Why Readers Stop Reading a Book.

Recently, we here at LitWorldInterviews.com conducted a survey, “Why do you put a book down?” and through the assistance of the writing community we had a very nice response of over 100 participants (I stopped counting.). Now it’s time to share what we found.

First, I want to say why the survey was conducted. We wanted to help writers by giving them the information they most need. If a reader takes the time to check out your book and don’t like it, they are unlikely to give you a second chance with your next work. First impressions mean a lot.

86.30% of those responding were Female, thus leaving the remaining 13.70% Male. Considering the majority of those reading novels are Female, although not quite this extreme, I’m comfortable with sharing what we found.

There were 34 sub-categories as a result of the survey. Those results were then placed into 5 main categories: Writing, Editing, Proofreading, Taste, and Other, with Writing providing the largest number of sub-categories and results.

68.49% of those responding noted some form of dissatisfaction with Writing as a reason for putting a book down.

26.03% gave Editing.

23.29% gave Proofreading.

17.81% was Taste.

2.74% was Other.

Let’s take a look at the Writing sub-categories first.

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The above pie chart shows the concerns in descending order of greatest number of mentions. The story being Dull was the most frequently mentioned problem with 25.29% of the mentions of the Category. Followed by actual Bad Writing, then Dull or Unbelievable Characters, Info Dump, and uses  of Profanity.

Let me speak about Profanity for a moment, this along with Gore, Violence, and Sex were all mentioned in the context of being included in the story for no apparent reason. Most of those who noted it as a concern stated they know these things occur in books, and even have a place, but the problem arose when the author was using them as obvious crutches in an attempt to hide poor writing and plot.

The subcategories of Writing Concerns as identified by readers are as follows in descending order: Dull, Bad Writing, Unbelievable Characters, Info Dump, Profanity, Over Describing, Violence, Weak Narrative, Confusing Beginning, Unexpected Sex, Gore, Weak Story, Bad Dialogue, Dashes, Racism, Poor Relationships, Head Hopping, Repetition, and Writing with Dialect Accents.

What does this tell us? The first thing that jumps out to me is that we as authors aren’t putting out books with stories that are capturing the attention of the reader. With a book done with professional intent behind it, a dull story should be the reason our books are not read. That’s right, we are not read because we just didn’t do a good job of telling our story. Maybe we didn’t have the right beta readers. Maybe they were too nice. Maybe they just went through the motions. Maybe they just aren’t that good at the task. Or maybe we should recognize our work isn’t that good. How about all of the above?

Let’s look at Editing Concerns

There were four subcategories for Editing Concerns: Actual Bad Editing, Plot Holes, Sentence Structure, and No Scene Breaks for Time Lapses.

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The bad thing about writing a novel is the author knows everything that is happening, even behind the scenes, the back story the reader never sees, and the in between scenes that happen. The problem this creates is hopefully caught during editing. A good editor can save a book from disaster. Fresh eyes see old mistakes that the author overlooks each time they’ve gone through each of the five drafts they’ve done.

An Editor is not responsible for rewriting a novel. I want to make that clear. They take what a writer gives them, looks for plot holes, sentence structure, weak story development, and things of that nature. They are not a Proofreader. I think people confuse the two, but having been associated with a professional Proofreader who has guest hosted here on the site, I know the difference.

If you pay an Editor they are to give you the tightest and most entertaining story they can from what you’ve given them. Of course you, as the author, can disregard everything, but that would be a foolish thing to do. I have a writing mentor who edits some things I give her at times. I take some of what she offers and disregard others because of the importance of what that means to the overall story, a story she isn’t fully aware of yet.

Notice I didn’t throw everything away, and I took into consideration what she said about the part I disregarded. I changed things to make that part seem more relevant to the story at that point, without giving anything away.

But what we get from this part of the survey is that readers notice editing of a book. The idea of not editing a book crosses the minds of Indie Authors. We’ve been through the book a dozen times. We know it’s just fine the way it is. Note the sarcasm I said those last couple of sentences with. I’m not saying it’s impossible to edit your own work, but you would have to be able to step away from the work long enough to see it with fresh eyes, several times. At least that’s my opinion. You also have to become slightly detached from this labor of love, in some cases.

Proofreading Concerns

There isn’t a need for a chart here. There were two sub-categories: Proofreading (66.66%), and Grammar (33.33%).

I have to say, this is an area I notice a lot in books. If there are proofreading problems in a book, they take me out of the story, out of the world created by the writer. Every book has a proofreading error, or perhaps a printing error, not so much on the printing these days with the modern printing methods, but back in the old days of typesetting, errors happened.

I’ve read several books for the purpose of reviews and I have put some down because of the proofreading problems. I honestly don’t think there was any proofreading conducted. You might get past the dull story, even some bad editing, but when you are constantly tripped up by spelling errors, punctuation, and all of that, you eventually become tired of it all.

Taste Concerns of the Reader

There were 7 different sub-categories placed under taste: Slow Beginning (30.77%), Tragic Ending (15.38%), Difficult Vocabulary (15.38%), Too Much Detail (15.38%), Back Story (7.69%), Genre (7.69%), and Cliffhanger Ending (7.69%).

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You won’t find two readers with exactly the same taste. They may have a discussion and it sounds like they are the same, but put five books in front of them and have them read them, I would be willing to bet you would get different opinions.

Some books, due to the nature of the story and world, may require a slow beginning. The trend is to jump right into action to capture the reader’s interest, but perhaps your story doesn’t fit that type of trend. Difficult vocabulary may be part of how a certain character speaks.

But I understand what the readers are saying. Sometimes the way things are done, they are not necessary. I think when it all makes sense, a reader is fine with it, but just as when people throw profanity or gore into a story, sometimes these tastes, other than perhaps genre, are signs of weak storytelling and plot.

Other

There were only two that fell into the Other category: Having the book available for Screen Readers, and Having a Misleading Book Description.

I think these are two very valid reasons to not read a book. As my eyesight fails I know it becomes more difficult to read. Some will say just get glasses, but this is due to medications I must take. Eventually I will likely not be able to see at all. But I love books. It would be a shame to not buy a book because it didn’t work with my screen reader.

As for a misleading book description? It may be the opinion of the reader as to the misleading nature or not. If it truly is misleading, I think the book needs removing or at least the description updated.

 Conclusion

What all did we learn from the survey? Good writing and story, with good editing and proofreading will make for a page turner.

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by Ronovan Hester