An Interview with Nancy Bernhard, author of The Double Standard Sporting House.

 

The Double Standard Sporting House cover
The Double Standard Sporting House

Book Description

A high-class brothel that entertains New York’s most powerful men, the Double Standard Sporting House funds a free clinic for women. When the Tammany Hall criminal syndicate takes over the city in 1868 and starts kidnapping girls, the house’s owner Nell “Doc” Hastings cannot stay quiet—especially after sixteen-year-old Vivie arrives at the clinic bruised and bleeding.

Resolving to seek justice for Vivie and girls like her, Doc builds an unlikely alliance with religious reformers, a rare honest ward cop, and an alluring newspaper publisher she can’t seem to keep away from. Even with their help, Doc will have to use her sharpest tools—secrets, guile, and a surgical blade—to prevent a dark turn in the sex trade.

Full of intrigue, friendship, and love, this timely story of a heroine erased from history by the sexual double standard reminds us that women help and heal one another, even when shameless criminals come to power.

Interview

As a former history teacher and historical fiction writer, I always like to find out how a historical fiction/nonfiction author gets from an idea to the actual book. With that, my first question is, what inspired you to write The Double Standard Sporting House?

My delightful, flamboyant grandmother once told me that her Aunt Beadie was a madam. It was a total fabrication, but before I sorted that out, I wondered how a smart middle-class girl with a large, supportive family could end up in prostitution. The answers are: rape and seduction.

I began to imagine a smart girl, skilled in medicine, finding herself in the demimonde, and making the best of the options left to her. She builds an elite brothel to finance her free clinic. When it’s threatened by predatory men, she has a strong community to help her fight back.

How did you go about researching your subject?

About six months into the 2020 lockdown facing a Massachusetts winter at home, I dug into research. I spent about a year reading on the history of prostitution, the Tammany Hall political syndicate, and 19th century medicine.

Your main character is Nell “Doc” Hastings. How and why did she become your protagonist?

Doc is excluded from the practice of medicine because she’s a woman, and then punished for having greater skill than mediocre men. Exclusion followed by insult is a fair summary of being a woman in the 19th century, and sometimes now. Doc embodies traditional feminine strengths in caregiving, compassion, and community.

What in your background helps you in writing a historical fiction book?

I have a doctorate in American history, and have been reading and researching for decades.

A brothel would obviously bring about certain health concerns for women, especially during the 1800s. How did you come to link Nell’s brothel to her funding a free clinic for women? Also, what was the health care system like for women in the lower-income parts of society?

Cast out of ‘respectable’ society as damaged goods, Doc finds surprising freedom and autonomy in the demimonde. Prostitution was far more widespread in the 19th century than in the 21st. In 1868 New York when women had very few ways to earn money, 30%  did sex work at some point in their lives, compared to 1-2% now. The only industry controlled by women, prostitution was also just about the only way for single women to accrue real wealth. Reduced to their sexual and reproductive functions, these women made the best of it. Owning the house allows Doc to run her clinic as she likes, serving the most vulnerable women without men telling her what to do. Ironically, she would have provided far better healthcare to prostitutes than respectable women received from fancy doctors.

Medicine in the 19th century was just beginning to professionalize. There were plenty of quacks with medical degrees, and plenty of skilled healers who’d never been to school. Women’s particular needs were little studied or prioritized, of course. Poor women would have had difficulty accessing care, and most likely would have seen midwives or traditional healers, especially in the country. Charity hospitals and free clinics served poor women in the cities, but often refused care to women they deemed morally undeserving.

How does society today resemble the time period and events in The Double Standard Sporting House?

Gangs of heedlessly corrupt, powerful men still prey on and abuse girls and women all the time, and cover it up, as we see in the news every day. Conservatives are torching women’s reproductive freedom, and endangering our health and our lives. They shame us for carrying the burden of childbearing, and punish us for demanding full agency and autonomy. Women have more rights now than they did 150 years ago, but fewer rights than we did a few years ago.

1 in 4 women in the US has been raped, and 50% have suffered active harassment. Misogyny is different but arguably as strong as it was in 1868.

It seems to me that historically, the achievement of power through corruption, or maybe even through honest methods, comes at the expense of women, at least historically. What are your thoughts?

Indeed. We live in a patriarchal society set up for the benefit of half the population, and our culture represents only half the experience of humanity, yet male dominance is so pervasive we often can’t see it. The hierarchical, competitive, acquisitive, individualistic drives associated with masculinity are anti-democratic, and are killing our planet. It leads men to treat women as less-than-human vessels for reproduction, and to demean and de-value everything associated with femininity, like empathy and compassion. Feminism does not seek to replace patriarchy with female domination, it seeks to promote democracy, equality, and an orientation to the common good.

Finally, why should people read The Double Standard Sporting House?

It’s a good story, one that may help readers to see prostitution, and women’s historical exclusion from most opportunities, in a new light.

Pre-order on Amazon:  https://www.amazon.com/Double-Standard-Sporting-House-Novel/

Nancy Bernhard author photo
Nancy Bernhard

Nancy Bernhard is a journalism historian and yoga teacher, fascinated by how survivors of sexual and political violence heal through storytelling and movement. Having earned a BA in religion at Dartmouth, a PhD in American History at the University of Pennsylvania, and taught at Harvard, Bernhard turned her indignation over the sexual double standard into an absorbing tale rooted in the 19th century history of Tammany Hall. She was born in Brooklyn, and lives with
her family in Somerville, Massachusetts. https://www.nancybernhard.com/

 

© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

An Interview with Peggy Wirgau, author of To Outwit Them All.

 

To Outwit Them All book cover
To Outwit Them All

Book

“Into the Lions’ den I go…”

Betty Floyd’s uncle risked his life when he signed the Declaration of Independence, yet she is the epitome of British loyalty and social grace in 1779. Attempting to ignore the war, she attends New York’s balls and soirees with the Crown’s officers, but the city is a dangerous place for someone with Patriot ties. When a soldier she has befriended is murdered at a British prison, Betty is driven to choose sides and join General Washington’s covert spy group, the Culper Ring.

Her social calendar provides the perfect backdrop to dance with the enemy, and she catches the eye of the charming Major John André, Britain’s Director of Intelligence. Garnering timely information for the Patriots becomes a never-ending balancing act, amid heightened collision between duty to her country and deepening feelings for André. When the slightest misstep could expose her and the entire Ring, a traitorous plot conducted by Benedict Arnold unfolds, and Betty is led to the very brink of death. Will she outwit the enemy, or will her flirtations with danger cost her everything?

Interview

What in your background brings you to write historical fiction?

I’ve always enjoyed stories set in the past, and it’s so true how one wrong detail can throw off a reader and pull her out of the story. Sometimes I see it in dialogue, where the author will use a word or phrase that we understand now, yet wouldn’t have been used in the novel’s time period.

Well-written historical fiction has always drawn me in and taken me back in time. In turn, I love bringing a long-ago world alive to readers and making sure I do enough research to get it right and immerse them in the way things looked, sounded, and felt.

What brought Betty Floyd to be the focus of your second novel?

The idea for the novel began when I saw a list of important women in American history. One name stood out, or rather, a number—355. I wanted to know more, so I studied all I could find about George Washington’s Culper Spy Ring and 355, the elusive female spy, whose name remains unknown to this day. One book listed several possible candidates for 355, why each might have fit the bill, and also why not. One was Betty Floyd, and although there are few concrete facts about her, what we do know led me to consider the possibility of her involvement with the Culper Ring and write her story. The most intriguing, edge-of-your-seat historical fiction I’ve read in a long while. Wirgau’s authentic for the period writing, impeccable research, and great attention to historical detail brought daily life during the Revolutionary War and the Culper Spy Ring vividly to life. Through To Outwit Them All I walked the British occupied streets of New York City through a Patriot spy’s eyes, ever aware that one wrong move could be her last.  Once begun, I could not put this book down.  Brilliant. –Cathy Gohlke, Christy Hall of Fame author of This Promised Land

Obviously, according to your readers, you got the atmosphere right for the setting of New York during this time period. What was your research process?

In addition to books about the Revolution and the Culper Ring, I poured over maps of old New York and peppered historians with questions. I watched videos of 18 th century dances, studied colonial customs and manners, cooking techniques, and the purpose of ladies’ many clothing items. But the best research, and the most fun, was taking two Revolutionary War-centered tours in lower Manhattan, where I walked the same streets as the Culper Ring and visited some of the same locations they did. The tours were supplemented with excerpts from original newspaper articles and broadsides, giving a sense of what people were thinking and what they cared about.

How does being part of various writers organizations help with your writing?

I’ve been active in several organizations since I started writing, and I probably would not have stuck with it without them. I’ve learned so much through classes and writers conferences, and the friends and connections I’ve made through the years have been priceless.

You have a new book out but people always want to know what’s next. So, what’s

your next project look like?

My heart is drawn to unsung women in history. I’m doing more research into American Revolutionary women, but I haven’t fleshed out a definite idea yet.

What is your writing process like? Are you an outliner or do you start writing and see what happens with an idea of where you want to go?

First, I like to be inspired by a real woman from the past and see if there’s enough about her to build a story. I do a rough story arc, but for both of my novels, it took me a while to know where to start. I made loose outlines, jotting down a few phrases to keep me on track, and often stopped to consult my research before continuing. I’m not sure it was the most efficient process, but I wanted to keep the facts straight and it worked for me. I did several thorough edits as I layered in dialogue, descriptions, etc. In the future, I’d like to improve on my outlining.

What helped you make that final decision to become a published author?

I had been writing short stories and articles but hadn’t thought about writing a book until I stumbled on an amazing untold story of a twelve-year-old Titanic survivor. I knew it would make a good novel and I wanted to share it with others. It’s been very successful, and I wanted to write more and better novels. I think I’m like many historical fiction authors who have a strong desire to get a story out to the world that might otherwise be misunderstood or never known.

If you were on a deserted island and could have only books by one author, who would it be?

Books by Cathy Gohlke. Her novels are set in different time periods and locations, but they’re all about family, friendship, love, forgiveness, faith, and perseverance in the midst of great struggle. I could read them again and again.


Amazon: https://www.amazon.com/Outwit-Them-All-Peggy-Wirgau-ebook/dp/B0FB1JT685
Goodreads: https://www.goodreads.com/book/show/205853206-the-amazon-author-formula

Peggy Wirgau book cover image
Peggy Wirgau

A Michigan native, Peggy Wirgau now lives in Arvada, Colorado. She loves bringing history to life for readers, writing about real unsung women who faced extraordinary challenges and became heroes. Her debut novel, The Stars in April, is based on the true story of a twelve-year-old Titanic survivor.

Her second novel is set to release in October 2025. To Outwit Them All is based on the true story of the only female member of George Washington’s Culper Ring. Now available for pre-order!

Peggy has also written for Appleseeds, Insight, Learning Through History, and contributed to Why? Titanic Moments by Yvonne Lehman. Her blog features in-depth Titanic stories, and her followers include descendants of the ship’s real-life victims and survivors. See Blog for more details.

 A graduate of Michigan State University and George Mason University, Peggy is an active member of American Christian Fiction Writers, Historical Novel Society, and Colorado Authors League. She loves to travel and explore historical sites. She and her husband have two adult children and three grandchildren.

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© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

An Interview with Penny Sansevieri, author of The Amazon Author Formula Workbook.

Publishing a book is a creative triumph—but making it visible on Amazon requires structure, planning, and a deep understanding of the platform’s inner workings.

The Amazon Author Formula Workbook by Penny Sansevieri is a strategic, hands-on resource created for authors who are ready to shift from uncertainty to action. This workbook offers a clear, customizable roadmap for improving discoverability, sales, and reader engagement across every stage of the Amazon experience. With over a dozen worksheets and guided exercises—covering everything from metadata and pricing to Amazon Ads and launch timelines—it encourages authors to move beyond surface-level fixes and engage with what’s really holding their book back. Every tool is backed by years of field-tested strategies and includes a downloadable version for easy printing. Whether you’re launching your first title or course-correcting a backlist, this workbook helps you take measurable steps toward long-term success on Amazon.

Amazon Author Formula Workbook
The Amazon Author Formula Book Cover
The Amazon Author Formula

 

 

&

What inspired you to create a workbook version of The Amazon Author Formula?

I’ve worked or consulted with thousands of authors over the years, and I know that learning is one thing — applying it is another. The workbook was born out of a desire to bridge that gap. It’s designed to guide authors through hands-on exercises — refining keywords, polishing descriptions, rethinking pricing — with space to brainstorm, track, and implement. Think of it as a strategic playbook that turns learning into lasting results. And it absolutely plays off of The Amazon Author Formula, so using the two side by side works extremely well.

Amazon Author Formula Workbook Sample Page
Title Brainstorming

What’s one of the biggest mistakes authors make on Amazon?

They ignore their retail page. Authors focus on ads or social media without realizing that every campaign leads back to that Amazon page. If it’s not converting — if your keywords are off, your description is vague, your book cover is lackluster, or your categories are wrong — no amount of traffic will help. That’s why so much of the workbook focuses on refining that page. Every tweak improves your relevancy and increases your chances of showing up in searches.

Sample Page of Amazon Author Formula Workbook
Category and Sales Rank

Can the workbook help if my book has already been published?

Absolutely. In fact, most of the authors using the workbook already have books out. The beauty of Amazon’s system is that it’s fluid — you can update keywords, adjust pricing, optimize your book description, and test new ads. The workbook helps you evaluate what’s working and make strategic changes that keep your book competitive.

How is this workbook different from just hiring someone to do it for you?

Hiring an expert can be helpful — and I work with plenty of authors one-on-one — but not everyone has the budget for that. The workbook gives you the framework we use with our clients, but puts the power back in your hands. It’s built for authors who want to learn the process and make smarter, more confident marketing decisions going forward. You don’t just get answers — you learn how to ask the right questions about your book’s positioning, pricing, keywords, and more.

What part of the workbook do most authors find the most surprising or eye-opening?

The keyword research section! A lot of authors think they know what readers are typing into Amazon — but when they go through the keyword planner in the workbook and start researching real shopper behavior, it’s a total mindset shift. Most authors realize they’ve been using keywords that are too vague, too competitive, or simply not aligned with how readers actually shop. That section alone has helped so many authors increase visibility almost overnight.

Can this workbook help new authors who haven’t launched yet?

Yes, and honestly — I wish every author had this workbook before they launched. There’s a whole section on planning a successful book launch, including how to build momentum with ARCs, how to set a smart (and competitive) price point, and what to have in place before you run Amazon ads. Whether you’re still writing or getting ready to publish, the workbook acts like a roadmap so you can avoid costly mistakes and start strong from day one.

Workbook
Amazon: https://bit.ly/3IvRBmY
Goodreads: https://www.goodreads.com/book/show/236895802-the-amazon-author-formula-workbook

Book
Amazon: https://amzn.to/40YJfKN
Goodreads: https://www.goodreads.com/book/show/205853206-the-amazon-author-formula

Penny Sansevieri Author Photo
Penny Sansevieri

Penny Sansevieri is widely recognized as one of the most forward-thinking minds in book marketing. As the founder and CEO of Author Marketing Experts, she’s built campaigns for thousands of authors—many of whom have gone on to land spots on the New York Times, USA Today, and Wall Street Journal bestseller lists. But Penny’s work goes far beyond launch campaigns. A bestselling author of 24 books, she has also taught at NYU, hosted the Book Marketing Tips and Author Success podcast, and developed workshops that equip authors with lifelong marketing skills. Her approach blends deep technical know-how with a fierce commitment to empowering indie voices. Whether it’s category optimization, ad strategy, or brand positioning, Penny brings clarity, structure, and real results to every author she works with.

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Amazon Author Formula Tour

© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

An Interview with Laurel Osterkamp, author of THE NEXT BREATH.

Amazon: http://bit.ly/3GeVJqO

Goodreads:  https://www.goodreads.com/book/show/212336698-the-next-breath

Some love stories don’t end. They just evolve—into memory, into longing, into something we carry forward with every breath.

Ten years after the death of her first love, Robin is doing her best to build something new. Back then, Jed was the kind of love that defined her—brilliant, elusive, and deeply flawed. He never promised permanence, but he wrote her a play that outlived him. Now, as Robin begins to fall for Nick—who is safe, honest, and everything she didn’t know she needed—she’s keeping a secret. She’s about to perform in Jed’s play. As rehearsals begin, dreams resurface, and Robin finds herself trapped in a quiet tug-of-war between grief and hope, memory and possibility.

In The Next Breath, Laurel Osterkamp explores how we make peace with our past without letting it define our future. It’s a story about emotional honesty, the complexities of long-term grief, and how love—real, flawed, and enduring—rarely fits into simple endings.

Laurel Osterkamp author photo
Laurel Osterkamp

Laurel Osterkamp writes character-rich, emotionally nuanced novels that speak to women navigating love, loss, and reinvention. A Minneapolis-based teacher, runner, and pop-culture enthusiast, Laurel has authored The Side Project, Favorite Daughters, and the Amazon #1 bestseller Beautiful Little Furies. Her work blends the introspective depth of literary fiction with the warmth and relatability of contemporary romance. Find her at laurellit.com or on Instagram.

 

 


The Next Breath bookc cover
The Next Breath

Your book is set in Des Moines, Iowa. Have you ever been there?

I have been there many times because my best friend lives in Kansas City and I live in Minneapolis. At least once a year, we drive a few hours either north or south, and meet in Des Moines. I love that city because there are many fun memories connected to it.

What is your next project?

Currently, I’m working on a novel titled My Winter Song to You. It’s a fake dating, friends-to-lovers, holiday romance inspired Shakespeare’s “problem” play, The Winter’s Tale. And it takes place in Sugar Pine, Colorado, where I also set my novella, I Bet You Think About Me. (You can download that novella FREE when visiting laurellit.com!)

What is the last great book you’ve read?

I just finished Emma Grey’s Pictures of You. I was riveted! She does a great job with the dual-POV, flashback/flash forward structure. Such a great job, that she makes it seem easy, but it’s anything but. And, the story captures the feelings of love young while also dealing with some very serious topics with care.

What were the biggest rewards and challenges with writing The Next Breath?

While writing The Next Breath, I wanted to make sure I wrote about cystic fibrosis in a realistic way, so I did a lot of research. Same is true for feelings of loss and grief. But, both my biggest reward and challenge was writing Jed’s play within a novel. I started writing plays before I ever began writing novels, so it wasn’t completely out of my comfort zone. However, I was kinda dumb, to set it up in the novel that Jed’s play is REALLY GOOD. I put a lot of pressure on myself. And, it’s while performing Jed’s play that Robin finally confronts her grief. This was definitely the most difficult scene I’ve ever had to write, ever, in any book of mine. But also the most rewarding.

If your book were made into a movie, what songs would be on the soundtrack?

Funny you should ask! Here’s a link to my Spotify playlist for The Next Breath.

What is your theme song?

My theme song is constantly changing, usually to fit the POV of whichever character I’m writing from at the moment. Not sure what that says about me, but oh well. When I was writing from Robin’s perspective, Sara Bareillis’ “Brave” really resonated. I imagined her mother singing it to her from up above.

Tell us about your longest friendship.

I met my best friend Shauna in kindergarten. We were goofing off during gym class and became instant BFFs. Now, decades later, she’s like my sister. No one knows me better than her. (She’s the one I meet up with in Des Moines at least once a year.)

You can get The Next Breath on Amazon here.

The Next Breath Tour
The Next Breath Tour

© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

An Interview with Allen Wyler, author of Deadly Odds 8.0.

Deadly Odds 8.0
Deadly Odds 8.0

Amazon: https://bit.ly/3I7jwcz

Goodreads: https://www.goodreads.com/book/show/237133734-deadly-odds-8-0

Thrillers rooted in real science always hit harder—and Deadly Odds 8.0 is one that kept me thinking long after the final page. Allen Wyler has created a terrifying scenario: What if someone could hack your pacemaker?

The novel begins with a sudden death outside a Seattle church. A man collapses, and emergency responders can’t save him. Within hours, a prominent medtech CEO receives a threat—backed by undeniable proof—that an anonymous hacker can remotely kill anyone with an AI-enabled cardiac implant. The only way to stop the murders? Shut down the company. It’s an impossible demand that throws the medical world into panic. Arnold Gold, a former casino hacker turned cybersecurity expert, leads a team of brilliant digital investigators. They’ve been laying low—but this case is too dangerous, too personal, and too urgent to ignore. As they peel back layers of digital deception, they find themselves confronting a foe whose motives may be more personal than political—and far more lethal than anyone expected.

Allen Wyler author photo
Allen Wyler

Allen Wyler’s background as a neurosurgeon adds an unmatched realism to the pacing and the stakes. His ability to weave together medicine, ethics, and action is what sets his thrillers apart. You can find more about his work and career at allenwyler.com.

 


How did you research your book?

Because my Deadly Odds series touches on hacking and cybersecurity and I’m not a hacker, I need the help of a range of specialists from FBI agents to honest-to-God hooded dudes hunched chugging Red Bull while clicking away at keyboards: the kind of vandal your computer fears. Sooo, over the years I’ve developed a great cadre of sources to keep my ideas and descriptions factual. They’re a group I’m deeply indebted to.

What’s the hardest scene or character you wrote—and why?

This installment features Prisha Patel, Arnold’s second in command. (I’ve fallen in love with her character). In 8.0 she’s fleshed in a pivotal role. Problems develop when Vihaan, her jealous husband, falsely accuses her of a romantic involvement with Arnold. Leaving her to face some serious soul searching and ultimately a series of life-changing decisions. Prisha, you rock, girl!

What sets your book apart from others in your genre?

I’m not aware of another series in this genre that incorporates technology with mystery in such an easily understood presentation as the Deadly Odds series does.

Where do you write—home, coffee shop, train?

The mechanics of entering words into the computer take place at my desk, but my real writing—the creation of ideas and modifications–occur while walking my little Shib Inu through her favorite park, the University of Washington arboretum.

Why did you choose this setting/topic?

Great question. My Deadly Odds series is set primarily in Seattle with a few of the earlier installments in Honolulu. So, the Seattle setting was obvious. Since I deal with technology, the story needed to be present day. Because several of my stand-alone books were successful medical thrillers, for this installment I decided to focus on the issue of hacking medical devices. Pacemakers were an ideal subject to focus on. In other words, the setting and topic seemed to simply fall into place.

Which authors most inspired you?

Several authors do: John Sanford, Robert Cray, Michael Connelly, Don Winslow, Joseph Finder, and numerous others.

What’s your go-to comfort food?

Oh, man! I love several: BBQ Ribs, really good fried chicken with chunky potato salad, and Fran’s truffles (a local Seattle chocolate store). Oh, and don’t forget Talenti Salted Caramel Truffle Gelato.

If you could time-travel, where would you go?

Into the future 50 years to find out what happens to our country in this extraordinarily divisive time. Will our democracy survive? How severe will climate change become, and can we reverse it? I have so many questions with no clear idea where we’re headed.

What’s something that made you laugh this week?

Every morning, I throw the covers back on my bed so the sheets can air out until I make it later. Often my sweet Shiba Inu jumps up and sleeps directly on the spot I’ve just vacated. Today, when I returned to make the bed, she wouldn’t move. So, I made it around her. Just her little face was protruding from under the covers. The sight totally cracked me up!

You can get Deadly Odds 8.0 on Amazon here.

Deadly Odds 8.0 tour banner.
Deadly Odds 8.0 tour banner.

© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

An Interview with Jeff Whitcher, author of Snoop Come Home: A parody.

Snoop Come Home book cover comic strip images
Snoop, Come Home

Childhood Nostalgia Just Got Smoked

Every now and then, a book comes along that feels like a dare—and Snoop, Come Home accepts it with glee.

This riotous parody by Jeff Whitcher drops Snoop Dogg into the pastel-colored universe of Peanuts and watches the chaos unfold. From the first panel, it’s clear this isn’t just a novelty joke. Instead, it’s a lovingly constructed satire that takes the conventions of Schulz’s classic strip and filters them through a cloud of West Coast hip hop, existential musing, and yes—marijuana. The neighborhood kids stumble through Snoop’s lingo, Lucy rebrands as a wellness guru, and Charlie Brown remains woefully unprepared for this new era of chill. Illustrated with remarkable fidelity to the original comic, every page is both a tribute and a takedown, full of double entendres, deadpan punchlines, and moments that make you laugh before you realize how clever they really are.

Jeff Whitcher author photo, holding his book.
Jeff Whitcher

Jeff Whitcher has built an unconventional literary career by asking, “What if?” What if unicorns had depression? What if astronauts were lost in suburbia? What if childhood heroes sparked up and went full hip hop legend? A social worker by day and a dad to five full-time, Jeff finds his creative outlet in storytelling that dances along the edge of the surreal. He’s authored over 40 books that range from charmingly weird to wonderfully inappropriate, and he shares his passion for quirky music through his YouTube channel Vinyl Destination. Get to know his world at jeffwhitcherbooks.com, and follow his latest creative detours on Instagram at @jeffwhitcherbooks.

You can get Snoop Come Home: A parody on Amazon here.

Why did you choose this setting/topic? 
I thought it had a lot of comedic potential and was surprised that no one had made the connection before. I grew up watching all the Charlie Brown holiday specials and so in some ways this is a cannabis-clouded love letter to Charles Schultz.

How did you research your book? 
The research mainly consisted of re-familiarizing myself with the old Peanuts cartoons and strips to get a feel for how the characters interacted with each other and the world around them.

What’s the hardest scene or character you wrote—and why?
I think the hardest was the character of Snoop because I wanted him to be authentic to who he is and yet still capable of interacting and behaving in a way that was not altogether different from the original Snooper character.

Where do you get your ideas?
I try to take inspiration from pop culture, social media, entertainment, YouTube, anything that lends itself to parody or satire.

What sets your book apart from others in your genre? 
I find that a majority of books in this genre use a double entendre as a starting point or contain humor that is sexual in nature. This book embraces the absurdity of a pop culture icon like Snoop Dogg smoking pot around a bunch of cartoon kids.

What helps you overcome writer’s block? 
Sometimes taking a break releases the self-imposed pressure to write something amazingly creative. I find that inspiration often comes when I’m NOT trying too hard to look for it.

Do you write every day? What’s your schedule? 
I write or illustrate most every day. A typical schedule for me is waking up early and writing for an hour, then writing on my lunch break at work and finally sneaking in some writing before I go to bed. Because I have a full-time job separate from being an author I get a majority of my writing done during breaks, lunchtime or weekends.

If your book became a movie, who would star in it? 
Snoop Dogg of course! I’m not sure who would be the obvious casting choices for the other Peanuts to be honest.

Which author(s) most inspired you? 
Shel Silverstein, Dr. Seuss, Judy Blume and Woody Allen. I love writers who aren’t afraid to push the comedy envelope, so to speak.

You can get Snoop Come Home: A parody on Amazon here.

Snoop, Come Home tour banner (blog) image.
Snoop, Come Home blog tour.

© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

An Interview with Laurel Osterkamp, author of The Side Project.

When life doesn’t go as planned, sometimes you have to rewrite the narrative. In The Side Project, Laurel Osterkamp explores how people evolve—and how the stories they cling to can either hold them back or set them free.

Rylee never imagined she’d still be in Bemidji, Minnesota, years after high school, caring for her younger brother and working dead-end jobs. Carson was supposed to have the perfect future, until parenthood altered his course. The two haven’t spoken since their painful breakup—until fate places them in the same writing workshop. Assigned as creative partners, their dynamic quickly reignites old feelings. But what begins as a casual “side project” turns into an emotional reckoning, as they confront the choices they made and the truths they’ve avoided. With raw honesty and layered emotion, Osterkamp guides readers through the ways we protect ourselves—and the courage it takes to be vulnerable again.

With each of her books, Laurel Osterkamp continues to redefine what contemporary romance and women’s fiction can do. Her characters are honest, imperfect, and filled with a yearning to become whole. She writes from a place of personal insight, drawing on her work as an educator and her experiences as a mother and partner. Fans of emotionally grounded fiction will find something real and resonant in her work. Follow her at @laurel_osterkamp or explore her books at laurellit.com.

The Side Project book cover
The Side Project

You can get The Side Project on Amazon here.

How did you research your book?

There wasn’t a huge amount of research involved, but I did need to read up on the type of brain tumors teenagers are most likely to get. I’d already spent a lot of time in Bemidji, but I convinced my family that I should take a road trip up to Bemidji on my own, just for the night, so I could walk around taking pictures and imagining my characters’ lives there.

What’s the hardest scene or character you wrote—and why?

The last scene between Rylee and her mother, Summer, was difficult to write because finally, they were being honest with each other and dealing with their grief. It was a challenge to find the right level of emotion and to give each of them their own unique voice.

What’s your favorite compliment you’ve received as a writer?

That’s so hard, because I often forget the compliments I receive, unlike the criticism, which is always tattooed on my brain. But last night I received this message from a huge BookTok influencer, after she finished reading The Side Project: “I just finished!  Man, I’m crying happy tears. This was so different… and it was SO good.”  I can’t overstate how happy that compliment made me!

Do you write every day? What’s your schedule?

Sometimes, if there’s a lot of laundry or grocery shopping to do, I skip writing on Sundays. Otherwise, I write every day, in the afternoon and/or early evening.

Any quirky writing rituals or must-have snacks?

My favorite writing quirk is when my cat, Toffee, snuggles up next to me while I sit on the couch with my laptop. When I get stuck, I’ll pet her and ask for her advice. She always has great ideas!

Why did you choose this setting/topic?

I’ve always felt that northern settings where they wear a lot of flannel are romantic. When I began writing The Side Project, I’d just finished an MFA program in Creative Writing. I liked the idea of exploring how writers can be sort of snobby toward each other when it comes to writing genre fiction, especially romance. And there’s definitely a stigma when it comes to self-publishing. The Side Project is not self-published, but Rylee is a secret self-published romance author and afraid to let the people in her life know this. So The Side Project is a combination of several topics and settings that are close to my heart.

If your book became a movie, who would star in it?

Winona Ryder (at 23) as Rylee

Andrew Garfield (at 27) as Carson

Jessica Chastain (at 27) as Dana

James Van Der Beek (at 27) as Jack

Which author(s) most inspired you?

This answer is specific to romance writing, but Emily Henry and Carley Fortune inspired me in a huge way. After reading their novels, I was ready to transition from writing women’s fiction to contemporary romance. I love how they use the expected romance tropes that readers love, but they also write layered stories with complex characters and lyrical prose.

What are you binge-watching right now?

My fifteen year-old daughter and I have moved on from Beverly Hills 90210 to Dawson’s Creek. We’re on the first season, where Pacey gets involved with Tamara the teacher. It’s amazing how problematic that storyline is! My daughter is all, “She’s grooming him!” She’s also furious at Dawson’s mom for having an affair. It makes me happy that my daughter is so smart about this stuff.

You can get The Side Project on Amazon here.

Laurel Osterkamp photo
Laurel Osterkamp

About Laurel

Laurel Osterkamp writes smart, emotionally rich fiction about messy relationships, creative reinvention, and the kind of love that leaves a mark. She’s the award-winning author of nearly a dozen novels, including Favorite Daughters and the #1 Amazon bestseller Beautiful Little Furies. Her newest novel, The Side Project, blends second-chance romance with literary flair—perfect for fans of Emily Henry, Annabel Monaghan, and anyone who loves bookish love stories with bite.

In addition to her novels, Laurel’s short fiction has appeared in literary journals across the web. When she’s not writing (which is rare), she teaches adult ESL and middle school enrichment classes, goes running with twisty audiobooks in her ears, and educates her daughter on the cultural importance of Beverly Hills, 90210.

She lives in Minneapolis with a family that loves to argue and cats that love to hiss. Ramona Quimby is her spirit animal.

Website: https://www.laurellit.com/

Instagram: @Laurel_Osterkamp

Goodreads: https://www.goodreads.com/book/show/218561154-the-side-project

The Side Project tour banner
The Side Project Tour

© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

An Interview with Anne Shaw Heinric, author of Violet is Blue.

Violet Sellers is blue, and for good reason. She’s repressing a shocking secret she won’t tell anyone, especially her comfortably middle-class parents. When she makes a new friend in school, Jules Marks, who lives on the “other side of the tracks” with his five little sisters, she is introduced to a dark world of self-abuse. As Violet learns about Jules and his shifty mother, Lee, she retreats further into her shell. Her parents, Gloria and Skip, are horrified and do their best to find out what happened to their adolescent daughter while bending over backward to keep the whole town from knowing their business. Jules has an aunt and uncle who know his desperate story, and they finally get a chance to free him and his sisters from a loveless world of poverty. Meanwhile, a spinster named Margaret Burns watches and waits. She knows all about redemption and she’s got a master plan up her sleeve. Margaret and most of the quirky characters in Violet is Blue eventually learn to dance between the worlds of the “haves” and the “have nots” in ways none of them ever anticipated.Welcome to Book 2 in The Women of Paradise County Series.

Violet is Blue cover
Violet is Blue

You mentioned on the Women Living Well After 50 podcast (I watched it on youtube) that teachers were important in your journey to being a writer. How did they encourage you? Do you want to include their names?

I have had some incredible teachers throughout my lifetime, but the two who set me on my writing path are: Jane Reed and Connie Moore. I had them both when I was in high school in my hometown, Cuba, Missouri. I was a good student, but I didn’t have that one thing that I felt good at. I wasn’t athletic, or particularly talented at music, or much of anything. These two incredible women, although they had very different teaching styles, helped me recognize that storytelling was my jam. There were good stories already written that were there to appreciate in more thoughtful ways, but there were just as many out there for me to do their telling. It felt magical, and I’ll never forget feeling like I had something I could sink my teeth into and feel excited about it. I dedicated my first book, God Bless the Child, to the two of them and established the Reed Moore Scholarship in 2024 in honor of them. The first scholarship was awarded this spring, and I’m honestly as excited about this as I am the book series!

It took 18 years for you to bring your first book, God Bless the Child, to the world. When did you begin Violet is Blue, the second book in the trilogy of standalone books? What was the process like?

Much like God Bless the Child, I’d had a good chunk of Violet is Blue scratched out already. What I had not done, was share it with my editor, David Tabatsky. The truth of the matter is that when I reached out to David again after all those years, I wanted him to read Violet is Blue, which was in short story form, and a few other pieces I’d been working on. David was happy to read these, but it goes further. I really do have to give him the credit for recognizing that these two short stories had the potential to be adapted into full novels, and that they could work as a series with God Bless the Child. It had never crossed my mind, but once we started diving into it, I was re-energized. I’d always dreamed of getting one book published, but the universe had something bigger in mind! I’m grateful that David urged me to give God Bless the Child another look and to reconsider it as the foundation of something bigger. I’m knee-deep in writing House of Teeth, the third book in the series. That’s how The Women of Paradise County Series was hatched. It’s been thrilling, and I’m so thankful for his vision and belief in me.

You’ve said that minor characters from the first book, God Bless the Child, get a little more time in your new book, can you tell our readers who they might be?

Absolutely! Reverend James Pullman and his parents, Richard and Ruth Pullman, are essential to the story arc in Violet Is Blue. No spoilers, but let’s just say that James has unfinished business that needs serious tending in Book 2. We learn a whole lot more about Richard’s role in enabling his son’s behavior. Readers also discover more about Ruth’s backstory, especially her complicated relationship with her big sister, Gloria. The impacts of  James’ unbridled misdeeds  are as deep and wide as the berth others around him have given him.

Having read your post on girtalkhq.com about the main characters of Violet is Blue, although there doesn’t appear to be necessarily overt examples of what the average person might consider mental illness, there are obvious cases of damage that has been done. Are the mental hardships of your characters a conscious effort by you in Violet is Blue, or, since you don’t outline a story, as you’ve mentioned in other interviews, you just let it happen?

The characters throughout all the books in The Women of Paradise County series are working through a wide range of quite natural responses to traumas they’ve endured. Some of these are very specific events, but just as many are rooted in circumstances that take their toll: poverty, mental illness in families, and living in sustained periods of uncertainty and frequent upheaval. Even though these are fictional characters, their responses are quite natural. In Violet is Blue, this is manifested in ways big and small, including how the main character Violet Sellers and her newfound friend, Jules Marks seek relief through self-harm. People come to new spaces and situations carrying  varying levels of resilience and coping. Exploring this has always fascinated me. I just let things happen like I think they might in real life.

Your characters have such specific parts to play in your stories, have you ever run into a situation where the character refuses to let you take her in the direction you planned for her to go? If so, what did you do? I ask because I’ve had that happen when I intended for a character to be a positive favorite in the story, but for some reason she just didn’t want to be that, so I didn’t fight her and let her go her own way.

Goodness, yes! There are certain characters that I love very much, and it would be so easy to let them stay protected by allowing them to be one dimensional. This is lazy writing. Characters deserve to be interesting, and readers can handle complexity. One of my favorite characters in Violet is Blue is a waitress named Clarice Downs. I love this woman so much, but she’s also prominent in the next book in the series, House of Teeth. I’m in the middle of writing this as we speak, and Clarice makes some choices that tarnish her halo. I must let her do what she’s going to do. She can be a saint and a sinner, and as her creator, I have to let her explore both parts of herself. It makes these characters more believable.

How did your first book, and life experiences during the time of its journey to being published, lead to your writing Violet is Blue?

When I initially finished God Bless the Child, I did a fair amount of pitching to agents. That’s a humbling process, but just part of the deal unless you’re famous.  I think it’s important to keep your rejection letters to remind you of the struggle. It’s a rite of passage that most of us must power through. During that time, I did get a request from a potential agent for the whole manuscript. Excited, I sent it right along and waited for feedback. She called back to say she loved the book, but she wanted me to remove the main character, Mary Kline. She thought this character and her circumstances were just too cliché. I just couldn’t see a way to move forward and decided not to proceed. It was heartbreaking, but I knew the book couldn’t stand up without Mary. I felt sorry for myself for a while, put the manuscript aside, and started writing something else. That something else was the beginning of Violet is Blue. The initial creation is always my favorite, most satisfying part of the process. Life kept getting in the way, too. It took nearly 20 years to get these stories back into the light, and in a connected way, but I wouldn’t change how things unfolded.

Who was the easiest character to write? The most difficult?

Mary Kline, the primary character in God Bless the Child, was by far the easiest to write. She literally came to life with a pencil and a stack of yellow legal pads in a café while I waited for my youngest daughter to do preschool a few times a week. I can’t explain how Mary emerged from my brain onto the page, but I’ll always have a soft place in my heart for this character. The most difficult character to write in the whole series is a young woman named Pearl. She’s essential to the story, but we only hear about her through the voices of other characters. She does not have a voice in the story, and that’s intentional on my part because in real life and during the time this story is set, a young woman like Pearl would not have much of a voice at all. Readers must learn about her through the lenses of others.

Diet Coke or Coke Zero?

Diet Coke! Without a doubt, I will always choose this nectar of the gods over any other non-alcoholic beverage.

If you could have dinner with one author, living or dead, who would it be and what would you ask them and what would you have for dessert?

At this moment in time, I would want dinner with William Shakespeare. I would probe deeply about the longstanding authorship question. Mr. Shakespeare, did you really write these plays? I’d need all the details and documents, and we could do this over a cream puff sprinkled with powdered sugar. Lots of it!

Pre-order Violet is Blue on Amazon here.

Photo of Anne Heinrich
Anne Heinrich

About Anne

Since she first fell in love with writing in high school, Anne Shaw Heinrich has been a journalist, columnist, blogger and communications professional. Her first article appeared in Rockford Magazine in 1987. She’s interviewed and written features on Beverly Sills, Judy Collins, Gene Siskel, and Debbie Reynolds.Anne’s writing has been featured in The New York Times bestseller The Right Words at the Right Time, Volume 2: Your Turn (Atria) and Chicken Soup for the Soul’s The Cancer Book: 101 Stories of Courage, Support and Love.Her debut novel, God Bless the Child, is the first in a three-book series. She and her husband are parents to three adult children. Anne is passionate about her family, mental health advocacy and the intrepid power of storytelling.

Website: https://www.anneshawheinrich.com/

Instagram: https://www.instagram.com/anne_shaw_heinrich/

Bluesky: https://bsky.app/profile/anneshawheinrich.bsky.social

© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

10 Questions with Verlin Darrow, author of Kinney’s Quarry.

“Smart, Fast, and Unpredictable”

Kinney’s Quarry is the kind of thriller that keeps you up at night—blending action with a sly sense of humor as Kinney and Reed scheme their way through deadly conspiracies and shifting alliances. Whether they’re faking assassinations or outwitting hired killers, the pace is electric and the twists are genuinely surprising.

What gives the book its edge? Verlin Darrow’s one-of-a-kind life. With tales of living in a women’s dorm, outdriving tornados, and meditating with gurus, Darrow’s experiences add depth and a wink to every scene. His background as a psychotherapist lets him dig deep into motives and psychology, making even the most outrageous moments feel real. Check out his extraordinary journey at verlindarrow.com.

Kinney’s Quarry cover
Kinney’s Quarry

You can get the Kinney’s Quarry at Amazon.

Tell us about your protagonist.

Kinney is a Black Ops agent who has a near death experience and is no longer willing to kill anyone. He considers himself to be a benign sociopath, using his skill set in the interests of national security. When he is recruited by a shadowy organization to help them assassinate a foreign leader, he goes undercover, gets caught up in a conspiracy, and with his partner Reed, solves a series of mysteries to stay alive. Throughout the book, he finds a way to see the humor in what he encounters, even as he’s kicking butt.

In your book you make a reference to creating a new state. How did you come up with this idea? 

Years ago, I read about the quite real movement to create a new state from the northeastern region of California and parts of Oregon and Idaho. Once I tried to incorporate a similar notion in an abortive thriller about Texas (I was young. It was awful.) The new Western state, promoted since the 1800s, was to be called Jefferson—as I mention in my book.

Your book is set in the Silicon Valley area. Have you ever been there?

Most of Kinney’s Quarry is set in the Silicon Valley area—about forty-five minutes south of San Francisco. I live just over a mountain from there, and worked in the valley for quite a while. I did have to research another part of California I’d never been to, relying on stock photos, for the most part.

Who was the hardest character to write? The easiest?

I struggle with female characters and regret choices I made about them early in my writing career. I was happy with the ones in Kinney’s Quarry. This time, the hardest character to write was the head of the unnamed government agency that Kinney works for since even I wasn’t sure if he was a good guy or a bad guy until the end.

How did you do research for your book?

I’m very much a seat of the pants writer. I start with one idea, one character, and one setting. Then I see where it goes, inventing any details that come along. Afterwards, I check to see what I came up with that doesn’t match reality, and I change things.

Do you have another profession besides writing?

Yes, I’m a psychotherapist. I’ve also been a professional volleyball player, a singer/songwriter, a newspaper columnist, a storeowner, a short order cook, a factory worker, a taxi driver, a university instructor, a tech recruiter, a carpenter, and an NCAA coach. The first half of my life was continuity-challenged.

How has your work as a psychotherapist influenced your writing and the books that you write?

In therapy, clients work toward change and I do my best to facilitate this process. I offer wisdom, practical suggestions, compassion, and humor. Some people need psychic glue to keep from falling apart. Some need solvent to loosen up concretized points of view. Others need to reframe the stories they’ve created about what’s happened to them. Some need to release their feelings. It’s the same with characters in a book. If they don’t go through changes, I’m not engaged as a reader for long. I know how and why people change, and my work is infused with realistic portrayals of these, even as fantastic things happen to my characters.

Is there one particular job or career that stands out to you as the most rewarding or exciting?

Being a therapist has proven to be the most rewarding career/job I’ve ever had. Playing professional volleyball in Italy was certainly the most exciting. As a therapist, I utilize all my hard-earned life experience, insight, professional skills, emotional and spiritual development, and whatever else gets pulled out of me in sessions in service to others. As I’ve aged, a lot of things that used to be important to me have dropped away, leaving helping whoever I can as the remaining worthy activity. After all, we’re truly all in this together.

What is your next project?

I’ve finished a mystery set in a spiritual community, narrated by the leader, who tries to help solve two murders. I concocted what I think is a catchy title, which may be vetoed up the line—Warning: Characters In This Mystery Are Closer Than They Appear. This one is idea-laden since I served a similar role years ago before graduating myself and everyone else out of the organization.

What philosophy can you share to help fellow writers ?

Don’t fight reality. It’s bigger than you are and it will win. Be realistic and work within the realm in which you have ownership. Let go of the rest—the outcomes that are beyond your illusion of control. Focus on a good faith process and find a way to cooperate with the way things need to be down the line. As Stephen Batchelor wrote: Anguish emerges from craving for life to be other than it is. I think this especially applies to writers, given the state of our industry.

 

Verlin Darrow
Verlin Darrow

You can get the Kinney’s Quarry at Amazon.

verlindarrow.com
Goodreads

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Kinney’s Quarry Tour

© 2025-  Ronovan Hester Copyright reserved. The author asserts his moral and

legal rights over this work.

10 Questions with N.L. Holmes, author of Hani’s Daughter Mysteries.

Healing Hands, Sharp Minds, and Murders in Thebes

Welcome to ancient Thebes, where two women — Neferet and Bener-ib — are quietly changing their world one patient (and one murder investigation) at a time. In N.L. Holmes’s rich and addictive historical mystery series, a physician and her partner set out to run a neighborhood dispensary… only to be pulled into a series of bizarre and dangerous crimes that demand not just compassion, but cunning.

From Flowers of Evil’s cryptic last words of a dying florist, to Web of Evil’s tangled family secrets in a weaver’s village, Wheel of Evil’s deadly chariot investment scheme, and The Melody of Evil’s murdered musician at a family celebration — each book delivers a standalone mystery steeped in atmosphere and soul. It’s historical fiction with a sharp investigative edge.

 nlholmes.com |Instagram @n.l.holmes

Hani's Daughters Mysteries
Hani’s Daughter Mysteries

You can get the Hani’s Daugther Mysteries at Amazon.

If you were stuck on a deserted island, which 3 books would you want with you? 

Wind in the Willows and The Perelandra trilogy of C.S. Lewis  to take my mind away to a beautiful place, and Germinal by Zola to make me realize things could be worse.

Which authors inspired you to write? 

I couldn’t put names to them now, but all the wonderful books I read as a child made me think that writing was the coolest thing a person could do. What tipped me over the edge was the fact that my cousin published a young adult book. That seemed to make it sound doable.

How long have you been writing? 

I’ve been writing fiction for eleven or twelve years. Before that, it was just poetry and, of course, academic articles. Poetry really adds to one’s fiction chops, but I’m afraid academic writing has to be unlearned – it’s all about not having a distinctive voice. It does help in terms of using the language skillfully and knowing grammar.

What genre do you write and why? 

I write historical novels set in the Bronze Age, mostly Egypt or the Hittite Empire. As an archaeologist, that’s a no-brainer for me! For a long time, I’ve been concentrating on mysteries of one sort or another because I like to read them, and so do a lot of people who might not care about antiquity otherwise. I think a well-researched historical novel can teach readers a lot about the past while entertaining them.

How did you do research for your book? 

I had a lot of general background from teaching a class on Ancient Egypt, but I hit my library again for specific knowledge about various professions, etc. I find names from ancient manuscripts about village life or lists of tomb owners.

In your book you make a reference to ancient Egyptian medicine. How did you come up with this idea? What made you write a book about medicine? 

The Egyptians’ medical skills were world-renowned in their day. They had observed by trial and error over millennia and written down the results of their experiments, so that a young doctor like Neferet could look in a casebook and see what her elders had done to treat those symptoms. A lot of it was herbal, much like traditional medicine today. This was always one of the most popular lectures when I taught my Ancient Egypt class, and it gave me a certain forensic capability for my sleuths.

Where do you get inspiration for your stories? 

I began the Lord Hani Mysteries, from which this series is spun off, when I met the real Hani in a set of ancient documents called the Amarna Letters. There were references to a lot of diplomatic missions carried out by this man, so I took him as my protagonist and gave him a personality and a family. When Hani’s arc was completed, I zeroed in on his youngest daughter, a headstrong, unconventional girl who seemed likely to follow in her father’s footsteps.

There are many books out there about ancient Egypt. What makes yours different? 

There are even a lot of mysteries set in Egypt, but this series has a female protagonist who is a physician, so she’s automatically privy to a lot of mayhem. Her father is a diplomat, and that draws into her orbit various foreigners as well. Plus, for those who like cozy mysteries, this is one, with the addition of Egyptian “tea time” vibes and heroic pet animals.

What is your next project? 

I’m working on another Neferet mystery that features the world of cooks (each of these books deals with a different profession). I also have in mind a prequel to the Lord Hani Mysteries, because there’s one more real historical adventure of Hani to make use of.

 

You can get the Hani’s Daugther Mysteries at Amazon.

N.L. Holmes
N.L. Holmes

Author Bio:

N.L. Holmes is an award-winning novelist and former archaeologist with a Ph.D. in Classical and Near Eastern Archaeology. She spent years excavating in Greece and Israel, teaching ancient history, and bringing the past to life. Her firsthand experience with ancient cultures adds a rare level of authenticity to her work — transporting readers deep into the heart of ancient Egypt with rich historical detail and compelling storytelling.

 

Hani's Daughter Tour
Hani’s Daughter Tour

© 2025-  Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

10 Questions with Jessica Levine, author of Three Cousins.

Synopsis

Set during the excitement and tumult of the second wave of feminism and the sexual revolution, this coming-of-age novel about female friendship in the 1970s will appeal to fans of Kristin Hannah’s Firefly Lane.

It’s 1976, the second wave of feminism is in full swing, and three cousins share an apartment at Yale. Two are seniors; the third is starting graduate school. Each is seeking her own path in both love and work—but all three women, not quite knowing how to use the new freedoms available to them, alternate between supporting and undermining each other in their efforts.

Julia, the most conventional of the three, wants the security of her monogamous relationship with Ben but is attracted to other men. Anna plans on traveling the world to escape her boyfriend and alcoholic mother. Robin, who is bisexual, has various partners as she dreams of open relationships. All fall under the spell of a charismatic musician, Michael, who is too wounded to be available. By the end of a year of experiments and necessary mistakes, the cousins will make crucial decisions that will determine the course of the rest of their lives.

This prequel to Levine’s first two critically acclaimed novels, The Geometry of Love and Nothing Forgotten, dramatizes the struggles that women have faced and continue to face while entering adulthood in a world not quite ready to accept them as equals.

 

Three Cousins Cover
Three Cousins
Pre-order Three Cousins at Amazon. Release date April 8, 2025.

Why did you choose the second wave of the women’s movement as the backdrop for Three Cousins?

The choice was dictated by the narrative structure of my series. Three Cousins is the prequel to two other novels I’ve written, The Geometry of Love and Nothing Forgotten, and takes place in the characters’ college years, which were also mine. I did my B.A. at Wellesley College in the mid 1970s when being in a women’s college meant being saturated with feminism. As I recreated that period (albeit I moved the action to Yale), I remembered how my thinking and my relationships were impacted by the emerging feminist voices of the time.

As I was reading I noticed that each cousin had a different type of relationship with her parents, with the mothers being somewhat the glaring ones. How important were they to the development of how the cousins end up as they are?

The three mothers form a foil for the protagonists. As a hinge generation between the social conservatism of their Jewish immigrant mothers and their more liberated daughters, the three mothers have had their share of frustrations and limitations. One of the book’s themes is the way in which daughters must liberate themselves from their mothers in order for their generation to progress beyond the previous. The moms also provide comic relief. They have hilarious responses to the vicissitudes of being female.

As important as the mothers are, I also saw the differences of the fathers and how they handled situations. What importance do you think they had in the cousins’ development? I am particularly thinking of Anna’s father.

The fathers are indeed important. Julia’s dad is generally present and supportive whereas Robin’s is absent. Anna’s father could be called irresponsible and disappointing: he clearly loves his daughter, but he chooses not to defend her against her alcoholic mother. Of course, it’s common in dysfunctional families that one parent is abusive and the other looks away.

How did you keep yourself honest about the ups and downs of the feminist movement while some authors like to show only the, I guess, positive impacts on the women involved? I wanted to point out some specific moments of honesty but that would be revealing too much. I was thinking of Robin and Julia for the most part.

The feminist movement extended hopes and ideals that were not always easy to enact. For example, Julia would like to be independent and successful, yet she also craves the security of a conventional monogamous relationship; she consequently loses some of her drive and self-direction when she settles down with her boyfriend. As for Robin, who is bisexual, she dreams of polyamory, but isn’t prepared for the internal and relational conflicts that accompany that lifestyle. And having ideals doesn’t protect you from the misogyny of parents or male friends and professors.

Readers of women’s fiction, especially those of a historical era, always like to ask the same question… How much did you pull from your own experiences, in this case with your cousins?

I was influenced by my mother’s side of the family: my mom and her sister grew up in Brooklyn next door to their two cousins. Three of them remained close throughout their lives; the fourth moved to Italy to be independent. Then, growing up, I myself had close relationships with my cousins. But if the family structure in Three Cousins was inspired by mine, the actual characters are amalgams of many people, including friends I had in college. And on a certain level they are also archetypes of different attitudes young people have as they come of age. Julia is Prudence, Anna is Adventure, and Robin is Experimentation.

With different ways of navigating the women’s movement, today as well, do you think it strengthens or weakens familial bonds between women?

Short of doing a sociological study, I’m not sure I can answer that. But I do think that women’s issues are generally more out in the open than they were in the 1970s. The movement is now more inclusive and intersectional, which in turn may make it easier for women in a family to discuss harsh experiences like sexual and domestic abuse, discrimination in the workplace, homophobia, and racism. And conversation leads to mutual support and strengthened relationships.

You mentioned two other books in the series about the cousins. Can you tell us a little about them and any future plans?

The overall plan is to create five novels that follow these three cousins over the span of their lifetimes. Three Cousins catches all three in college. The Geometry of Love centers on Julia in her 30s, then her 40s; it’s a love triangle story and a tale about artists and muses. Nothing Forgotten follows Anna’s adventures in Italy in her 20s then fast forwards to her 50s. The next novel will focus on Robin. She is the wildest of the three, polyamorous and a spiritual seeker, so I’ll have fun with it. A fifth and last novel will bring all three cousins back together in their 60s or later.

Are you a full time writer or do you have another way to nourish the body and soul?

I balance writing with my hypnotherapy practice. For relaxation and exercise, I hike and do nature photography, which I took up at the beginning of the pandemic. Mostly I take pictures of birds, documenting wildlife in the San Francisco Bay Area. You can see my photography on Instagram @jlcreativearts

How has being a hypnotherapist influenced your writing?

Hypnotherapy is a creative process: In hypnosis we use the visual imagination constantly. I have had a lot of practice visualizing memories, fantasies, and scenes. It is also a training in accessing and using the gifts of the subconscious. My creativity has certainly been enhanced by my profession. Additionally, I’ve had the privilege of being inspired and enriched by my clients’ struggles and resilience. Being human isn’t easy.

Who are the authors that have influenced you most?

The list is very long, but here are a few, all of them classics. American: Henry James and Edith Wharton (subjects of my Ph.D. dissertation and book, Delicate Pursuit: Discretion in Henry James and Edith Wharton). French: Stendhal, Flaubert, and Marcel Proust. British: Virginia Woolf, Lawrence Durrell, and E.M. Forster. Russian: Chekhov and Turgenev.

You can get Three Cousins at Amazon.

The Geometry of Love: A Novel
The Geometry of Love cover
The Geometry of Love

Julia’s story.2015 Top Ten Women’s Fiction Title — American Library Association’s Booklist

“Spanning 1987 to 2004, the novel’s scope and sweeping character arcs will appeal to fans of Meg Wolitzer’s The Interestings . . . Julia’s emotions, insecurities, and pleasures are laid bare and recall Isadora Wing in Erica Jong’s Fear of Flying . . . An outstanding first novel.”
— Booklist, starred review

“Jessica Levine has crafted a lyrical and realistic examination of the complications and exhilarations of romantic entanglements. . . . Julia is a compelling and relatable protagonist. “
— Foreword Reviews

Nothing Forgotten
Anna’s story.

Nothing Forgotten Cover
Nothing Forgotten

A Booklist top-10 women’s fiction pick for 2019

Winner Next Generation Indie Book Award (Second Novel)

Finalist Next Generation Indie Book Award (General Fiction)

First Place, Northern California Publishers Association (General Fiction)

Merit, CIPA EVVY Book Award, (Women’s Fiction)

“A vivid travelogue . . . reminded me of the Italian television series . . . that proved compulsively engrossing, ‘The Best of My Youth,’ . . . delicious insights into Italian life.”
— San Francisco Chronicle

“Fans of Emma Straub, Anne Tyler, and Liane Moriarty will adore Levine’s treatment of domestic drama . . . . Immersing the reader in Roman decadence and San Francisco’s modernity, Nothing Forgotten is an intricately layered, deeply heartfelt, and bittersweet novel.”
— Booklist, Starred Review

“. . . an example of women’s fiction at its best. Its exploration of history, memory, family, and the particular struggles of women looking for experiences and love is enjoyable, memorable, and thought-provoking all at once.”
— Foreword Reviews

“A richly detailed story of passion and failure, deception and honesty, with anticipation and nostalgia. It is about making hard choices and living with those decisions, and the twisted ties that hold a family together.”
— Story Circle Book Review


About Jessica:

Jessica Levine author photo
Jessica Levine

Jessica holds a B.A. from Wellesley College, an M.A. from Teachers College, Columbia University, and a Ph.D. in English Literature from the University of California at Berkeley, where she was a Mellon Fellow. After receiving her Ph.D., she decided not to pursue an academic teaching career, but to become a hypnotherapist. She trained at HTI (Hypnotherapy Training Institute) and has been practicing for 20 years. Jessica also has had a rich and varied experience teaching creative writing, composition, and literature in universities, high school, adult education, and the private sector. In 2014-15, Jessica held workshops on writing the novel at the American Library in Paris. Previously, she taught at the University of Toronto, New York University, and the University of California at Berkeley. She is the author not only of novels but also of a literary history, Delicate Pursuit: Discretion in Henry James and Edith Wharton. Visit her at her website.

Follow Jessica Levine on social media

Facebook: JessicaLevineWriter | Instagram: @jlcreativearts

© 2014- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

16 Questions with Ted Mulcahey, author of Ferry Tails: A Whidbey Island Thriller.

Synopsis

Beneath the serene facade of Whidbey Island, danger silently weaves its way through the community. Deputy Sheriff Roger Wilkie thought he’d seen it all, but when the sinister leader of a polygamist religious sect and his ruthless enforcer unleash chaos, Roger is thrust into a deadly game of cat and mouse.

Wilkie knows the chilling truth, but capturing these elusive and cunning killers is an almost insurmountable challenge. With the help of the island’s colorful residents-including a physically intimidating former inmate who always seems to be in the thick of things-and two German Shepherds with uncanny detection skills, Wilkie navigates a world of tongue-in-cheek dialogue and razor-sharp sarcasm. This pulse-pounding thriller will keep you on the edge of your seat until the very last page.

Ferry Tails book cover
Ferry Tails

 

You can get Ferry Tails at Amazon.

What genre do you write and why?

Cozy Mysteries, mostly for an enjoyable humorous journey that takes the reader somewhere else, if only for a little while.

What makes your books different from other cozy mysteries out there?

The locales and perhaps the sarcastic sense of humor from the principal characters.

How did you come up with the ideas for your books?

Because of many hours spent on the ferries to Whidbey Island, I had always entertained the idea of a murder on one of my trips. Ferry Tails was my chance to bring the thought to life.

Where do you get inspiration for your stories?

Mostly the quirky characters I bump into while living on an island.

How did you do research for your book?

Much of the background for Ferry Tails is the result of my travels in Southern Utah and Arizona. My friendship with a retired Ferry Captain was invaluable in detailing the inner workings of the Washington State Ferry System

Your book is set in the Puget Sound area. Have you ever been there?

I live there.

Which was the hardest character to write? The easiest?

The most difficult was the leader of the breakaway religious cult. The easiest, of course, was Roger Wilkie.

How long have you been writing?

Off and on since my high school newspaper.

Do you write every day?

Pretty much. Unless I’m playing golf.

What is your writing schedule?

Every morning about 9 am until I get too stiff to sit in the chair.

Do you have another profession besides writing?

Nope.

What advice would you give budding writers?

Sit down and write. Then when you’re done for the day, think about what you’ve written, but write without thinking first—that’s when the real you happens.

What is your next project?

A mystery surrounding a murdered CEO of a pharmaceutical company whose demise is the result of an unknown organism.

What is the last great book you’ve read?

It’s an old one, but Word of Honor by Nelson DeMille made an indelible impression. Probably because I was a junior officer in the US Army during the same period as the story.

If your book were made into a movie, what songs would be on the soundtrack?

“Ripple” by the Grateful Dead

Which authors inspired you to write?

Justin Scott, DeMille, and Rosenfelt.

You can get Ferry Tails at Amazon.

Ted Mulcahey
Ted Mulcahey

Author Bio:

Ted Mulcahey has lived most of his life in the Pacific Northwest. He is an Army Veteran, sales and marketing VP, entrepreneur, business owner, avid reader, one of nine children, and proud husband who attributes his sense of humor to his mother and his wife.

 

 

Find out more:

Website: http://tedmulcahey.com

Goodreads: https://www.goodreads.com/book/show/224052306-ferry-tails

Ferry Tails Tour Banner
Ferry Tails Tour

© 2025-  Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

12 Questions with Sarah Branson, author of North Country: A Kat Wallace Adventure.

Synopsis

Four women, each with a secret. None will return from the North Country unchanged.

North Country takes place in the year 2372, a time when Earth is recovering from floods, fires, pandemics, and war. Amidst this post-apocalyptic world, the pirate nation of Bosch is thriving—but not without its complications. The focus is on four fierce women who must navigate their way through both external dangers and their own personal demons.

      • Master Commander Kat Wallace, haunted by a past filled with violence, takes on a dangerous mission to the North Country in search of peace.
      • Carisa Morton, struggling with her failing body and independence slipping away, embarks on one last adventure before it’s too late.
      • Sergeant Flossie Porter hides a hidden family fortune and a deep infatuation with her commanding officer, putting everything on the line for the chance to be by her side.
      • Master Sergeant Diamond Miata, driven by ambition and beauty, will stop at nothing to advance her own agenda—even if it means testing her loyalty in the process.

As they trek through the barren land, each woman faces betrayal, desire, and the harsh truths of their own hearts. North Country is an exploration of strength, vulnerability, and the bonds that form between women in even the toughest circumstances.

North Country book cover four women walking single file through snowy mountains.
North Country

 

You can get North Country at Amazon.

There are many books out there about adventure. What makes yours different?

The characters. Kat Wallace is an amazing character, she is a strong woman to be sure, but she is also a bit of a mess. She screws up, makes mistakes and fails. Then she picks herself up and tries again. Her inner voice resonates with readers who find her relatable. And she’s also a pirate, and who doesn’t love pirates?

What genre do you write and why?

This is a great question, because it should be an easy answer, but for me it is not. I really had no idea the genre until my editor for my debut novel said, “Sarah, it’s set in the future–it’s science fiction.” I tried to convince him that perhaps it was historical fiction that just hadn’t happened yet, but he was having none of my shenanigans. Then I found the Women’s Fiction Writers Association and read that women’s fiction is characterized by the emotional journey of the main character. “Aha, I must write women’s fiction then!” Which I do, sorta. Honestly, it was not until North Country was published that I found a descriptor that could encompass all the aspects of my stories. I write feminist speculative fiction.

How did you do research for your book? 

It depends on the book! For my series, I took up boxing to understand the nuances of fights; I took shooting lessons, and I learned (via computer simulation) how to fly a plane. For my YA book, Unfurling the Sails, I learned how to sail. For North Country, I explored Norse mythology as well as the Inuit culture in Greenland. I connected with two dear people that deal with MS on a daily basis to get their perspective. And I kept a daylight calendar up to refer to so I’d know if my characters would be functioning in the dark.

Which was the hardest character to write? The easiest? 

I think Diamond was the most difficult character to write, because I knew her the least. In fact, she got a heavy re-write that expanded and deepened her character after I had reached the “all done” stage. It made her far more complex and far more interesting. Kat certainly is the easiest to write because I know her so intimately after seven books.

If your book were made into a movie, what songs would be on the soundtrack?

Oooo! I have a soundtrack on Spotify!

A few songs on it:

“Girl from the North Country” by Bob Dylan
“It’s Not Over Yet” by King & Country
“Mean” and “Mine” by Taylor Swift
“Real Friends” by Camila Cabello
“All Your Lies” by Dean Lewis
“Cold Rain and Snow” Grateful Dead

Go listen and suggest more!

What is your next project?

There are three New Earth projects simmering currently: another Kat Wallace adventure, a second YA Grey Shima adventure, and a second middle grade adventure featuring the boys, Kik & Mac.

Do you have another profession besides writing?

For thirty years I worked as a nurse-midwife in all the venues. I also spent time as a middle and high school teacher, both in the US and overseas.

Who is the author you most admire in your genre?

So many: Butler, LeGuin, L’Engle, Heinlein, Asimov, Bradbury, Taylor, Weir, Jemisin, Mandel. My father loved science fiction, so he introduced me to so many of the foundational authors in science fiction, and I think they stayed with me. My mother was feminist before feminist was a thing. So it is no surprise I became a feminist speculative fiction author.

What song is currently playing on a loop in your head?

“Take Me to Church” by Hozier

What is the oldest item of clothing you own?

The Dead Fish skirt that was my mother’s when she was young. Lord knows I can’t fit into anymore, but I have it!

Tell us about your longest friendship.

While I have friends from high school I have reconnected with, I am pretty sure that distinction goes to my husband of almost forty-three years (known each other for 45). We met my freshman year of college and have been together ever since. He has been my best friend through all the highs and lows of life, and I can’t imagine a better partner.

Name a quirky thing you like to do.

I really, really like to hit the heavy bag. There’s something about it that is just the right combination of exercise and therapy.

You can get North Country at Amazon.

Sarah Branson author headshot
Sarah Branson

Author Bio:

Sarah Branson, an award-winning author, writes thrilling tales of action, adventure, and heart, often featuring strong female leads in sci-fi and dystopian settings. After nearly thirty years as a midwife, Sarah has channeled her experiences into stories about the strength of women in extraordinary circumstances. She believes that badass women will inherit the Earth—and that Earth will be better for it.

 

Find out more:

Website: https://www.sarahbranson.com/
Facebook: https://www.facebook.com/sarah.branson.author
Instagram: https://www.instagram.com/author_sarah_branson
TikTok: https://www.tiktok.com/@authorsarahbranson

North Country Blog Tour banner.
North Country Blog Tour

© 2025-  Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

The Book Marketing Tips and Author Success Podcast

Author Marketing Tips & Author Success Podcast
Author Marketing Tips & Author Success Podcast

What kinds of authors are tuning in?

Honestly, authors in all stages of book publishing and promotion – and it’s actually really exciting (and sometimes surprising) to see who’s listening. We mostly get this info from our reviews and authors who write in with feedback. But we have authors who rely on our show while looking for agents and or publishers, authors who are finishing up their books and thinking ahead about releases, and then on the other end of the spectrum we have authors tuning in that feel stuck and don’t know what they’re doing wrong, or the opportunities they may be missing.

Is the show for marketing DIYers or for finding the right people to hire?

It’s applicable to both, and even authors that fall somewhere in between. Some authors seem to tune in assuming they’ll handle everything themselves, and then they realize they need more support, maybe in very specific areas. We get a lot of authors contacting us about a collaboration after listening to the show, but you’ll also see from our reviews that there are a lot of DIYers out there just looking to do all the right things.

What if I’m still writing my first book?

Take notes! There’s no such thing as being too prepared, and we’d encourage you to zero in on shows that are clearly about production choices, like editing, covers, publishing options, etc. And then the branding shows too, plan ahead for what your goals are as an author brand, because it will only lighten the load as you get closer to publishing that first book.

I’ve been publishing books for a while, can I still learn something?

Absolutely. We have plenty of shows for newbie authors, but things are constantly evolving in publishing and book marketing, and how to best connect with readers, that veteran authors need to stay on top of to ensure the upward momentum continues. We like to think our shows are also really great for authors who feel they’ve plateaued a bit and are looking for new ways to generate quality exposure.

How do you come up with ideas for the show?

We rely a lot on listener requests. We also pull a lot of ideas from the calls Penny does with prospective clients. And Amy likes to add in show topics based on the day-to-day challenges she knows AME clients are having. Publishing is complex, it’s very, very hard to know it all while also writing your next book, and working your everyday job, and giving much needed attention to family and friends, and other commitments, so we aim to be the insurance most authors need to check all the boxes along the way.

Do you ever do author interviews?

We don’t do author interviews, but we definitely encourage authors to send in show ideas, questions, and challenges they’re having. And please send in any successful promotions you’ve done, or let us know if you’re doing something super unique and exciting that’s working for your brand, because we’ve definitely mentioned authors that are doing positive things and will link to their Amazon Author pages in our show notes to give them some love and send traffic their way!

The Book Marketing Tips & Author Success Podcast is a game-changer for authors who want to thrive in today’s publishing landscape.

Penny Sansevieri
Penny Sansevieri
Amy Cornell
Amy Cornell

Penny Sansevieri and Amy Cornell blend practical advice with deep industry insights, offering something for both new and experienced authors. Authors can expect honest guidance—no gimmicks, no pipe dreams—just straightforward strategies you can actually use. And because this industry can be tough, we keep it light with a bit of humor along the way. If you’re ready to level up your author career, we’ve got you covered, no detail left unaddressed.

Website: https://amarketingexpert.com/author-podcast/

Apple: https://podcasts.apple.com/us/podcast/book-marketing-tips-and-author-success-podcast/id1500195014

Spotify: https://open.spotify.com/show/4iuNYw0UqaaHegHHzF2J4F

© 2025-  Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

12 Questions with Arielle Emmett, author of The Logoharp: A Cyborg Novel of China and America in the Year 2121.

Synopsis

Named Finalist in the American Fiction Awards 2024 (category Science Fiction: Cyberpunk), The Logoharp describes the extraordinary journey of a young American journalist who chooses to work as an AI-driven propagandist—aka “Reverse Journalist” who foresees and reports the future for 22nd century China. Naomi is surgically transplanted, giving her extraordinary powers of foresight and physical strength. She hears voices in her Logoharp, a universal translator of all world languages, allowing her to take the pulse of global crowds, predicting and broadcasting political and social events with deadly precision.

But Naomi also hears discordant voices coming from unidentified sources. She knows only that mysterious voices sing to her of other worlds, other freedoms. When she’s tasked with finding a flaw in a State system that balances births and deaths —a system devised by a Chinese architect, Naomi’s lover who abandoned her in youth—she experiences “unintentional contradiction.” Suppressed emotions resurface, compelling her to rebel. Her decision has unexpected consequences for the men and women she loves, for her own body, and for the global societies she’s vowed to protect.

The Logoharp
The Logoharp

 

You can get The Logoharp: A Cyborg Novel of China and America in the Year 2121 at Amazon.

What genre do you write and why?  

I guess I’m writing “literary” science fiction, but not the classic “alien invasion” or dystopic survivalist stuff.  I write political and scientific extensions of our lives right now. Though I’m a great admirer of many classic science fiction writers—among them, Ray Bradbury, H.G. Wells, Edgar Rice Burroughs, Liu Cixin, William Gibson, Ursula LeGuin, Nnedi Okorafor, and many others—generally I write, or extrapolate from current scientific and social trends and developments.

There are many books out there about dystopic futures.  What makes yours different?

My novel is cross-cultural, scientific, and political.  It deals with a verboten topic of family racism, the “disposal” of talent in middle and elder years, and severe media dysfunction on both sides of the Pacific.

In the novel, Naomi, despite her cyborg transformation, retains memories of her parents’ instructions about right and wrong.  She attempts to find a grain of truth in a world where there is no objective reality and media becomes a blunt instrument of mass illusion. Her job is to entertain and quell rebellion in the masses.  As Andrew Singer, a China expert, wrote in this review:

The Logoharp is a story of love and horror. It is relatable and disturbing. The grave issues facing us now remain potent: AI, drugs (fentanyl), and climate catastrophe to name a few….these all converge as the novel slides down the ice.”

Andrew Singer Talks about China.

How did you do research for your book?  

In the last decades I’ve taught and reported from Beijing, Hong Kong, Taipei, Jatinangor (Indonesia) and Nairobi, studying the Chinese influence on media, human rights, and local economies. Before that, I wrote a doctorate on the impact of news photography, measuring how images affect the minds of readers and viewers. In all, I spent about 12 years researching material for this book.

Which was the hardest character to write? The easiest?  

Naomi, The Logoharp’s main character, was the most challenging. In this story, she starts as a vulnerable American journalist and morphs into an AI-driven media propagandist (aka “Reverse Journalist”) for China who eventually rebels. Why would she do this?  She lives in a severely weakened “Ameriguo” in the 22nd century.  Betrayed by a young lover, she believes that “Mother Country” (China), the dominant global power, will ensure peace and a harmonious existence for a troubled planet.  She chooses to become an elite Reverse Journalist (RJ), someone who doesn’t write about current events.  Instead, she “reports the future.”  Surgically transformed, she’s equipped with a “Logoharp,” a neural instrument that doubles the size of her brain, enabling her to hear government instructions but also mysterious voices from sources she can’t identify.  This sets up a conflict.  Her human conscience never leaves her…and then she discovers a terrible secret in Harbin, Manchuria.

The easiest character to write was Lang Fei (Chinese for “waste of space”), based on an old Chinese doctor friend.  He’s eccentric, lovable, possibly a spy, who tries to help Naomi and her friend Miranda discover the truth about a broken system.  But all these characters have complexities and changes of mind.

In your book you make a reference to Reverse Journalism. How did you come up with this idea? 

Attempts in the past to make journalism an independent monitor of power, to adhere to facts, to get multiple sides of a story, have morphed over the last decades into an obsession with prediction, partisan agenda and “winner-loser” celebrity.  You can argue that journalists, in the service of media bosses, “write the future” by cherry picking facts, leaving out others, and predicting outcomes that reinforce the powerful.  It wasn’t much of an extrapolation for me to create an AI-driven journalist, Naomi, whose job for China is to report the future as though it has already happened—and then it does. RJs, in effect, do not report current events.  They are co-authors and guides to political and social events that have not yet come to pass.

In your book you state, “…the connection between corrupt and inept is very strong.” Why is that?  

Naomi is speaking in her own voice to two of her bosses who become torturers, Dean Cheung and Dakota Sung.  Both exploit the corrupt and incompetent actors around them to hoodwink the public. As Naomi says, “You are trained to exploit any gap in knowledge among the masses, leveraging their ignorance to mask the incompetence of officials all around you…”

Do you have another profession besides writing?  

I’ve been a Fulbright scholar and researcher teaching at universities and law schools in the U.S., China, Hong Kong, Indonesia, and Africa.

What is your next project?

A sequel to The Logoharp.  Naomi’s son grows up to be a pilot and later graduates as a military psychologist, refuting every value his mother stands for. Until he crashes, survives, and discovers the power of The Gyroscope.

What is the last great book you’ve read?

A toss-up between Liu Cixin’s The Three Body Problem and Charles Frazier’s Cold Mountain.

Which authors inspired you to write?

Joyce Carol Oates, Ernest Hemingway, E.B. White, Madeleine L’Engle, F. Scott Fitzgerald, William Styron, Han Su Yin, Ray Bradbury, John Hersey, Emily Bronte, Jane Austen, James Baldwin, H.G. Wells.

Any hobbies? Name a quirky thing you like to do.  

I play piano, swim, lift weights, hike, plant trees and speak Mandarin, French and bad Spanish wherever I can.

If there is one thing you want readers to remember about you, what would it be?

That The Logoharp was both memorable and scary.  As critic Andrew Singer described it:

“Emmett’s most biting social critique is not of the bland, authoritarian system that prevails a century from now. Rather, it is reproval of the America of today that let itself go and collapsed to such a system. The siren call of this lament is strong.”

You can get The Logoharp: A Cyborg Novel of China and America in the Year 2121 at Amazon.

Arielle Emmett Photo
Arielle Emmett

Author Bio:

Arielle Emmett, Ph.D., is a writer, visual journalist and traveling scholar specializing in East Asia, science writing and human interest. She has been a Contributing Editor to Smithsonian Air & Space magazine and a Fulbright Scholar and Specialist in Kenya (2018-2019) and Indonesia (2015).

Her work has appeared in Mother Jones, The Scientist, Ms., Parents, Saturday Review, Boston Globe, Washington Times, Philadelphia Inquirer, Detroit Free Press, Los Angeles Times Book Review and Globe & Mail (Canada), among others.

Arielle has taught at the International College Beijing, University of Hong Kong Media Studies Centre, Universitas Padjadjaran (West Java, Indonesia) and Strathmore University Law School (Nairobi). Her first science fiction novel, The Logoharp, about China and America a century from now, is part of a planned series on dystopian paths to utopian justice

.Find out more:

Website: https://leapingtigerpress.com/
Facebook: https://www.facebook.com/profile.php?id=61560368953572
Instagram: https://www.instagram.com/arielle.emmett
X: https://x.com/aemmettphd
Goodreads: https://www.goodreads.com/book/show/216676221-the-logoharp

Logoharp Blog Tour
Logoharp Blog Tour

Praise:

“In Arielle Emmett’s fevered imaginings one great and ancient state is able to dominate the rest using an unbeatable secret weapon. Logoharps. Creatures able to see into the future, ensuring the state is always a step ahead. That is, until one rebels. Imagine Mona Lisa Overdrive meshed with The Wind-Up Girl. That’s the kind of sci-fi ride you’re in for with The Logoharp.”

– Kevin Sites, author of The Ocean Above Me

The Logoharp offers a thought-provoking experience for those willing to confront unsettling truths. Some may find comfort in the familiar illusions of their own “Matrix,” while others may feel a revolutionary spark ignited within them. Ultimately, this novel serves as a mirror, reflecting each reader’s willingness to either accept the status quo or challenge it.”

– Literary Titan

“A hugely ambitious vision of a time in which America is a Chinese colony, almost anyone over 50 is sent off to die in a cozy ice-sled, and journalists are tasked with chronicling a future which then comes to pass.  If you’re fascinated by technology and by glimpses of where we’ll be a hundred years from now, look to a new hero, Naomi.  She’s the half-human cyborg reporter who believes in truth, foresees the future and, in desperation, rebels against it.”

–Beverly Gray (Executive Board Member, ASJA)

“In the world of The Logoharp, there is no security, not even an objective reality, only the reality created by journalism in reverse. Emmett’s’ novel creates a troubling vision of media that borders on propaganda in an AI-filled future.”

—Hamilton Bean, Ph.D., author of No More Secrets: Open Source Information and the Reshaping of US Intelligence (Praeger).

“Prepare to be swept away by an imperfect yet wildly relatable heroine. This ancient, futuristic world will make you angry, frustrated, hopeful, in love, and inspire an uprising within.”

—Grace Diida, L.L.M., Venture Capital Research

“Loved The Logoharp! It’s genuinely original, disturbing in a provocative way, occasionally funny and erotic, creative and well-paced — and I can’t get those ice sleighs out of my head! Naomi is one strange —and beguiling—heroine.”

—Laura Berman, feature writer, retired columnist, The Detroit News.

© 2025-  Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

10 Questions with Barbara Southard, author of Unruly Human Hearts.

Synopsis

Elizabeth Tilton, a devout housewife, shares liberal ideals with her journalist husband, Theodore, and her pastor, Reverend Henry Ward Beecher, both influential reformers of the Reconstruction era. She is torn between admiration for her husband’s stand on women’s rights and resentment of his dominating ways. When Theodore justifies his extramarital affairs in terms of the “free love” doctrine that marriage should not restrict other genuine loves, she finds the courage to express her feelings for Reverend Beecher. The three partners in this triangle struggle with love, desire, jealousy, fear of public exposure, and legal battles. Once passion for her pastor undermines the moral certainties of her generation, Elizabeth enters uncharted territory. Telling the truth may cost her everything. Can a woman accustomed to following the lead of men find her own path and define her own truth?

unruly human hearts cover
Unruly Human Hearts

You can pre-order Unruly Human Hearts at Amazon. (January 28, 2025)

What drew you to become a professor of history?

My parents moved from New York to Hawaii when I was a teenager and I was fascinated with the multicultural society of the 50th state, including people of Hawaiian ancestry, descendants of white missionaries as well as people whose ancestors came from China or Japan to name only a few. When I entered the University of Hawaii, I was already very interested in Asian cultures, and the study of history seemed to be an ideal avenue to gaining an understanding of cultures so different from my own. I applied for an East-West Center scholarship for graduate work, which covered a year of research in India.

How did you end up teaching at the University of Puerto Rico?

My husband, who is an economist, was offered a job at the University of Puerto Rico. I had finished my course work at the University of Hawaii, but I was just starting to write my dissertation on the nationalist movement in India. After finishing my PhD, the Social Sciences Department at the University of Puerto Rico invited me to teach courses on Asia. Eventually I was offered a position as an Assistant Professor in the History Department.

Tell us more about your career as a historian and your work to highlight women’s struggles in both the United States and India.

At the University of Puerto Rico where I taught courses on both Asia and the United States with an emphasis on social history, it was a challenge to become fluent in Spanish and to interpret not only Asian culture but also American culture to my students. Although my dissertation was on the nationalist movement, my later research centered on the women’s movement in India. After receiving a Smithsonian Institute grant for research in India, I was able to complete my book on the struggle for women’s social and political rights in northeastern India titled The Women’s Movement and Colonial Politics in Bengal, 1921-1936. In addition to many academic articles on social themes in Indian history, I published a study of the impact of the gospel of love on the position of women in the United States as seen in the case of Elizabeth Tilton. I also wrote short stories exploring social conflicts set in India, the United States and Puerto Rico, mostly written from the perspectives of women and girls.

How did the views expressed by students in a graduate seminar you taught on the social history of the United States influence your decision to explore the Beecher-Tilton scandal more deeply?

At first my students didn’t seem interested in the famous 1875 trial, but once I mentioned the scandal had similarities to Bill Clinton’s impeachment for the alleged cover-up of sexual intimacies with Monica Lewinsky, they began to participate actively in the discussion. A young man pointed out that both the president and the reverend survived the scandal. Yeah, said a young woman but what about Monica and Elizabeth? My student’s suggestion that Elizabeth may have fared worse than her male lover inspired me to delve deeper into the social context of the scandal. As I immersed myself in the sources to understand the challenges Elizabeth faced because of gender inequality, I found that my own multicultural experiences, during the many years spent in Hawaii and Puerto Rico as well as the year doing research in India, were very helpful, enabling me to imagine how Elizabeth felt in an epoch with values very different from the present day.

What was the research process like to bring Elizabeth Tilton’s side of the story to life? I know that during the civil trial that she wasn’t allowed to speak, being that she was viewed as the damaged property of her husband in the case.

Many of the historical studies of the Beecher-Tilton scandal picture Elizabeth as a weak personality, a woman who gave in to both her husband and her lover and couldn’t keep her story straight. As I read more about the Victorian code of conduct for women, I felt that this version of her character was simplistic if not misogynistic. I attempted to come to grips with the challenges Elizabeth faced because of gender inequality in an article I wrote for a history journal, but I finally decided that the best way to do her justice would be to write a novel telling the story of the scandal from her perspective. Although Elizabeth was not called to the stand during the 1875 trial, there are three important primary sources that reveal her point of view: her personal letters, which her husband published in the press without her permission, her testimony at the church investigation, and the testimony of those who spoke of her at the trial. Once I decided to write a novel, I had to immerse myself once again in the historical sources. This second time, I was concentrating not only on understanding the social issues, but also submerging myself in the feelings and thoughts of Elizabeth and her two lovers, imagining scenes in which the main characters interacted.

Unruly Human Hearts is a work of fiction but based on a true story. How much of what we find in the book can be considered fact, or as fact as can be, considering the era and limited sources of coverage of events?

The novel covers the period from 1866, when Elizabeth, then in her early thirties, first developed romantic feelings for Henry until her death in 1897. There are many primary sources for the period from 1866 through the trial of 1875, including personal letters, trial records, and the press. The events and the people whose actions and personalities are revealed in these records function as the framework for my novel. However, the sources do not consistently tell the same story. The public testimony of the protagonists often provides conflicting narrations of what happened in what order, as well as conflicting interpretation of the motivations of those involved. Historians who have written books involving the Beecher-Tilton scandal also have different interpretations. As a writer of historical fiction, I had to make judgment calls. Elizabeth’s life after the 1875 trial, covered briefly in the final pages of the novel, was more difficult to envision. Although several historical sources are available, including obituaries and her letter of confession published in 1878, writing about her final years required greater creative effort.

Free love is somewhat of a key factor of the Beecher-Tilton scandal, a scandal perhaps in part because of Victoria Woodhull’s being the one to put it to print making it of greater public knowledge. Can you perhaps give our readers a little idea of what “free love” means in the context of the book and the movement at the time?

The basic idea of free love in the Reconstruction era was the freedom to choose whom to love and to express true love in a sexual relationship outside of marriage. Those who espoused free love believed that government should not interfere in matters of the heart, because the question of who loves whom cannot be legislated. Some feminist leaders supported free love because they believed that marriage and divorce laws unfavorable to women often imprisoned them in injurious abusive relationships. The radical feminist, Victoria Woodhull, denounced the hypocrisy of male leaders (including Reverend Beecher) who indulge in sexual affairs while publicly advocating conventional morality. Most supporters of free love in the nineteenth century did not advocate promiscuity; they couched their beliefs in terms of individual freedom to express true love. The concept of free love was similar in some respects to the concept of open marriage in the latter half of the twentieth century in which one’s spouse was viewed as the primary partner, but married couples were free to express love for others. Elizabeth viewed her husband, Theodore, as her primary partner, and Reverend Beecher as another love that enriched her life and deepened her love for her husband.

Each of the characters in the triangle’s relationship to free love comes from a different angle. We have the first prominent preacher in America, a newspaper editor and abolitionist, and an American suffragist. How did each reconcile the doctrine of free love with their religious beliefs and perhaps positions in society?

Reverend Beecher’s experiences as a young child, when his father instilled in him the fear of being a sinner predestined to go to hell, encouraged him to advocate replacing the Calvinist doctrine of retribution with the gospel of love. The gospel of love inspired him to preach against slavery and in favor of guiding children through love not corporal punishment. Henry’s sermons comparing God’s love with the tender care of a mother inspired Elizabeth and helped her see the feminine role as crucial not only within the family but also in building a better society. Her motivation to join the suffrage movement was the belief that women would vote to help those in need. Although the gospel of love and the concept of free love had separate origins, Henry and Elizabeth saw a connection between the two. True love of one human being for another could not be sinful. Whereas Elizabeth and Henry emphasized Love as the guiding spiritual and ethical principle, for Theodore, it was Truth. Conventional moral teachings restricting love outside of marriage led to lies and concealment that poisoned personal relations. Theodore believed that non-interference of the government in personal love lives was a necessary social reform, and thus advocated free love as well as suffrage for women and former slaves.

Elizabeth was involved in the suffrage movement, as was her husband, what did the scandal do for/to the movement?

The women’s suffrage movement was going through a difficult period in the eighteen seventies. Many suffragists had hoped that that the fifteenth amendment would include voting rights for women and former slaves, but the amendment only awarded suffrage to freedmen. The movement had to regroup and form new alliances. Initially Susan B. Anthony and Elizabeth Cady Stanton, both of whom were friends of Theodore and Elizabeth, were enthused when Victoria Woodhull, a charming and charismatic young woman of working-class origins, brought new energy into the suffrage movement. However, they later realized that her advocacy of radical social issues, including free love, was alienating supporters. Victoria had a key role in the exposure of the Beecher-Tilton scandal. She denounced Beecher as an ardent supporter of free love who concealed his true beliefs so as not to endanger his career and social position. Public fascination with the role played by prominent men with progressive views on women’s rights in the Beecher-Tilton scandal, was fodder for conservatives who painted the campaign for women’s suffrage as a movement associated with dangerous radicals whose aim was to destroy the social order.

Any good book based on historical facts can and should teach you something that has some relevance to current times. How is Unruly Human Hearts relevant today?

The story of Elizabeth is relevant to concerns about individual freedom and social ethics in modern times. The emergence of creeds of sexual liberation and open marriage in the second half of the twentieth century raised questions about whether free love is liberating for women. Many women were economically dependent on men, which made it difficult for them to insist that men grant their partners the same sexual freedom that they claimed for themselves. The MeToo movement that emerged in the early twenty-first century points to the problems implicit in a sexual relationship in which one partner enjoys the advantage of power and position. Elizabeth insisted that her tie with Reverend Beecher was based on true love, but her husband saw it as a pastor taking advantage of a deeply loyal member of his flock. On the other hand, Theodore was oblivious of the power dynamic in his marriage to Elizabeth. He justified his own extramarital affairs as a legitimate expression of free love but applied the double standard to his wife. If our society continues to make progress toward gender equality, we can hope that women involved in open marriages or polyamorous relationships do not undergo the same heartbreak that Elizabeth experienced.

What is your next project about?

I am reworking a historical novel set in New York in the roaring twenties, a period in which women enjoyed new freedom to pursue romance as well as a career of their own. The heroine, a young aspiring poet, suffers violent mood swings, which make it difficult for her to comprehend the new limits of acceptable behavior for women. Aggressive psychiatric treatments compound her problems. The transition from adolescence to adulthood appears to be a maze to the young protagonist who must make her way through a looking glass world in her struggle to achieve autonomy and commitment.

You can pre-order Unruly Human Hearts at Amazon. (January 28, 2025)

Barbara Southard
Barbara Southard

Author Bio:

Barbara Southard grew up in New York, earned a PhD from the University of Hawaii, and served as professor in the History Department of the University of Puerto Rico. In addition to academic publications on women’s history, she is the author of The Pinch of the Crab, a short story collection set in Puerto Rico, exploring social conflicts of island life, mostly from the perspective of women and girls. In her debut novel Unruly Human Hearts, Barbara once again explores social conflict from the point of view of the woman involved in a different place and epoch. She has also been active in raising funds for the Shonali Choudhury Fund of the Community Foundation of Puerto Rico, helping local community organizations working to protect women from domestic violence.

Find out more: https://www.barbarasouthard.com/

Facebook: https://www.facebook.com/BarbaraSouthardAuthor

Instagram: @barbara.southard45

© 2025-    Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

8 Questions with Raemi A. Ray, author of Widow’s Walk.

Synopsis

Attorney Kyra Gibson has a lot on her mind this Thanksgiving. She’s been working long hours on a multi-billion dollar corporate merger, her family is visiting from London, and her relationship with former police detective Tarek Collins is heating up. When she and her companions are invited by her aristocrat client to attend a formal gala at a historic mansion on Chappaquiddick, Kyra reluctantly agrees.

But Chappy is more than just a playground for the wealthy. It’s a wild, remote place cut off from civilization. When the first body is found, the occupants are worried. Was it an accident or murder? When a second guest is brutally killed and then a third, there’s no doubt and the guests fearfully turn on each other. They are locked in a house with a murderer picking them off one-by-one. Kyra, her best friend Chase Hawthorn, and Tarek must survive the night and find the killer, or one of them could be next.

Widow's Walk book cover
Widow’s Walk

You can get Widow’s Walk at Amazon.

Where do you get inspiration for your stories?

Most of my plots are pulled from headlines, and then I add in the murder.

Your book is set in Martha’s Vineyard. Have you ever been there?

Yes, I’ve been visiting the island for years and this series is a sort of love letter to it. It’s one of my favorite places.

Do you have another profession besides writing?

I do. In my other much more boring life, I’m an IP lawyer, not unlike my protagonist.

What genre do you write and why?

I write mystery/thrillers. I simply prefer writing plot over emotional journeys and mystery and thriller lend themselves to plot focused stories.

Which was the hardest character to write? The easiest?

The hardest character is actually my FMC, Kyra. The book is told from her perspective and sometimes I have to remember to be in her head, to remember she’s not privy to everything I know, especially what the other characters are thinking. The easiest is a tie: between Cronkite and Ali, Kyra’s aunt. Cronkite is the epitome of “cat,” and Ali is the sister I’d want if I had one.

If you could put yourself as a character in your book, who would you be?

If I were to write myself in, I’d write myself as a victim who gets her revenge from the grave. I think I’d be a beloved, local writer who, after an ugly exchange with an unruly summer visitor at a popular Vineyard Haven diner, met a very bloody, untimely death at the hands of the unpleasant woman. As the murder investigation progresses the murderess’s world is destroyed. Obviously, I’ve never been bowled over by an aggressive tourist at The Black Dog Tavern. Nor am I petty. It’s complete fiction.

What’s the scariest thing that ever happened to you?

A few years ago, I trespassed (broke into) a deserted asylum for children. It looked like it’d been abandoned overnight. Toys were on the floors. Artwork hung on the walls. The library’s books were strewn about, beds pushed up against the walls haphazardly. The cherry on top, though, was someone had staged a huge clown doll on the roof of one of the buildings. I’ll have nightmares of that clown’s manic grin for life.

What is your favorite thing to do in the autumn?

My favorite thing to do in the autumn is tea, coffee, or a glass of wine by the fire with a book. I love a wood burning fire when it’s chilly out. It’s so comforting.

You can get Widow’s Walk at Amazon.

A Chain of Pearls
A Chain of Pearls

When the body of a celebrated journalist is fished from the Edgartown Harbor, the official report rules his death accidental. But why was he alone on a senator’s yacht during a nor’easter? That’s only the first question London-based lawyer Kyra Gibson has when she arrives on the idyllic island of Martha’s Vineyard to settle her estranged father’s affairs. AMAZON

 

The Wraith's Return
The Wraith’s Return

London based lawyer Kyra Gibson returns to Martha’s Vineyard and the beach house she inherited for an extended summer holiday. Still reeling from her father’s brutal murder and the role she and the handsome detective, Tarek Collins played in uncovering it, Kyra is hopeful for some peace and quiet. But when a summer squall reveals the wreckage of the pirate ship, Keres, rich with rumored treasure, all hopes of peace are dashed. Conservationists and treasure hunters descend on the exclusive island to lay claim to the ship. When two of the salvagers are killed, Kyra and Tarek’s friend, pub owner and amateur historian, Gully Gould is arrested for murder. AMAZON

Raemi A. Ray
Raemi A. Ray

Author Bio:

Raemi A. Ray travels to Martha’s Vineyard and around the world inspire her stories. She lives outside Boston. When not writing or traveling she earns her keep as the personal assistant to the resident house demons, Otto and DolphLundgren.

Find out more: https://raemiray.com/

Facebook: @raemiray

Instagram: @miss_raemi

Raemi A. Ray Blog Tour-October
Raemi A. Ray Blog Tour-October

© 2014-2024- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

11 Questions with Joanne Howard, author of Sleeping in the Sun.

Synopsis from Amazon

When two visitors arrive to the boarding house in India where an American boy is coming of age during the British Raj, truths unravel, disrupting his life and challenging the family’s sense of home. A unique historical angle ideal for fans of The Poisonwood Bible and The Inheritance of Loss.

In the last years of the British Raj, an American missionary family stays on in Midnapore, India. Though the Hintons enjoy white privileges, they have never been accepted by British society and instead run a boarding house on the outskirts of town where wayward native Indians come to find relief.

Young Gene Hinton can’t get out from under the thumb of his three older brothers, and the only person he can really relate to is Arthur, his family’s Indian servant. But when Uncle Ellis, a high-ranking British judge, suddenly arrives and announces he’ll be staying indefinitely in their humble house, far from his prestigious post in Himalayan foothills, life as Gene knows it is interrupted. While his brothers are excited at the judge’s arrival, he is skeptical as to why this important man is hiding out with them in the backwaters of Bengal.

Also skeptical is Arthur. Then an Indian woman appears on their doorstep—and, after growing close to her, he learns the sinister truth about the judge. Torn between a family that has provided him shelter, work, and purpose his whole life and the escalating outrage of his countrymen, Arthur must decide where his loyalties lie—and the Hintons must decide if they can still call India home.

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Sleeping in the Sun
Sleeping in the Sun

Sleeping in the Sun is a novel impossible to put down. A cinematic study of imperialism and the scars it has left. An outstanding debut.”—Willy Vlautin, author of The Night Always Comes and The Motel Life

“This is at once a gripping page-turner and book to savor and admire. It will light up your imagination and endure in your mind alongside all the memories from your real life. I was sad to see it end but delighted to welcome this impressive new voice into American literature. Joanne Howard is a writer to watch.”—Valerie Laken, author of Dream House and Separate Kingdoms

You can get Sleeping in the Sun at Amazon.

Imagine you have only a brief minute to tell someone what your book is about. Can you tell us, in two sentences, what your book is about and make us want to read it?

An American boy comes of age in the last years of the British Raj⁠. Little does he know in this turbulent time that his family’s long-standing Indian servant may have ambitions to serve himself for once⁠—for better or worse.

Why did you need to write this story?

I would like to see more historical novels set in non-western countries. I have never seen a novel about Americans in India, so I wanted to explore what a story about that would mean. And of course, I like to think of it as a nice tribute to my grandfather.

Where is the setting for Sleeping in the Sun?

1930s Midnapore, India. Midnapore is a small city outside of Calcutta.

How did the Hinton’s purpose as Christian missionaries determine their place in the white society of British India?

As American missionaries, the Hintons occupy an unusual space in society. They are not well off, as can be seen by their humble living standards, and they aren’t particularly interested in climbing the ranks of British society. The boys are rowdy and rough around the edges, and the house is a bit out of town so they aren’t really included in social circles. The boys also go away to boarding school, which is yet another way they are considered outsiders in Midnapore. The book doesn’t show them interact with many British characters except of course for Judge Ellis, who takes an unusual liking to them.

How do the actual people of India see Christian missionaries in their society and culture during the time of Sleeping in the Sun?

It varied. In my family’s experience, they actually didn’t have much luck converting many people. Often times, if an Indian person converted on their own, they were ostracized by their community. So missionaries had more success if they converted an entire tribe or village. For this reason, my family mainly worked with indigenous tribes. In large urban areas like Calcutta, the attitude toward missionaries and white foreigners in general was less favorable. The Indian people had already pressured the Raj to move their capital out of Calcutta to New Delhi, and that anti-Raj sentiment carried over to missionaries too. However, my family was generally well liked and respected by Indian people in Midnapore, whether they were part of their church or not. Unlike the Hintons who stick to themselves through much of the novel, my family was very involved and did a lot of business with Indian people in the community.

If you were to be one character in your book, who would you choose and why?

I have a soft spot in my heart for Lee, the third Hinton brother. He acts as the voice of reason in the book. He has an easygoing, gentle demeanor and guides Gene as they try to make sense of the events that happen in the novel.

As a former history teacher and historian, I’m always interested in how an author researches to ensure the accuracy of culture and period. What was your process like?

My family is incredible at preserving everything, so I had a lot of firsthand accounts to inform me. My grandfather’s childhood diary, my great grandfather’s autobiography, and stacks of vintage photographs were of huge help, but of course it was up to me to imagine the characters in the way I wanted to and that would best serve the story. But for Arthur’s character, who is an Indian man and therefore outside my own lived experience or personal connection, I just tried to absorb as many works of Indian literature that matched his background and the time period, and two books especially inspired his character: The Autobiography of an Unknown Indian by Nirad C. Chaudhuri and Pather Panchali by Bibhutibhushan Bandyopadhyay. For setting, I traveled to India in 2018 for three weeks. I got to visit the street where my family lived, their mission’s church that is still standing, and other places that appear in the novel like Howrah Station and the Maidan in Calcutta. Lastly, I had a sensitivity reader who checked for blind spots.

What will connect the reader to the story and make them want to keep reading the story?

The multicultural and international aspect of the characters I hope will appeal to a variety of readers. My favorite historical novels are very immersive and escapist, so I hope that I have also brought the time and place to life well enough. I think I have because in fact, one of my early readers really asked me if this novel was based on my own life. I said, “Do you mean did I live in India in the 1930s?” And then lastly, I think that the novel explores the different definitions of identity, belonging, and spirituality. There is no one right way to be, and the novel offers many answers that can appeal to different readers.

What did you learn about yourself by the end of the book?

Early in my MFA program, a professor said that the story will take you where it wants to go. At first I sort of laughed at that idea, because surely as the author I’m in control of everything, right? But I really did experience the story going in different directions than I intended. I would just get this spark of an idea that was totally different than the outline I had so carefully plotted. So I learned that I’m not as in control as I thought.

Many first-time authors of a book have a problem letting their work enter the world for others to read. I know I did. Did you have difficulty deciding your book was ready to publish?

Not really. Although I did work on it for at least 6 years, I think I was always aware of some kind of finish line that I would come to eventually if I just checked off all these things. Every round of editing was correcting for a different fault, whether it was eliminating passive voice or clarifying character movements, so it did always feel like I had a plan. I guess I was very objective in that sense.

What’s your next project idea?

A contemporary novel that’s a bit closer to home.

You can get Sleeping in the Sun at Amazon.

Joanne Howard
Joanne Howard

Author Bio:

Joanne Howard is an Asian American writer from California. She holds an MFA in writing from Pacific University. Her poetry received an honorable mention from Stanford University’s 2019 Paul Kalanithi Writing Award. Her fiction has been published in The Catalyst by UC Santa Barbara, The Metaworker Literary Magazine and the Marin Independent Journal and her nonfiction has been published in Another New Calligraphy and The Santa Barbara Independent. She lives in Santa Rosa, CA. Find out more at her website.

Find out more: https://www.joannehowardwrites.com/

Facebook: @joanne-howard

Instagram: @joannesbooks

© 2014-2024- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

10 Questions with Keith McWalter, author of Lifers.

Electric with compelling action and trenchant social commentary and perfect for fans of Nikki Erlick’s The Measure, this genre-straddling work of speculative fiction examines ageism from a new and challenging perspective.

In the year 2050, the man known as Zinn is on the run from the consequences of his greatest creation: an artificial genome that wildly increases the human lifespan. His “Methuselah gene” has gone viral, and he’s being hunted by Adele, a semi-retired CIA biowarfare specialist who hopes to find a way to reverse the genome’s effects before it’s too late.

As the longevity plague spreads, populations explode, economies are upended, and intergenerational resentments boil over. Adele searches for a cure while her former lover, Dan Altman, and his wife, Marion, wealthy political operatives both, become leaders of a movement of hundred-plus-year-old “lifers” and fight to create a sanctuary for the ultra-aged in the wilds of Colorado. Meanwhile, the Altmans’ son, Nolan, thinks he has the answer to the longevity crisis: a suicide pill that kills after one year, a death wish algorithm that will influence the super-aged to take it, and his beautiful daughter, Claire, who is a spokesperson for the growing anti-lifer backlash and the head of the federal government’s new Department for Longevity Management.

Combining a hugely topical premise with a vein of social-political satire, Lifers evokes a world where society’s ingrained ageism turns lethal and the fear of death is replaced by the challenge of living on . . . and on.

Lifers Cover
Lifers

If Ann Patchett wrote sci-fi, this is what it might look like. What does it mean to live forever? To you? To your loved ones? To your country? To the world? A great read with a thought-provoking premise, and a sure-fire conversation starter for that dinner party you’re dreading.

-Arlene Dillon, journalist and former President of the White House Correspondents’ Association

You can get Lifers at Amazon.

You have only a brief moment to tell someone about your book. Can you tell us, in two sentences or less, what Lifers is about and and make us want to read it?

When a rogue scientist’s longevity gene goes viral, the boomer generation suddenly stops dying, and a multigenerational family must confront the personal, social, and political consequences of potential immortality.

Lifers blends grounded science with near-future imaginings to examine ageism and the quest for longevity in a startling new light.

Why did you need to write this story?

Like so many of us, I’m attracted to the idea of living a long and healthy life, so I’ve read fairly widely in nonfiction accounts of longevity science and its practical applications.

Two things struck me about most discussions of longevity enhancement: increased longevity tends to be viewed as a luxury product for the rich and the few; and no one discusses the economic and social stresses that a radically longer (even if healthy) lifespan would impose on individuals, on families, and on society at large.

I wrote Lifers to dramatize those unspoken implications, and to examine ageism from a different perspective in which extreme longevity becomes commonplace and there are so many super-aged individuals that they become a problem — and a force — that must be reckoned with.

Why did you choose strong females as the protagonists who move the plot of the story?

For whatever reason, perhaps having to do with the influence of my super-competent mother and my independently-minded spouse, I find that writing from a female point of view comes easily. The challenge, of course, is not to presume too much understanding of women’s unique experience, and to maintain a stance of humble empathy as a writer.

The women protagonists in Lifers are of different generations, and I wanted to use female relationships to illustrate both how conflicts happen across generational lines, and how those conflicts can be resolved through uniquely female skills.

There are multiple settings/locations in Lifers, what research did you do to create that world for the reader to immerse into?

I’m fortunate to have traveled broadly and lived in multiple urban settings, so the locations in Lifers are all drawn from real places that I know well and love, and I had to do very little research about them.

With limited resources on the planet, what would be the solutions to the problems extended life would bring and just how far do we go?

Lifers is an attempt to imagine answers to this very question, but in the novel longevity accelerates very suddenly, and I can only hope that in real life we’d have more time to adapt to the challenges of having billions more humans on the planet, and millions more people in their second century of living. Overpopulation and strains on the medical system would be the most pressing problems, with the effects cascading into personal and national finances. Economies would have to find ways of putting able-bodied super-centenarians back to productive work, and housing would have to become much more communal and less age-stratified. At some point options for living off-earth (some of which are depicted in the book) would hopefully become available. This all assumes that government remains democratic and rational, and doesn’t descend into even worse divisiveness than we’re witnessing today.

What will connect the reader to the story and make them want to keep reading the story?

The characters. No matter how interesting the premise — and I think the premise in Lifers is very compelling — it’s the connection to the characters that keeps a reader engaged. I’m proud of the cast of characters in the book, and think they’re varied and sympathetic — and realistic — enough to pull the reader along to find out what happens to each of them.

How long did it take to complete Lifers?

About a year and a half.

You’ve said you would be a ‘Lifer’, a long-lived person if you had the choice. What would you do with that time?

I would write and travel, and perhaps work on a second career in politics, to try to bring some rationality back into our civil discourse.

Did you have difficulty deciding your book was ready to publish?

Not really, though “ready” is a relative term, and there were many, many revisions. Probably 90% of my editing occurs while writing. The most significant form of revision for me is, once all or most of the book is finished, to review the scene sequence to try to improve it to make sure the reader is drawn forward in the narrative at the right pace, and that characters have been fleshed out enough. On Lifers I ended up adding quite a few chapters and scenes. But in a sense no book is ever really finished. There are still things I would change or add to it.

What is your next project idea?

I’m beginning to think about a sequel to Lifers that would take off from the book’s conclusion, where a very specific form of time travel — actually, collective memory travel — becomes possible. I want to depart from the current fabulistic trend where time travel just “is” — it’s an unexamined premise, not a plausible process (I’m thinking of The Ministry of Time and Sea of Tranquility). The whole trope of time travel has become a rather tedious cliché and needs some new life injected into it. So that’s my next mission: make time travel believable again.

You can get Lifers at Amazon.

 

Keith McWalter
Keith McWalter

Author Bio:

Keith McWalter’s first novel, When We Were All Still Alive, was published in 2021. His essays have appeared in The New York Times, The New York Times Magazine, and the San Francisco Chronicle. He’s the author of two blogs, Mortal Coil and Spoiled Guest, which present his essays and travel pieces to a loyal online following. A collection of his essays, No One Else Will Tell You: Letters from a Bi-Coastal Father, won a Writer’s Digest Award for nonfiction.

Keith is a graduate of Columbia Law School and earned a BA in English Literature from Denison University. He lives with his wife, Courtney, in Granville, Ohio, and Sanibel, Florida.

Find out more: https://keithmcwalterwrites.com/

Facebook: @keith.mcwalter

Twitter: @kgmcwalter

Instagram: @kmcwalter

© 2014-2024- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

Questions with K. A. Kenny, author of The Starflower.

Step into a vast universe teeming with life, romance, heroism, and treachery as experienced and seen through the eyes of Gayle Zimmon. ‘Zim’, a young woman successful in war but naive to the machinations of the greater universe, returns from combat to confront genetically engineered humans and discover that she was sent to war not to win but to die.

While fighting the Aldrakin, Zim learns of a prophecy foretelling that the “Starflower,” her military call sign, will bloom “in the dark of the darkest night” but never know peace. Not one to accept ancient prophecy, after securing victory, she hopes to rekindle her romance with Mac and return to the peaceful life they left on the frontier.

But she is a major player in a galaxy-spanning intrigue she barely understands. Forces alien and cybernetic hold the stakes and align on both sides. Between dodging assassins, hostile planets, deadly robots, mystical aliens, and ancient relics, she must decide whether to continue running from her prophesied destiny-or try to live up to it.

Starflower
The Starflower

Get The Starflower at Amazon.

What genre do you write and why?

Science Fiction has unlimited possibilities for imagination and metaphor. It taps imagination well beyond other genres. It also challenges the writer to create realistic, unknown worlds.

There are many sci fi books out there. What makes yours different?

To my mind, SF is about dreaming the impossible dream. If we do that, nothing is beyond us. Much SF today is simplistic, pessimistic, and dystopian, i.e., unworthy of creative minds seeking to fly.

Which authors inspired you to write?

The old SF masters from H.G. Well to Arthur C. Clarke to Larry Niven, Phillip K. Dick, and Frank Herbert

How did you do research for your book?

I feel I’ve been researching my book all my life: wide experiences, meeting characters, reading everything, making contacts to touch base with, e.g., scientists and engineers, SF&F writers, medical techs, officers and enlisted from all the military services.

Which was the hardest character to write? The easiest?

My main character Zim was the hardest. I know and love her very much, so testing and hurting her brought me to tears a few times.

The easiest was probably Abramyan, the character I love to hate.

How are you similar to or different from your lead character?

My lead character manifests many of my daughter’s confrontational traits, my wife too, which may be why I instantly loved her. We are all in sync.

If you could put yourself as a character in your book, who would you be?

Probably Roland ‘Mac’ Mackenzie—loyal, intelligent, fearless, humble, Zim’s love from childhood.

In your book you make a reference to The Prophecy. How did you come up with this idea? 

The Prophecy is central to the plot, as it was in DUNE, but here it is a much more personal and threatening experience. I have a feeling we all live prophetic lives and, like Zim, may wish to escape them.

If your book were made into a movie, what songs would be on the soundtrack?

A lot of Irish instrumentals match the mood. I listen to them when I write. Think the movie Last of the Mohicans with Daniel Day-Lewis.

In one sentence, what was the road to publishing like?

Agents want something completely original just like what they last read and with a well-established market, i.e., no risks. Originality may be a hard sell.

Where do you write?

I have a writing loft and a wide-screen station beside a picture window overlooking the Rockfish Valley. Away from my station, I may take notes but do no serious writing.

In today’s tech savvy world, most writers use a computer or laptop. Have you ever written parts of your book on paper?

I understand that pen-and-paper writing draws differently on the mind than typing on a computer. That seems to be the case with me. If I’m having a problem with a scene or character, switching to my paper tablet takes care of the problem. Usually in seconds.

What is your next project?

I promised my readers a trilogy and am almost finished with the second book, Agent of Blue Star. Beyond that, I have two first-draft novels on hold: The Looalee and Facing Nabua.

What is the last great book you’ve read?

I read a lot of nonfiction to help understand human and inhuman societies as well as technology. In SF, Edward Lerner’s book InterstellarNet Enigma had a fascinating premise about human development. A very creative, SF thriller.

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K. A. Kenny
K. A. Kenny

Author Bio: (in his own words)

I am a husband, father, storyteller, and a Christian. I’m also a writer, an intelligence analyst, and a contrarian. My wife and I live with two large dogs in a mountain chalet in Virginia’s Blue Ridge Mountains.

I hold a BA and an MA in History from George Mason and George Washington University, respectively. In 40+ years with the CIA, I worked at every level from watch office and tactical operations to sensor development and informing national policy. Re-missioned from intelligence, I’m inclined to write science fiction.

I began storytelling at scout and church camp in my youth, recounting ghost stories or local lore around the campfire. These days, my restive characters want to tell their own stories. We often quarrel. When my wife sides with them, you know who wins.

Website: https://thestarflower.com/

Amazon:https://amzn.to/3M9LYcL

Goodreads:https://www.goodreads.com/book/show/194978667-the-starflower

K.A. Kenny Blog Tour
K.A. Kenny Blog Tour

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