning into his experience as a preeminent international lawyer, Born weaves an exciting tale that spans Africa, the Middle East and Europe in a relentless pursuit of WWII Nazi intel that will enthrall the reader from the first page.
The File
Enter Sara West, a tenacious botany graduate student on a scientific expedition in the heart of the African jungle. During her research, she stumbles upon a cache of WWII Nazi files in the wreck of a German bomber hidden deep within the jungle. Those hidden files reveal the location of a multibillion-dollar war chest, secretly deposited by the Nazis in numbered Swiss bank accounts at the end of WWII.
But Sara isn’t the only one interested in the war chest. Former KGB agent Ivan Petronov and Franklin Kerrington III, deputy director of the CIA, both have deeply personal reasons for acquiring the files Sara has found.
With two dangerous men — and their teams of hit men — on her trail, will Sara be able to escape the jungle alive?
The File by Gary Born Release date March 28, 2323
6 QUESTIONS WITH GARY BORN
How did having a background in international law shape the planning and execution of this novel?
One of the central themes of the novel involves secret Swiss bank accounts, holding Nazi deposits from World War II. My practice in international law has involved both Swiss bank accounts and WWII assets, which provided vital background for this aspect of the thriller.
You tackle a lot of settings throughout the book, how do you do research to write about different settings and countries? Do you pull from your own personal travel experiences?
I have traveled almost everywhere in the world, for both work and pleasure. I drew on hikes in Uganda and Congo, on road trips in the Sahara, travels in Italy and many weeks in Zurich for the settings in the book. It is never easy to capture the heart and soul of a place in a few sentences, but these travels helped me along the way.
“A thoroughly enjoyable, engrossing thriller with a captivating young, beautiful American botanist at the center of the fast paced action. Rooting for Sara West as she evades a Russian assassination team through the dense jungles of central Africa – her expedition experience and wits her only weapons in a race to safety - will keep you up past your bedtime. Can Sara trust CIA operative Jeb Fisher or will the likable, attractive American also betray her trust? This well written adventure will take Sara from the rainforests of central Africa to the shores of north Africa and on to the cobbled streets of Europe as she struggles to identify friend from foe. Is it all a trap? The suspense will keep you guessing and eagerly awaiting a sequel…..”– Gina Haspel, former Director of the Central Intelligence Agency
Sara is a 28 year old graduate student, why did you decide to write a main character with significantly different life experiences then your own?
Sara’s experience isn’t that different from mine, in some important ways. I spent time in the Ruwenzori mountains — without killers on my trail, to be sure — when I was Sara’s age. And I have a daughter who is also from Sara’s generation. I think the character has some of both my daughter and myself in her.
Did you conduct any kind of research to help write the book?
I spent time researching Nazi warplanes and Tempelhof; walked the streets of Zurich, imagining chase scenes; spent a few days in Lucca and the surrounding area, developing Jeb and Sara’s time there. I also researched what FSS and FSB operatives would and wouldn’t have been good at — thoughts that I passed along to Sara for her use.
What do you hope the readers take away from your book?
Many things, but especially Sara’s determination and resilience, even when nothing seemed possible. Her objectivity and resourcefulness. The complexity of Sara and Jeb’s relationship, as it unfolds. Sara’s reactions to her father’s death and fiance’s betrayal. The different forms of malice and evil that Petronov and Kerrington personified, and Sara’s responses to that.
“A taut globe-trotting thriller, as American and Russian intelligence operatives race to hunt down the discoverer of a long-buried secret, told with eloquence and ruthless efficiency.” – George Nolfi, screenwriter, “The Bourne Ultimatum”
What projects are you working on next?
Another thriller — “The Priest” — a former Mafia enforcer is posted abroad after giving up his life of mayhem and becoming a priest; by chance, he befriends a former high-ranking general, whose deathbed confession and will sends the priest in search of documents that would reshape the map of Asia, while chased by intelligence services intent on stopping the priest in his tracks.
The File by Gary Born will be available March 28, 2323.
Author Bio:
About the Author
Gary Born is widely regarded as the world’s preeminent authority on international commercial arbitration and international litigation. He has been ranked for more than 20 years as one of the world’s leading international arbitration advocates and authors. “The File” is his debut novel.
They say “you are what you read.” Can your reading habits change the world?
Surrender by Lee Schneider
Novels are an ideal delivery system for ideas that shake things up. Upton Sinclair’s The Jungle, published in 1906, took the meatpacking industry to task for its treatment of workers. The novel, and the movement that grew around it, spurred on the public lobby for government regulation of meatpacking, including passage of the Meat Inspection Act and the Pure Food and Drug Act. George Orwell’s 1984, published in 1949, is quoted often today as we grapple with the power of centralized government and the ways we can deploy technology as an instrument of control. Margaret Atwood’s The Handmaid’s Tale, published in 1985, depicts a timely fight many people are in now about reproductive freedoms. Ursula K. Le Guin’s The Left Hand of Darkness, published in 1969, opened up readers to gender fluidity, a topic that has become politicized now.
If we consider political or world-shaking novels like Norman Mailer’s Armies of the Night, (1968) or Philip Roth’s Portnoy’s Complaint, (1969) Toni Morrison’s Beloved (1987), or non-fiction, like Rachel Carson’s Silent Spring, which warned in 1962 of the ecological disaster we face now, our list of books that have the potential to change the world will get long. I don’t have that much room on my night table!
But if we limit our reading list to speculative science fiction only, books like 1984, The Handmaid’s Tale, The Left Hand of Darkness and the like, we will read stories that have a way of telling us more about the present than about the future they depict. I’d call speculative science fiction writing an exaggeration of the present, a way to see the present through the lens of the future.
Pick up a copy of Isaac Asimov’s I, Robot stories, published in 1950, and you might find the prose a little stiff and some ideas dated, but you’ll not be able to ignore that these stories have become the instruction book for how we might respond to robots who are gaining on us in intelligence and even consciousness. Programmers who make chatbots today have to consider the ideas and predicaments and moral problems brought up by Asimov. 1984 is a must-read today to frame what is going on now with the surveillance capitalism imposed on us by Meta and Google. 1984 is a vital read to understand digital censorship of public libraries by public officials and other advocates. The facial recognition technology used by police departments sounds like something Orwell imagined. But it is here today.
It’s useful to look back to the science fiction novels of the past to understand the present, and novels published today will provide the interpretation we need of tomorrow. The Three-Body Problem, with its notion of an alien invasion in the works for 400 years, or The New Wilderness, with its story about how we might find our place in nature from now on, may be the books we turn to for an explanation soon, when we wonder what in the world happened to civilization or how our world has changed so much in so short a time.
Now, you may say to yourself, people may read all these books, but they really change things? Are any minds really changed? They can be, if we are thinking about culture change.
Heather White, author of One Green Thing, has an example for us. She writes that if each one of us does one small thing to address climate change, it will eventually result in a culture change around climate. It seems like a tall order for a thought to do all that, but if held by enough people, it can change the world. After all, if hashtags like #blacklivesmatter or #metoo can focus social action, why not a novel?
Lee Schneider
About the Author:
Lee Schneider is a novelist and non-fiction writer. His most recent book is Surrender, a speculative science fiction story set in 2050 with a climate change theme. It’s available on Amazon, Apple Books, bookshop.org, and Barnes & Noble. His website is https://futurex.studio.
In the twilight of his NFL career as a middle linebacker for the Chicago Storm, Mike “the Steelman” Stalowski masks his physical pain and mental anguish with alcohol and painkillers. The fan favorite has a rebel image and a notorious reputation, and he plays a violent gridiron game fueled by inner rage. While estranged from his wife and living in the fishbowl environment of professional sports, he unexpectedly meets the fresh-out-of-college Kim Richardson. She sees through Mike’s star persona to who he really is—a kind guy from the Southeast Side of Chicago who has never forgotten his humble blue-collar roots. The lives of the star-crossed, seemingly mismatched couple collide during a whirlwind romance that culminates in a tragic series of events. The Walk-On is a timeless tale of love and loss that explores the consequences of personal decisions and the rewards of faith, redemption, and hope.
The Walk-On by Richard Podkowski
7 Questions with Richard Podkowski
What advice would you give budding writers?
I learned from experience that just because you have a story swirling in your head, you shouldn’t jump in and start writing. First and foremost, plan out your story and research your genre. In my case, writing a fiction novel was way more complicated than I expected. The process may have been less stressful if I’d had a basic understanding of elements like protagonist, plot, foreshadowing, conflict, and which, if any, fiction sub-genre the story in my head would ultimately be — before I started typing. Writing until I was “done” wasn’t a sound strategy either. Secondly, since word count is critical…refer to number one….plan out your story. An outline would have been helpful, especially to plot out important reveals from my protagonist’s past. I would have avoided problematic repetition by doing so. Especially since I wrote the first draft in fits and starts over eleven years!
Do you have another profession besides writing?
I am a retired career US Secret Service special agent. My assignments, both criminal investigations and protection, and duty stations took me not only around the country, but around the world. My experiences, the people I met and places I visited have inspired my writing. After retiring, I continued to do strategic security and risk management consulting for clients in the private sector. However, after forty years of protecting people and property, I’m eager to pursue my creative interests more. In addition to writing, I began taking acting lessons about ten years ago and have been lucky to book minor roles in TV, film, commercials, along with print work. I keep auditioning because I never know when I might get a big break, as evidenced by finally getting published after many years of querying literary agents resulted in dead ends and disappointment.
Where do you write?
I have a home office with a desk and computer. I rarely use a legal pad and pen to make notes anymore, instead organizing my thoughts with computer note-taking options. I try to eliminate potential distractions and have made it a point to not keep my cell phone nearby. Although I am inspired by everyday life and social interaction, I need solitude to sort and synthesize my ideas. Sometimes to stay focused, I work in a library where the atmosphere of concentration and quiet enhances my productivity.
Do you snack while writing?
Not usually. I do keep a beverage nearby. Usually hot tea which I drink pretty much year-round. If I need a snack or break for a meal, I get up and walk away to the kitchen or another room to eat and recharge. Plus, I hate getting crumbs or something sloppy on the keyboard or desk.
If you could go back in time, where would you go?
I’m a baby boomer, born in the late 50s. I have this vision of a post-WWII idyllic life when America was getting back to living again after the atrocities of war. Large-scale projects such as the building of the US interstate system allowed for easier travel between states and the connection of big cities and the new suburban communities springing up as weary soldiers returned and started families. Cultural changes were afoot in music with the advent of rock n’ roll, automobile and clothing styles, movies, TV, and architecture. Good things were happening and I think it would be exciting to experience them as a young adult!
What is the most courageous thing you’ve ever done?
As a Secret Service agent protecting US Presidents around the world, often under challenging circumstances, I carried a lot of responsibility. It’s a unique law enforcement mission. You never want anything to happen on your watch!
What is your theme song?
I’ve often been told I don’t take instruction well. It’s cliché, but I identify with Frank Sinatra’s popular song, “My Way!” I usually follow my instincts and my heart even though the path may be unconventional. At least until my wife changes my mind.
Richard Podkowski, a native of Chicago’s South Side, began writing fiction while studying criminal justice at Loyola University Chicago.
As a United States Secret Service special agent, Richard protected U.S. presidents and foreign dignitaries and investigated major domestic and international financial crimes until he retired in 2003.
Richard’s projects include a Christmas romantic comedy screenplay and a crime story, both
currently in the works. In his free time, Richard enjoys riding his road bike, working out, and
making Christmas ornaments. He currently resides with his wife in Los Angeles.
In The Walk-On, Mike “the Steelman” Stalowski is a blue-collar kid who grew up in the shadows of the Chicago steel mills, where hard-working immigrants poured molten steel 24/7 while smokestacks belched black smoke until they were shuttered in the mid-70s. The word steel in Polish is “stal” which is the root of the Steelman’s surname. Technically, my interpretation means he’s made of steel.
Chicago, one of the most diverse cities in the world, has many nicknames including Chi-town, City of Big Shoulders, Windy City, Second City, and oddly for most, the Third Coast. Although if you’ve ever been on the lakefront, you understand.
Many people have heard of the South, North and West Sides. No East Side as you’d be in Lake Michigan. The city has over 200 distinct neighborhoods. You’ll find the Steelman in Hegewisch, Lincoln Park, Little Italy, Wrigleyville and the Gold Coast. The long-standing North Side / South Side rivalry is real. One of my characters from the South Side mocks a friend from the North Side for not venturing farther south than Roosevelt Road. Technically, the dividing line is Madison Street. Ironically, both live in the western suburbs, which is another rivalry.
The South Side is known for being more blue-collar, and it definitely has some of the city’s most poverty-stricken neighborhoods. Conversely, the white-collar North Side includes the bustling downtown area, with its well-known skyscrapers, lakefront recreation and residential high-rises, mansions, upscale eateries and shopping options, and numerous cultural destinations.
I am proud to have grown up on the South Side. We were certainly blue-collar, poor actually, and I lived in a tiny cottage bungalow. Like Stalowski, my parents were Polish immigrants who came to Chicago seeking a better life. My dad toiled in the South Side stockyards until he became a printer. My mother worked on a Westinghouse Corporation factory assembly line, alongside other Polish and Hispanic women. She didn’t speak good English, and she didn’t speak bad Spanish. They got along just fine.
I didn’t visit downtown until I was in 1st or 2nd grade and never dreamed I would one day attend Loyola University on the North Side lakefront. In all fairness, I confess that after becoming empty-nesters, my wife and I lived in East Lakeview and loved it. We walked everywhere: grocery store, gym, church, Wrigley Field, live theater, restaurants, Lincoln Park and even to the glitzy Magnificent Mile on North Michigan Avenue. Can’t do that in the towns of area codes 708, 630, or 847.
The baseball rivalry is real too. The Cubs are the North Side heroes. The White Sox are their South Side rivals. Fortunately, the whole city roots for the Bulls, Blackhawks and Chicago Bears. In The Walk-On, the city cheers for the fictional NFL Chicago Storm. As the book begins, Mike “the Steelman” Stalowski, notorious hometown hero hailing from the South Side, has been a fan favorite for years.
I hope you’ll enjoy Mike’s escapades around Chicago — my beloved hometown.
Richard Podkowski, a native of Chicago’s South Side, began writing fiction while studying criminal justice at Loyola University Chicago.
As a United States Secret Service special agent, Richard protected U.S. presidents and foreign dignitaries and investigated major domestic and international financial crimes until he retired in 2003.
Richard’s projects include a Christmas romantic comedy screenplay and a crime story, both
currently in the works. In his free time, Richard enjoys riding his road bike, working out, and
making Christmas ornaments. He currently resides with his wife in Los Angeles.
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